Auteurs Theory and Stanley Kubrick

1167 WordsMay 14, 20135 Pages
Introduction In this essay there will be attempted to establish Stanley Kubrick as one of the world’s best directors by using the auteur theory witch elevates a director as not just a member of the film crew but as the artist bringing his personal style and personality to a film. Kubrick’s work will be analysed in accordance with the auteur theory in other to establish that he is one of the best directors in the industry. The auteur theory makes it possible for a film to be more than a collaborative industrial project but makes it possible for a film to be identified by its director who is seen by the auteur theory as its ultimate creator (turner 2009:53). According to Kael (1963:12) There are three premises to the auteur theory the…show more content…
He uses contrasting colours to enhance the visual impact of scenes in his film, using primary colours to draw attention to objects. Kubrick’s use of colour gives his film a toy like surreal atmosphere. In the shining Kubrick uses shocking colours in the individual rooms of the hotel and the carpeting of the hallways witch contrast with the frightening dark feel of the film. In 2001: a space odyssey the film explores the complicated theme of the evolution of the human mind but the use of playful primary colours gives an uneasy feel too the film.(authentic society) Interior meaning in Kubrick films Kubrick explores deep into the philosophy about morality, his films are character studies about the workings of the modern man. According to Feldmann( 1976: 12) With a Clockwork orange, 2001: A Space odyssey and Barry Lyndon Kubrick constructs a trilogy exploring the moral and psychological nature of the modern western man and the nature of the future the western civilization is moving towards. Kubrick’s films can create a level of confusion. Feldmann (1976:12) states that his work is technically brilliant and praised by film critics but is often seen as without any real substance, he leaves his film critics yawing. According to Feldmann(1976:12) “Stanley Kubrick apparently has nothing clear, profound or interesting to say but he says it magnificently” Feldmann continues stating that the character studies and studies into human
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