August Wilson Fences Literary Devices

To begin, in the play Fences the author reveals the impact that race has towards Troy by reminiscing on Troy’s past as a baseball player and his experience with racial discrimination.  Towards the beginning of the play, Troy starts to talk about how his son Cory wants to play football in high school and pursuit it

August Wilson uses baseball ideology to construct the mindset of his protagonist, Troy Maxson, in “Fences”; however, Wilson also uses Troy to embody black America in the 50s. The metaphorical and literal significance of baseball is the driving force Troy’s subjectivity and ideology. Whether it be comparing death to baseball pitch, warning his son to not strikeout, or complaining about being stuck on first base, Troy uses baseball to explain life to those around him. Ironically, it is baseball that actually leads to Troy’s psychic castration. Although Troy was older when he was released from prison and playing in the Negro leagues, racism held younger players from competing with white Americans and there is no doubt that Troy saw this as what held him back as well. Unable to play in the major leagues bitters Troy’s attitude towards life and affects his relationship with his son, Cory, and wife, Rose. While on a micro level, the rules and mechanics of baseball have a negative impact on Troy’s mentality, on a macro level Troy’s loyalty to the game can be seen as an empowering force for black America in the 50s. The idea of not striking out, and the fetish of the home-run is meant to represent the black community’s resistance against society’s racism during this time. Although the ideology of baseball consumes Troy to the point of his own personal strikeouts, the ideology itself, and who Troy represents, is suppose to represent black America’s fight against a racist

In Fences, August Wilson introduces an African American family whose life is based around a fence. In the dirt yard of the Maxson’s house, many relationships come to blossom and wither here. The main character, Troy Maxson, prevents anyone from intruding into his life by surrounding himself around a literal and metaphorical fence that affects his relationships with his wife, son, and mortality.

Conflicts and tensions between family members and friends are key elements in August Wilson's play, Fences. The main character, Troy Maxon, has struggled his whole life to be a responsible person and fulfill his duties in any role that he is meant to play. In turn, however, he has created conflict through his forbidding manner. The author illustrates how the effects of Troy's stern upbringing cause him to pass along a legacy of bitterness and anger which creates tension and conflict in his relationships with his family.

The first time I read August Wilson's Fences for english class, I was angry. I was angry at Troy Maxson, angry at him for having an affair, angry at him for denying his son, Cory, the opportunity for a football scholarship.I kept waiting for Troy to redeem himself in the end of the play, to change his mind about Cory, or to make up with Ruth somehow. I wanted to know why, and I didn't, couldn't understand. I had no intention of writing my research paper on this play, but as the semester continued, and I immersed myself in more literature, Fences was always in the back of my mind, and, more specifically, the character of Troy Maxson. What was Wilson trying to say with this piece? The more that

In addition, "Baseball as History and Myth in August Wilson's Fences," this article focuses on the dramatization of "fences," by August Wilson . Wilson uses both history and mythology of baseball to challenge the legitimacy of the American dream. "Fences" takes place at time where baseball has finally become integrated. Wilson focus on the history of African American baseball that began in America during the decades following the civil war and continued in various form until 1947. In addition, Wilson uses Troy skills in the Negro Leagues to indicate that the American dream stays out of reach for people of African ancestry. Moreover, Troy points out an

The play Fences by August Wilson centers around the character of Troy, a middle-aged African-American man. Troy struggles to keep his family together, mostly as the result of mistakes he has made as a husband and parent. These mistakes reflect certain personality traits that make up Troy’s complex character, including his obsession with providing financially, his inability to love his family, and his stubborn insistence on others following the paths he decides for them. These character traits can be explained by the social, racial, and economic climate of the time. Fences takes place in late 1950’s Pennsylvania during the beginning of the Civil Rights Era, and Troy’s character is shaped by the disappointments that have come along with racism and economic difficulty, along with not being up to date on the changes happening in the Civil Rights movement. Although Troy and his character traits are responsible for the tragic decisions he has made, it is possible that the social context of the time has shaped him into the person he is.

August Wilson’s play Fences brings an introspective view of the world and of Troy Maxson’s family and friends. The title Fences displays many revelations on what the meaning and significance of the impending building of the fence in the Maxson yard represents. Wilson shows how the family and friends of Troy survive in a day to day scenario through good times and bad. Wilson utilizes his main characters as the interpreters of Fences, both literally and figuratively. Racism, confinement, and protection show what Wilson was conveying when he chose the title Fences.

