Augustus Propaganda Analysis

The settlement of 27 BC and 23 BC leave little doubt about where real power lay. The settlement through the two of these constitutional arrangements has some roles that it is needed to be conformed in the development of Augustus principate because they were a decisive role in the establishment of Augustus principate. Augustus has used sundry political strategies to obtain control in Rome. These successful strategies, has been suitably evolved in Augustus gaining his superior power in various districts essentially the Roman army and increasing the founding of his developing Principate. Two roles and responsibilities of the settlements are Judicial, Senatorial court plus two consuls tried people of high rank tried people of high rank and financial

From an historical perspective, this piece is an excellent example of early classical Rome. You can sense the respect and admiration that the average Roman citizen had for Augustus, in the fine details of the sculpture.

Based on this picture, or primary source, we can assume that the figure shown is a hero or a respected person in society. This person obviously was part of a higher level of society, judging by the fact that he has a statue made of him to allow his legacy to live. Statues usually signal some form of legacy or something that should be recognized. Based on my extra research, I have found out that Cincinnatus is said to have won a war against an entire army in one day, and triumphed over Rome. He then proceeded to resign and go back to his small farm. He was a hard-working civilian who took over as dictator for a short time to help out and

Augustus was brilliant in using such an important cultural outlet, art as a mean for expressing change. He was able to through art to convey to aristocrats and common people all, that this was new. That he was representing an irreparable shift of all roman culture. On his deathbed, Augustus quoted a playwright by saying “Since well I’ve played my part, all clap your hands and from the stage dismiss me with applause,” Augustus indeed deserves this applause he played not only his ‘part’ masterfully but acted as the playwright himself organizing all those closest to him into their own roles. Also, like any popular play, he was able to have it become part of popular culture. Therefore, building a lasting legacy that was universal in all of Rome during his era and still studied and admired to this

The Deeds of the Divine Augustus By Augustus can answer all sorts of questions regarding how Augustus portrays himself. Augustus views himself almost as the greatest among men. After the Julius Creaser was declared a deity he demanded that he be called creaser and saw himself as “Divi filius” or “the son of the divine”. Almost like he was trying to use godliness of the former emperor to ensure to be viewed more highly or even be considered a deity himself. Upon Augustus’s death, Augustus left behind three scrolls. One of which scrolls instructed to have all of his accomplishments on a list, to be inscribed upon tablets made out of bronze and to be placed in front of the entry to his mausoleum. This inclines that he wants to be remembered for

14 As Stamper argues, this is a significant aspect of portraying authority when one an emperor uses precedent of Rome’s founding 15 and this is shown by Augustus in commemorating the temple to Julius Caesar as a sign of celebrating his own triumph. The Temple of Julius Caesar sat on an elevated podium with rostra in front of the colonnade where prows of the ships captured from the Battle at Actium were hung.16 Similarly, the public rostra erected at the opposite site of the Forum also consist of captures obtained from the Battle of Actium and these rostra that faced each other act as a reminder of the glories of the old Republic and the achievements of the restored Rome under its new leader, Augustus.17 To reflect more of the idea of power, Augustus uses different architectural elements to deliver them. Similar to the nearby Temple of Castor and Pollux erected during the Republic, the Temple of Julius Caesar had a pycnostyle composition that consisted of six closely arranged columns with

Augustus is known to be the first Roman emperor, and the founder of Rome, known for politically transforming the Roman republic to the early Roman Empire. During his rule his influence on artwork and architecture illustrated a classical style, and often they was a reflection of the “public image” of his rule, as well as his “new agenda”. (115) Augustus was quickly seen as a restorer of Rome. Augustus commissioned many large scale building projects such as the Campus Martius, as well as elaborate pieces of portraiture that illustrate his power and the peace of the new Rome under his rule. Augustus acknowledged his power and wealth but at the same time never formally declared himself emperor in order to maintain his citizenship. Although he was keen on denying title of emperor, he emphasized that he was a descendant of the great Julius Caesar considering himself his adopted son and his predecessor, in which he reinforces in some of the temples he commissioned. Overall Augustus was seen as a man of change and power, the one who brought prosperity to Rome when it became shaken by the assassination of Julius Caesar. The age of Augustus brought forth a classical style, influenced by Greeks, and the usage of marble and concrete to create complex buildings and sculptures. This was important because as a result of Augustus’ reign Rome obtained a very classical style, in which would later be reintroduced in order to mimic his greatness by other Emperors.

