Avant-Garde Research Paper

Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world. With the inspiration of early avant-garde movement, the modernism began to emerge advocating an utopian future and shared certain core principles by various styles of modernists: rejecting the past and applied ornament; forms follow function, a preference for

When art was modernized, it was no longer a certain style. New artist were looking for new materials to use for paintings and sculptures. Artist were also wanting to free themselves from the depiction of external reality, and focus on art that could provide feeling or ideas. Modernists educated each other to embrace the “primitive” style of African and Pacific art. Cubism Style opened a path for artist to learn about pure abstraction or non- objective art. New wave of artistic experiment incarnation was called the avant-garde. Avant-garde were artists from the New York School who

This essay analyses the aesthetic and ideological underpinnings of the Modernist artwork, Impression, Sunrise of Claude Monet. The artwork and Impressionism is considered to be a visual articulation of the avant-garde and the latter statement is explained. References to the writings of Charles Harrison, Clement Greenberg and Wilhelm Worringer is used to theorise the aesthetics of modernity.

Overall, the ideologies discussed within the articles Written In Blood: 20th Century Art by Stephanie Dudek and Estrangement As A Motif In Modern Painting by John Adkins Richardson address similarities and differences from various standpoints. Modernistic ideologies towards social, cultural and technological changes of the 20th century are demonstrated in both articles. The article by Stephanie Dudek emphasizes on the employment of radical and transgressive values by modern artists within their work to target cultural, and artistic principles that have persisted over many generations leading to a transformation within the subject of art (Dudek 105). Furthermore, modern art set out to obtain new visions of reality as witnessed within the Cubist

anonymously written play, Everyman. This play, written in the 15th century, is used as a spiritual

There are numerous events and ideas out there that lead to art. One of my favorite art quotes, “The aim of art is to represent not the outward appearance of things, but their inward significance”. (Aristotle) I plan to attend this Art Institute to complete my thirst of art to say. I absolutely love art. I would like to indicate one of the Art Institute programs to excel in knowledge and something I intend on exceeding in and desire. The Art Institute is full of interesting programs that I could not even imagine doing. With a degree from the Art institute I can actually go places and become recognized for my excellence in my specific art area. There are respectable jobs and even life long careers out there in the world today. Provided, money

In modern day, there are different things that we see and use that have received a meaning through Greek mythology. Many people look at Greek mythology and think about the gods, goddesses and all those strong figures such as or Spartans. In my modern day life, I have seen and used different condom brands. Why learning more about Trojan, is beneficial to me as it is my favourite brand of condoms to use. In Greek mythology, there was a Trojan war that was started as a way for Zeus to reduce the increasing population of humanity (Cartwright, Mark, and James Lloyd). In modern day times, the Trojan condoms came into place being named after the Trojan war. These Trojan condoms are seen as a way to prevent the increasing population of humanity in

When researching my personality type, Virtuoso, I came to the conclusion that I wanted to look into being a detective. Not only does it involve protecting lives and property, but the work itself can really take a toll.

Marshall Berman’s take on modernity is presented in his book All That Is Solid Melts into Air whereby he focuses on its issues and the cultural attitudes and philosophies towards the modern condition. In doing so he shares his experiences of modernity post WWII in New York in the height of an economic boom and then more specifically of his childhood neighbourhood, the Bronx. In addition to expanded austerity, industrial and architectural development, the end of WWII proved to be a key period in world history and by extension the history of art. A talented group of artists emerged in result that had been influenced by an influx of established European artist who had fled to New York to escape fascist regimes in their homelands. More importantly these artists produced art that was at the heart of maelstrom Berman describes in regards to his experience of modernity. I aim to highlight the correlation between Berman’s experience of modernity and the emergence of a new American modernism. Modernity throughout this period was broken into two different compartments, hermetically sealed off from one another: "modernisation" in economics and politics, "modernism" in art, culture and sensibility. It’s through the lens of this dualism in which we recognise that both Berman and these artists try to make sense of the world around them by making their individual expressions that would re-conceptualise what it is to be modern in the twentieth century.

I chose Glam 1950s/1960s. I had a lot of fun dressing up in this era, and it was kind of easy for me to do. Most of my Sunday church clothes resemble the fashions from the 1950s; I get told that I look like a 50s house wife. So I tried to glam up the 1950s house wife look with what I already owned and I think it turned out amazing.

Over the course of several months the meaning and understanding of aesthetics and its application to art have taken place as a means to expanding the mind of a budding aesthete. Multiple respected aesthetes have been discussed regarding their philosophical approach to art and the theories influencing their philosophical stance. Some theories have been refuted while others have been regarded yet the insight provided by these aesthetes has been profound. Several of these aesthetes studied have helped in shaping one particular individual’s viewpoint in the creation of her own philosophy of art. Art and its significance can be appreciated by critics willing to understand the artist is in control of creating and expressing herself through

‘The avant-garde understands itself as invading unknown territory, exposing itself to the dangers of sudden, shocking encounters, conquering an as yet unoccupied future ... The avant-garde must find a direction in a landscape into which no one seems to have yet ventured.’

The most extreme modernists were referred to as the 'avant garde'. Their intention was to shock their readers and force them to doubt accepted norms and discuss 'forbidden' topics (Abrams 119).

At the turn of the century Paris was one of the capitals of culture and art to the outside world. However, the truth of the matter was that this taboo-ridden society was being run by an aristocracy that was repressing the arts. Naturally, when World War 1 broke out, the suppressed French society finally had a release and a rebellion against order arose. WWI specifically affected the theatre of French and it’s aftermath. From the ashes of war the avant-garde theatre grew and styles such as Dadaism and Surrealism were born. It was both the climate of culture before the war and the devastation of the war that lead to the outbreak of avant-garde theatre in France.

Russian Avant-Garde was born at the start of the 20th century out of intellectual and cultural turmoil. Through the analysis of artworks by Aleksandr Rodchenko and El Lissitzky this essay attempts to explore the freedom experienced by artists after the Russian Revolution in 1917. This avant-garde movement was among the boldest and most advanced in Europe. It signified for many artists an end to the past academic conventions as they began to experiment with the notions of space, following the basic elements of colour, shape and line. They strove for a utopian existence for all benefited by and inspired through the art they created. They worked with, for and alongside the politics of the time. The equality for all that they sought would