Australian Landscape

Along with the American presence, Australia’s treatment of aliens also had the potential to cause considerable divisions. When war broke out, many foreigners, mostly Germans, and other ‘dangerous persons were made to prove their identity and placed under strict rules which they had to adhere to in order to live in Australia. However it was not the government, but the

Describe and explain Australian Indigenous people’s historical and contemporary connections to land and sea and the resources derived from them. How have settler discourses associated with colonization affected these connections to country?

1. Karl Jacoby book brings the remarkable accounting of the negative aspects of conservation movement to the sunlight. Jacoby uses the early years of Adirondack Park, Yellowstone National Park, and the Grand Canyon Forest Preserve to demonstrate his theme of the locals’ reactions to the creation of the park and the actions from the conservationists. And the fantasies the early conservationists’ promulgated of the locals of being satanic rapists of the environment are dispelled (193).

Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.

Buchan and Heath (2006) argue that Indigenous Australian people could never meet these British standards of ‘civilisation’ because it was built on a ‘solidly Eurocentric template’ of what constitutes a State, property, and cultivation, therefore, the term ‘savage’ was possible constructed to aid the description of Australia as terra nullius, rather than

Wright’s 1945 poem, The Hawthorn Hedge, is a representation of the predatory power of the Australian landscape over those who refuse to unite with it. It details an unspecific persona’s attempts to establish security by planting a hawthorn hedge, separating her from a harsh, imagined landscape. The specificity of “the hawthorn hedge” reveals that this is introduced British species. As the hawthorn hedge is traditionally used as a natural fence, this clarifies that the persona is attempting to block out the landscape around her. Secondly, the fact that the hawthorn hedge is a British species suggests that the persona is also attempting to establish a reminder of her homeland, Britain. A tenet of Wright’s poetry is the strength of the true Australia and the concept of Australia’s break-away from Britain, exemplified in

During the early settlement of Australia, art was primarily used for documentary purposes by ammeters and pioneers (Splatt and McLellan 1986, 1). The arrival of trained European artists yielded a wave of Colonial oil paintings (Manton 1979, 58), however, these artists were “…trained to regard the landscapes of Europe as the norm.” and therefore their work could not accurately portray the Australian identity and atmosphere (Splatt and McLellan 1986, 1-2). These Colonial artists “…retained the smooth, anonymous surface established by academic procedures and practice.” (Manton 1979, 58). As such, their European eye and techniques distorted the Australian landscape into picturesque, “park-like green hills and bubbling streams bathed in a gentle light.” (Australian Government, 2009), often grounded “….in the middle distance…” (McCaughey 1979, 7). In a stark contrast, the landscapes produced by Heidelberg School artists were lauded for their portrayal of the Australian landscape “…experience(,) realized fully in paint.” (McCaughey 1979, 7). Frederick McCubbin’s Bush Study (1902) exemplifies the difference between the work of Colonial artists and those of the Heidelberg School with its use of Impressionist techniques becoming “…an essential and explicit part of the painting.” (Manton 1979, 58). Within this work, the bush is treated as a familiar abundance and brought “…forward, virtually right up on to the picture plane.” (ibid). The “…iridescent palette and roughened paint texture…” of the work immerses the viewer allowing them to gather a sense of the heat dulled, melancholic Australian bush landscape (ibid, 54-58). McCubbin’s work, as with other Heidelberg School paintings, depict “…a world which is 'natural', self-contained, self-sufficient and paradigmatically Australian.” (Hills 1991,

The land has a lot to do with Australia, the way that its identity may have developed might be through its isolation and our slow understanding and respect for it. Landscape pieces by other artists at this time depict the land in a much different light than Nolan. Lawson’s ‘The Drover’s Wife’ has a woman dressed in dull clothing, standing alone, highlighting her isolation in the Australian outback. Whereas Preston’s abstract landscape ‘Flying Over The Shoalhaven River’ depicts the land to be an inviting and welcoming place.