The Arch of Titus is a massive triumphal arch, the earliest surviving free-standing arch, erected by Domitian in 81 CE to celebrate the victories and deification of his brother Titus. It has a single opening and appears to be taller than it is wide, with a large rectangular block on the top bearing the inscription, “The Roman Senate and People (dedicate this) to the divine Titus Vespasianus Augustus, son of the divine Vespasian” (see Image 1A). The phrase “Senate and People” suggests that is a gift from both the government and the common folk, connecting emperor Titus to both upper level leaders and his people. This would make Romans feel as though they had a say in this monument and, over repeated reading, cause them to believe that Titus is irrefutably divine without necessarily remembering where they heard this information. The inscription can be easily read from the ground, even from a great distance due to the thick, angular lines and large letters. The rest of the exterior lacks much ornamentation, other than the engaged columns framing the archway and the edge of the monument. These echo Greek success as well as other Roman monuments. The vertical columns as well as the apparent height of the monument draw the eye upwards to the inscription,

On the 23rd of September 63BC a baby boy was born. Little did his family know that this amazing child was going to be one of the greatest politicians in Rome, he was also going to touch the lives of many Roman Citizens and to be remembered by thousands of people many years after his death. He was to rule an empire that stretched from Spain to Judea. Turn the Mediterranean Sea into a peaceful Roman Lake and was eventually to be worshipped as a god. The future Emperor of Rome was called Gaius Julius Octavious, whom we all know now as Augustus.

Art is often used in propaganda regimes in order to convey a certain message. Many times that message is clear. However, in the case of Augustus, is his message straightforward? Was he telling people that he was a brave and godlike man with the Prima Porta? Or would he rather be known as the humble pontifex maximus? Or rather a man who works in conjunction with his family and the senate as seen in the Ara Picas Augustae? Certainly these different characteristics make it hard to pin point Augustus’s true message. What was Augustus really trying to say? Why keep himself young and idealized even as he aged? Why did he make divine symbols subtle? If he wanted the Roman population to view him as a god couldn’t he just force everyone to worship him? Well that would probably work in a world where assassination wasn’t an option. But, then again, was Augustus really the mastermind behind the propaganda? Maybe it was all Livia.

Augustus, during his reign as emperor proved effective in ruling through the ideas he implemented to solidify his country. Tacitus stated “nullo adversante” which translates into English “Wholly unopposed” (http://janusquirinus.org/Quotes/QuotesHome.html) this identifies the effectiveness of his reign and the strength he had politically over Rome. Important actions such as the creation of religious and moral reforms, the constitutional agreement and the implementation of the building programme all succeeded in creating stability within the Roman Empire.

Thirdly, the Arch of Titus presents Rome as well governed and powerfully led. In honor of Titus, who had died when it was built, this arch presents the ruler well. It shows him as powerful, equal with gods and fully supported by the senate. To support and reaffirm the people’s sense of security in their roman leaders, the sculptor uses techniques to create a god-like aura around Rome’s leaders. Titus is shown celebrating victory, leading a victory procession. He stands on a chariot with a winged victory, symbolically being led by a ‘valor’. He stands taller than these deities, symbolizing his equality to them. Additionally the ‘genius senatus’ stands behind the chariot. He is bearded which shows his age and wisdom. The presence of the senate member in the procession of Titus shows he has their support in his endeavors. This is propaganda, showing the romans that they are in a republic governmental system, not a

Augustus Caesar Works Cited Missing Augustus Caesar, the Rome's first true Emperor was the historical figure who had the greatest impact upon the western world between the dawn of civilization and the end of the middle ages. Augustus Caesar (31B.C. - 14 A.D.) was originally named Gaius Octivian, the name Augustus was granted by the Roman Senate, which means magnificent. The success of Augustus was he developed an honest government, and during his reign, he rebuilt many structures to improve the Roman Empire, which included temples and roads with classical style. He created an efficient postal service that encouraged free trade among the region. The soul power of Augustus had established him to distribute the long standing of

In this paper, I will describe the sculpture, Augustus of Primaporta, beginning with the Emperor’s head, one would note the definition of Augustus’ hair, individual locks that coalesce to form an idealized, dome-shaped style. His forehead displays two proportional, prominent bumps, likely muscles that control brow movement. His pencil-thin eyebrows are set quite low and impress a calm disposition.

The art and architecture in the Augustan regime fundamentally reflected the new order and glorified the position and power of Augustus. Initially, at the beginning of his political career, Augustus wished to portray himself appropriately, therefore devised a new image as the first leader of the restored Republic. The academics Walker and Burnett comment that this plan included the melting down of eighty silver statues of Augustus, as the metal was “considered inappropriate for images of living persons and should be reserved for gods” (Walker and Burnett, 1981, 17); the silver was then offered to the Temple of Apollo. Nevertheless, Augustus’ intention to limit the use of his image can appear to be