Alan Nadel argues that the object of the fence in August Wilson’s play, “Fences” symbolizes a great struggle between the literal and figurative definitions of humanity and blackness. The author summarizes the play and uses the character Troy to explain the characterization of black abilities, such as Troy’s baseball talents, as “metaphoric,” which does not enable Troy to play in the white leagues as the period is set during segregation (Nadel 92). The author is trying to use the characters from the play as examples of black people during the segregation years to show how people of that time considered black people not as literal entities and more like figurative caricatures. Stating that these individuals were considered to be in a

The award winning play Fences is not just a work of fiction from the mind of August Wilson, but rather it is the reflections of a middle-aged man on his adolescent years. The majority of characters, places, and events are mirrored after real-life people, places, and history from Pittsburgh where Wilson grew up. Rather than creating a whole new world and characters for his third play, August Wilson infused his own personal childhood to form a story that could be related to by viewers and readers alike. Whether a Wilson consciously replicated elements of his history or not, the success of Fences, is due to the audience 's ability to relate to the characters and the circumstances of their lives.

Fences by August Wilson shows the evolving African-American experience during the 1950’s to the 1960’s. The main character Troy Maxson makes his living as a sanitation worker to provide for his family. Throughout Fences the audience can see how Troy’s past played a strong role in his relation with his sons and wife. Troy would eventually meet his ultimate demise after an altercation with his second son, Cory Maxson. Through Troy’s actions and relationships with his family, Wilson shows that as the determination of individuals clash it can lead to the decline of family relationships.

August Wilson’s Fences emphasizes on two main selections of otherness, one on racial otherness and one on generational otherness. Wilson’s play is a universal concept that many struggle with today. Parents try to look out for the best way to help their children be successful in life though at times failing to take into account of the child’s hopes, wishes and dreams. Troy used to be a skillful baseball player at his prime that was unfortunately discriminated against due to the color of his skin. Though the urging of his best friend and wife that “[he] just came along too early” (7, Wilson) Troy does not feel as if his son Cory’s athletic scholarship would be beneficial to him. Troy argues that “the white man ain’t gonna let [Cory] nowhere with

A life spent making mistakes is not only human, but expected when the life itself is seen as a mistake. While the main character, Troy, in Wilson’s play “Fences” elicits exclamations of disapproval from the readers, Troy’s background gives meaning to his poor decision making as a man, husband, and father in the 1950s. Troy’s thought process, loss of sense of self, and actions prove him to be a pure example of a black everyman. The black everyman bends under the pressure of having to be highly masculine while also living under the thumb of the white race. It is clear in every interaction Troy is in that he oozes sadness, while inwardly seething at the slightest implications of anyone around him reaching new heights. Thus making Troy’s character not only believable due to his hypocrisy, but also sympathetic as a result of the disadvantages he has lived through. I see a part of Troy in every black man I know, always wanting more, but never losing the awareness that it may be out of their grasp.

Fences is a short history written by the African-American author August Wilson in 1985, that follows a tragic flow and explores significant social issues like racism, family conflicts, mental illness and gender inequality that took place in the post- World War II era, and still affecting us today. To support his ideas, the author takes us into the life of its characters in order to examine their societal and self-imposed limitations; also, the effective use of symbols, setting and themes create a broad perspective of this societal issues analyzing its origin, developing and culmination, in order to let the readers make their own conclusions.

The world produces few tragedies with the common man as the tragic hero. Inundated with films and stories of heroes sensationalized to be larger than life, heroes called god of thunder and man of steel, the common man can only look at himself with skepticism and doubt. In this environment that never celebrates the ordinary as extraordinary, the common man can never imagine himself as or create a modern tragic hero, a hero that refuses to “remain passive in the face of what he conceives to be a challenge to his dignity” as he scours for his rightful place in the world (Arthur Miller). In line with this, in August Wilson’s play Fences, Troy Maxson cannot receive the title of tragic hero. Troy’s obstinate dismissal of the deterioration of discrimination in Major League Baseball and Troy’s decision to fence both himself and his son Cory into the prison of dreams withered by racism demonstrate how Troy succumbs to his tragic circumstances instead of choosing to fight against the racism he encounters as a hero would.