In 1967, a landmark event occurred for the Indigenous Community of Australia. They were no longer declared Flora and Fauna This means that Aboriginal people would be considered a part of the landscape and not humans in their own right.. In 1967, a Referendum was held by all members of Australian society voting on the issue of allowing Indigenous Australian to be a part of the census and thereby able to vote and be counted as part of Australia’s population. This achieved not only citizenship for Aboriginal people, but put the issue of Indigenous Rights on both the political and social platforms. This essay will look at the lead up to the Referendum, how Aborigines and their supporters communicated their belief in their rights to the

There are many diverse interpretations of the words “Australian Identity”. The national anthem, as evidenced in Stand Up, is a primarily white interpretation of Australia and the Australian identity, with many of the lines ignoring the Indigenous people of Australia (Perkins et al, 2012). Another form of the “Australian Identity” was one presented by Prime Minister Paul Keating in his Redfern Address in 1992. He proclaimed that “Australia is a first-rate social democracy…truly the land of the fair go and the better chance”. This idea presented represents an egalitarian society, where every single human has an equal opportunity at life. Yet another, shown in the songs Paul Kelly sang, but especially in “this land is mine” is the difference between the identity of Indigenous Australians and non-Indigenous Australians (Kelly et al, 2001). Each of these texts addressed a major issue. Stand Up compared the relative value of tradition and the right to freedom of expression. Keating’s speech expressed the need for justice and recognition of both the stolen generation and the injustices done to the Indigenous people as a whole. Kelly’s songs represent the importance of the land to Indigenous people and why the “returning of the land” is so important. Although they each mentioned a major issue, the texts all gave solutions to these issues, from reiterating the importance of the basic human right of freedom of speech in Stand Up, to explaining the role and qualities of the Aboriginal

Australia’s identity has always been a complicated one. Starting with Aboriginal genocide, 1800’s cowboys and villains, two world wars and a bunch of poems describing them, it makes it difficult to conclude on what being an ‘Aussie’ really is. Thankfully, the two thought-provoking poems Nobody Calls Me a Wog Anymore by Komninos Zervos, and My Country by Dorothea Mackellar both use their discerning selection of themes to reflect modern attitudes in some extent. Along with their themes, Nobody Calls Me a Wog Anymore and My Country both use their story to capture the attributes modern Australians possess to some degree.

Terra Nullius was once apparent in Australian society, but has now been nullified with the turn of the century. With the political changes in our society, and the apology to Indigenous Australians, society is now witnessing an increase in aboriginals gaining a voice in today’s society. Described by Pat Dodson (2006) as a seminal moment in Australia’s history, Rudd’s apology was expressed in the true spirit of reconciliation opening a new chapter in the history of Australia. Considerable debate has arisen within society as to whether aboriginals have a right to land that is of cultural significance and whether current land owners will be able to keep their land.

In chapters two and three titled “Sites” and “Movements” respectively, Howard makes the case that there is a “dialectical” relationship between the subject and the landscape (both social and physical) and

Environmentalism has always been two sided. Nature versus urban. locals versus national. Frequently, large tracts of public and federal land are bought and developed by industry. Pristine wilderness turned to bustling epicenters of human activity, all in the name of progress and economic growth. This tale of preserving natural wilderness is one that begins with John Muir, an advocate against the taming of Yosemite national park and the Hetch-Hetchy reservoir, while the head of the US Forest Service, Gifford Pinchot, insisted on the reservoir to supply the city of San Francisco with water. This timeless epic of conservation or preservation brings us to the Jumbo Valley, a vast expanse of uninhabited, pristine wilderness home to diverse

Australia has always been centered around diversity and change, specifically with the vast multiculturalism and migrant culture throughout the nation. The specifics of Identity hold an important role in shaping our identity as students and as a nation. Australians pride themselves on being a land of the free and full of diverse culture. This is specifically referred to in our national Anthem; “For those who've come across the seas, We've boundless plains to share; With courage let us all combine,”(McCormick, 1984). Displaying Australia’s open attitude towards immigrants and contributes to the diversity present within our society today. Even before this, much of Australia’s Identity was associated with caucasian culture (Originating from British Settlers). Which is the dominant perception of Australia through the media with australian representation being present through the stereotypes of Bogans, which was made popular through shows like Kath and Kim (ABC, 2007). Also, represented through the popular depiction of Australian people - the bushman made popular by movies like Crocodile Dundee (Faiman, 1986) and through famous real life bushman; Steve Irwin. An important aspect of Australian identity which is consistently neglected is the culture and representation of the initial owners of the land; the aboriginal people. Throughout history the constant mistreatment and neglect of the indigenous, has lead to a massive gap in privilege between the aboriginal people and our