Auteur Theory: Who Are The Real Authors Of Films

When a book becomes a movie which is better the book or the movie? The same question is debated with Cyrano De Bergerac a play written by Edmond Rostand and the movie Roxane by Director Fred Schepisi. The differences between the play and the modern movie are extremely unalike.

Smith has taken everyday occurrences, added humor and a bit of obscenity and crafted them into scripts. Smith has then taken these scripts and directed, and produced full-length films in which he also acted. After the film was fully shot, Smith then edited all of his films (with the exception of “Mallrats”). Because of all of the work that Smith single-handedly put into his independent films that ended up drawing a huge crowd of fans, he can surely be called an auteur.

Anyone who is even vaguely aware with film usually has a favorite director. Why? What distinguishes one director from another? A director is “the person who determines and realizes on the screen an artistic vision of the screenplay; casts the actors and directs their performances; works closely with production design in creating the look of the film…and in most cases, supervises all postproduction activity, especially editing” (Barsam and Monahan 496). Clearly, the director of a film is lead visionary in how the film is made. But what makes some directors truly memorable and instantly recognizable? Those directors take advantage of all different kinds creative possibilities and signatures to become the true “author” of the film, also known

Many books and stories are made into movies that are shown all around the world. However, not everyone likes the way the motion picture turns out. Sometimes, the movie is very close to the book, but most of the time certain details are lost or changed to make the movie look more appealing. This may take away or change the actual meaning of the original story. For example: Night, a book by Elie Wiesel, is about his personal experiences with the Holocaust and has emotional as well as shocking details.

This may allow him to be viewed as an auteur. An auteur is a film

An auteur is a filmmaker whose movies are characterized by their creative influence. Garry Marshall is an American filmmaker, he has directed more than 15 films in his career. Garry Marshall’s films The Princess Diaries, Valentines Day and Overboard share a common theme of love and a genre of romance and comedy, he likes to use the same actors in his films and have the common plot of a double twist. Garry Marshall likes to keep to the same character persona and film techniques but these generalized similarities are not obvious to the audience, therefore Garry Marshall is not a recognizable Auteur.

Casablanca was directed by Michale Curtiz in 1942. There were three main actors. Humphrey Bogart, Ingrid Bergam and Paul Henreid played Rick, Ilsa and Laszlo in Casablanca. This movie talked about an American named Rick who needed to choose between his love for a woman named Ilsa and help her husband who wanted to continue fighting against the Nazis escape the city of Casablanca. In this movie, we could see three themes, heroism, honor and love. First, heroism is a concept that a person will consider the overall situation and make great decisions and actions. Secondly, honor is a moral concept which is respected. Third, love is an emotion that people will fall in with each other and understand and take care of each other forever. However, I will talk about heroism in my essay. Here are three main ideas to introduce my statements.

A Big Apple native born October 30, 1959, LaGravense grew up in Brooklyn and studied acting at New York University’s experimental theater department at the Tisch School of Arts. As a student, he explored his skills with dialogue and formed a New York based comedy group, for which he also wrote sketches. His sketch material led to an offer by former Saturday Night Live writer Neil Levy, to co-write the script for the 1989 release, Rude Awakening. He wrote (and sold) his first piece of writing for the off Broadway musical revue, My Name is Alice directed by Joan Michlin Silver. Mr. LaGravenese began his solo screenwriting career with his original screenplay The Fisher King, directed by Terry Gilliam. The film went on to earn five Academy Award nominations, including Best Screenplay, winning Best Supporting Actress for Mercedes Ruehl.

Casablanca A film is more than just a screen with motion images. Every film we watch has a story behind it. Whether the story is about death, war, or love, you are able to picture yourself within the movie, interacting with characters, and being involved with the plot.

Auteur Theory is based on three premises, the first being technique, the second being personal style, and the third being interior meaning. Furthermore, there is no specific order in which these three aspects must be presented or weighted with regard to a film. An Auteur must give films a distinctive quality thus exerting a personal creative vision and interjecting it into the his or her films.

The term Auteur seems to bless a privileged group of filmmakers with an almost messiah-like legacy. Men such as Alfred Hitchcock, John Ford and Fritz Lange are believed to inhabit the ranks of the cinematic elite, and not surprisingly most critics are more than willing to bestow upon them the title of Auteur. By regarding filmmaking as yet another form of art, Auteur theory stipulates that a film is the direct result of its director's genius. With the emerging prominence of auteur based criticism in the 1950?s, the role of the director became increasingly integral to a film's success. However most would argue that this form of criticism didn't reach its apex until 1960s, when Andrew Sarris released his

What makes for a classic Hollywood film? Increasingly, films have evolved to the point where the standard by which one calls a “classic Hollywood film” has evolved over time. What one calls a classic film by yesterday’s standards is not the same as that of today’s standards. The film Casablanca is no exception to this. Although David Bordwell’s article, “Classical Hollywood Cinema” defines what the classical Hollywood film does, the film Casablanca does not exactly conform to the very definition that Bordwell provides the audience with in his article. It is true that the film capers closely to Bordwell’s definition, but in more ways than not, the film diverges from Bordwell’s definition of the typical Hollywood film.

During the 1940’s, the idea of the auteur theory arose. It was crafted by Andre Bazin, who was a French film critic, and Roger Leenhardt, a filmmaker. They stated that a film should represent the directors vision. Another French film critic, Alexandre Astruc, enhanced the auteur theory by expressing that directors with their camera should be like writers with their pen. This would make a director’s films all have the same type of aspects. Once a director makes a number of films, a certain “finger print” can be seen throughout his creations.

Steven Spielberg used classic linear storytelling in his movies, the narrative in most of his movies were Plot driven and very effective. He is a storyteller always mindful of holding his audience. Steven Spielberg is one of the greatest directors of today. He is master in taking stories and incidents from the past and and rejuvinating them with his own potential.

But the fact remains that his name, whether he wrote the plays or not, is credited as the author so in some way shape or form he wrote the plays.