Aurelius Alphonse Love In Diane Setterfield's The Thirteenth Tale

The birth of a child is a truly magical occurrence. Once a baby’s gender is determined, either through ultrasound, or from the brief examination of a doctor, this small branch of a family’s inheritance, has already been designated with countless burdensome requirements to follow within their limited world. In regards to historical stereotypes, timid, little girls wear pink skirts and hair bows. These girls grow up to become housewives, who cook, clean and babysit the children. Meanwhile, boisterous young boys have the whole world to conquer and rule. The multiple responsibilities of a man are deemed as very important since he is the person who earns the family income. In contrast, Teddy, the main character of “The Fall of a City” by Canadian author Alden Nowlan, is a very inventive and quiet child, who uses his imagination to build himself a utopian escape in his dark, gloomy attic. He uses scrap paper to create the citizens of Upalia and cardboard to fabricate the radiant city of Theodoresburg. Eventually, Teddy’s aunt worries about what Teddy is constantly doing, hidden away from his family. His uncle heads to the attic only to discover the shocking revelation that Teddy has been playing with paper dolls and a doll house. Teddy’s uncle laughs and teases Teddy mercilessly, culminating in Teddy to go against his accomplishments and lose an important part of his individuality. Furthermore, the conflict between Teddy and his uncle is a manifestation of how many adults, such as

War cannot exist without hatred, and hatred cannot be soothed by more hate; it can only be masked by love. World War II was a time for darkness and death, injustice and inequality. People were subjected to acts of inhumanity and hatred, simply for being who they were, having thoughts and showcasing their opinions. Markus Zusak introduces characters such as Liesel and the Hubermanns, who live in Nazi Germany, in the midst of destruction and horror. The war deeply affects their way of living, bringing unwanted conflict in their lives. In The Book Thief, love is a prominent theme which works to hide and soothe the hatred brought along by the war; Max Vandenburg, a Jewish person, finds that the love shown to him by the Hubermanns overpower the hatred he faces because of how he was born, and Liesel and the Hubermanns learn that showing love when the war comes to Molching can help create a sense of comfort and safety.

Contemporaries Edgar Alan Poe and Nathaniel Hawthorne published their respective short stories The Tell-Tale Heart and The Birth-Mark only a couple of months apart. The Tell-Tale Heart is the personal account of a young man’s descent into madness as he becomes increasingly fixated on the eye of an older man, presumably his father. Similarly, The Birth-Mark narrates the story of a young couple, Aylmer and Georgiana, and how the latter’s birthmark becomes the obsession of the former. Poe and Hawthorne’s literary genre of Dark Romanticism opposes human perfectibility, and both writers employ symbolism, irony, similar characters and plot to convey the theme that obsessions will inevitably lead to destruction.

He never returned home so she thought that he was dead. She says that she was young and not necessarily ready to marry Roger when she did. She loved him but she wasn't in love with him. She did care about Roger because he asked her not to tell anyone that he was her husband and she didn't tell anyone. She respected what he wanted done and if she didn't care about him at all then she would have told everyone that he was her husband. She was in love with Arthur but could never confess that to anyone else besides him because she didn't want anything to go wrong for Arthur. Arthur was supposed to set a good example about how to deal with life and not to commit sins because he was the minister of the church in their city. Little did everyone know that he was the adulterous. No one ever suspected him of it because no know would've thought that a minister would do

The other reading of the story might be based on the maturing of a young woman. As it is probably the most important period in every adolescent's life, when they keep searching for their own identity, it should by strongly influenced by their parents. If it is not, a teenager starts looking for directions outside their home, and sometimes has difficulties with distinguishing what is good and evil. They are very often affected by

In the classical short story 'Among the Mourners', written by Ellen Gilchrist, a thirteen year old female deals with 'difficult' times. Aurora, the protagonist, is an average teenager who is faced with emotions of mortification and lust. 'Among the Mourners' conveys Aurora's feelings through the wake her parents have at her house, her new boyfriend, Giorgio, and her parent's marriage. Many times Aurora seems to be being over-dramatic through actions towards her family and boyfriend. Also, Aurora has the predisposition to tell lies, extend the truth, or even make her own belief up about a particular event. Finally, like any adolescent boy or girl, Aurora is boy crazy. Therefore, Aurora

In this novel Taylor is a dynamic character, we see her transform from a young girl who didn’t want to get married or have kids to an independent single mother. In the beginning we get to know her as a self-owned, determined and a stubborn girl who is focused, ambitious and thinks outside the box; because she knows firsthand what is like to see her mother struggle as a single parent. She learned to value every day because pregnancy was like a disease. An example of her considerate outlook is “believe me in those days the girls were dropping by the wayside like seeds off a poppy seed bun and you learned to look at every day as a prize” (3). This small but

