Auteur Recognition Essay

The director of a film is made to present his/her personal signature and expression within the frame of the film in order to become an auteur. The fundamentals of the auteur theory demonstrate that the director needs to have basic directing skills as well as the ability to express his/her vision through the visual management and choices of the film rather than the specific content of the film. The use of techniques within the frame make the difference between and director and an auteur for each film a director

After completing your movie analysis, you will reflect on the analysis process and how you have learned to more thoroughly analyze film as well as how rigorous study of film enhances your development as a student and thinker. In this 300- to 600-word reflection, review your initial post from the “Post Your Introduction” discussion in Week One, and consider how your ability to analyze movies has changed or grown. Append your reflection to the analysis portion of your paper. Your reflection should be personal and exploratory in

In the film industry, there are directors who merely take someone else’s vision and express it in their own way on film, then there are those who take their own visions and use any means necessary to express their visions on film. The latter of these two types of directors are called auteurs. Not only do auteurs write the scripts from elements that they know and love in life, but they direct, produce, and sometimes act in their films as well. Three prime examples of these auteurs are: Kevin Smith, Spike Lee and Alfred Hitchcock.

After completing your movie analysis, you will reflect on the analysis process and how you have learned to more thoroughly analyze film as well as how rigorous study of film enhances your development as a student and thinker. In this 300- to 600-word reflection, review your initial post from the “Post Your Introduction” discussion in Week One, and consider how your ability to analyze movies has changed or grown. Append your reflection to the analysis portion of your paper. Your reflection should be personal and exploratory in nature.

Alfred Hitchcock is widely regarded as a prime example of an auteur, a theory that emerged in the 1950s by Truffaut, in the ‘politique des auteurs’ of Cahiers du Cinema (Tudor 121). The auteur theory, as defined by Andrew Tudor, is premised on the assumption that “any director creates his films on the basis of a central structure”(140) and thus, if you consider their films in relation to each other, commonalities can be found within them. These commonalities work to demonstrate the view of the director as “the true creator of the film” (Tudor 122). Evidence of an auteur can be found in examining a director’s creative tendencies, in their distinctive themes and motifs, stylistic choices,

Producers have financial and administrative control over the making of movies, plays, and TV shows. Producers hire directors, principal members of the cast, and negotiate contracts with artistic personnel, often in accordance with collective bargaining agreement (“Actors, Directors, and Producers” 180). Together with the

Lukas Hamlescher Dr. Neuendorf COM 320 Preliminary Draft Wes Anderson is a staple in the independent film community. He writes, directs, and produces most of his films. He takes time to develop stories unique to him and from each other. Nonetheless, all of Anderson?s films have an undeniable familiarity between them as he imprints his style on everything he creates. However, if he did not have inspiration or influences for his films, his creativity and artistic flair may not have a proper way to be displayed.

The inequality in Hollywood continues to persist, as a push for diversity rights remains controversial. Women and minority writers are scarce in Hollywood 's writing rooms. Per the article “Hollywood’s Diversity Problem Begins in The Writing Room, New Study Shows,” diverse women writers are a rarity in Hollywood. The reason is quite simple. Women writers are not being acknowledged as much as they should be. Therefore, Hollywood intentionally disregards these creative and idealist human beings, as if they never existed.

Some directors may depend more upon their art directors for input into the film's overall appearance. "A film art director acts as the administrator of tasks performed by each member

The directors choice to take on full ownership of films leaves

Thesis: Being a director is a better career choice for me than a criminal analyst because of the safer work conditions, lower education and experience requirements, and emphasis on creative work over STEM related work. Both directors and criminal analysts have a number of tasks they must perform frequently. Directors must conduct a project’s cast and crew during rehearsals, performances, filming and/or recording based on his/her interpretation of the script to create the desired product (“Directors”). Directors must also consider and follow a production company’s objectives for the project (“Creative”). Working with other creative minds to create an appropriate product is an experience more common for directors than analysts, who are often

In the late history of film, few individuals have truly made something so unparalleled that it could influence the entire business. Tim Burton has delivered an extraordinary measurement of movies that elevate the inquiry, is Burton one of these individuals? Might he be clever to merely be a ordinary, if topsy-turvy, producer who has figured out how to convince everybody he is phenomenal, or would he say he is the splendid visual craftsman who utilizes his abilities to make marvelous motion pictures? The director's part in present-day Hollywood is loaded with controversy. He has earned the status of auteur. Burton is a director who has had an effect—both in the business and on the silver screen goers—and whose movies, so uncommon in their honest

Understanding movies comes from describing and analyzing the cinematic, theatrical, and literary elements that combine to create meaning. These steps create a basic understanding of the artistic and technical elements found in moviemaking. In addition, the major characteristics of different film genres and classic movies will be analyzed. The purpose of this paper is analyzing the Academy Award winning film Chicago. This paper will describe the six steps that a person should think about when watching a movie. These steps include, (1) analysis of the narrative: story, plot and meaning; (2) theatrical elements, (3) cinematography, (4) editing, (5) sound and the (6) complete package.

Perhaps Burton's most redeeming quality is his capacity to shuffle between different genres while preserving his signature throughout his film. However even in this regard Burton is overtaken by Anderson who, despite having made only two films of a different genre to date, is able to introduce these new elements while maintaining the uniformity of his personal imaginary film world. The consistency in Anderson's work, whether aesthetically or dramatically, allows for layers of interpretation that both solidify his authorship, and allow the audience to augment their own authorship into the film. While Burton's pictures are not entirely devoid of such commentary, his most disappointing works were those where he restricted interpretation from veering too far beyond his own moulding. Although it is unfair to categorize either director as superior to the other, in particular with regards to their distinct individual status, their integrity as artists cannot be ignored with regards to a stylistic critique of their

The group believed that the cameraman, the director and the sound recordist were all equal in status and were all film-makers, playing a role in an integrated process. They felt that the filmmaker's relationship with the subject was personal and one of equality, and that an audience was active in its engagement with the film. Direct cinema practitioners wished the audience to be presented with sufficient evidence to enable them to make up their own minds and not be mere passive observers. '...