Hayden uses the juxtaposition of the cold of the outdoors to the warmth of the home that the writer creates to present the father’s love for his child. Although the father did not demonstrate conventional love for the narrator but proved his unconditional love by putting a roof over the child’s head. The winter night is metaphor for the absence of love. Though the child did not comprehend the love the father had for them, they reminiscence upon how the would be left in the cold if the father did not meet the provisions. So the father’s love was not evident in displays of affection but meeting the needs of the child. Most fathers demonstrate their love in what seems like a harsh manner, working most of the time and not spending quality time to fulfil their first role as a father - the provider. Nevertheless as a transformation take place the role of the father or parent become replicated in the adult child. Through understanding the contribution of the caregiver; once empathic response to the parent increases. Hence it closes the gap of differences that exist within the child parent

Few relationships are as deep as those between child and parent. While circumstance and biology can shape the exact nature of the bond, a child’s caretaker is the first to introduce them to the world. And as they grow and begin to branch out, children look to their parents as a model for how to interact with the various new situations. Through allusion, potent imagery, and nostalgic diction, Natasha Trethewey constructs an idolized image of a father guiding their child through life’s challenges only to convey the speaker’s despair when they are faced with their father’s mortality in “Mythmaker.”

The Book Thief is set in Nazi Germany where showing the smallest acts of love and compassion were sometimes considered as crimes. Love is shown in the form of loyalty, camaraderie and love of family. Although, love is often thought to be romantic but love in The Book Thief is not. The novel is mostly controlled by death and cruelty. Showing love will always be stronger than hate because loving something comes more naturally to humans than hating. Markus Zusak suggests that love is ultimately stronger than hate, when Hans Hubermann slaps his foster daughter, Liesel Meminger, across the face, when Rosa Hubermann looks after Frau Holtzapfel or when Hans Hubermann gives a Jew the crust of a stale piece of bread. These incidents might not look as if they’re examples of love, but they are.

In the Arthurian legend, there are many love affairs that lead to someone's demise. The first deadly affair is among Gorlois, Igraine, and Uther Pendragon. Then, towards the climax of the legend, comes the love between King Arthur, Guinevere, and Sir Lancelot. The relationship between Elaine, Guinevere, and Lancelot is brought to light towards the end of the legend.

In “The Birthmark”, the relationships and behaviors of the characters play a significant role in the story by revealing more than the story itself does . Through the character’ different actions, characteristics, and behaviors, Nathaniel Hawthorne gives a deeper insight into his life, such as revealing his worldview to his readers, and also gives insight into a more relevant story. Hawthorne’s transcendentalist worldview is conveyed through Aylmer’s and Georgiana’s obsessions, Aylmer’s manipulation of nature, and the birthmark.

	Throughout his life, Aurelius was never able to be happy being an emperor. Even though he had money and privileges, and was royalty, he never became tranquil, or at peace with himself, with these material riches. It is evident when a person reads Meditations that Aurelius would much rather have lived the quite life of a philosopher than the public life of an emperor. He always wished that, at some point in his life, maybe when the wars were over, he would have some time to actively pursue philosophy. He never received that opportunity. However, he did, in the midst of all the wars he fought in, find the time to write down his thoughts into a

with Celia, they overheard Phebe rejecting Silvius love, and berate her for her coldness. Phebe, believing that “Ganymede” (Rosalind) is a man, falls in love with her. Now Phebe knows Silvius’ hardship about loving a person that won’t reciprocate their feelings. Silvius brings the note to Rosalind from his love, Phebe. He thinks it must be a nasty note, judging from Phebe's manner when writing it, but it turns out to be a love letter for Ganymede. Rosalind orders Silvius to tell Phebe that “Ganymede” will never love her unless Phebe loves Silvius. Oliver comes in with a bloody handkerchief searching for Celia and Rosalind. He tells how Orlando found him sleeping beneath a tree, threatened by a snake and then a lion. Orlando saved him even he didn’t treat him properly and so they reconcile with each other. But Orlando

To have someone that you love with all of your being but does not return those affections at the same level can be tortuous. When left with these feelings Gaspara Stampa chose to write, hiding her subtle critiques of her lover to only the trained eye. In the poem “4” Stampa imagines her beloved’s birth and how he gifted with all of the greatest qualities in the world, yet he is still not a perfect lover. This is done through word choice, cataloging, anthropizing, and word placement. Through these techniques Stampa is able to subtlety criticizing if her beloved actually uses the qualities that she claims he possesses.