Bab Aziz

As they reach America at last, Amir’s wife introduces herself to Sohrab sweetly, but he just, “shift[s] on his feet and look[s] away” (358). Sohrab does not say much, do much, or move much at all. Imagery presented in this stage of the journey is quite gloomy, what with Sohrab’s blandly colored clothes, sallow face, and plain room. Amir and his wife seem gloomy as well, as they are always whispering, crying, or wondering what went wrong. The saving grace and the real transformation happens at the celebration of the Afghan’s New Year’s Day. After a day of muteness that has become regular, Amir and Sohrab finally connect through the kite flying contest. This is something to which Amir and Hassan dedicated their lives when they were children. Amir is overwhelmed with joy to see that, “one corner of his mouth had curled up just so. A smile” (370). It seems like nothing, but this truly is a breakthrough with this child. If it were not for Hosseini’s descriptive words that lend to pure joy and elation, the reader would not even realize what a momentous occasion this is. Hope may seem lost when traveling a guilt filled path, but if one’s intentions are honest and efforts are useful, forgiveness will find its way

“It's wrong what they say about the past, I've learned, about how you can bury it. Because the past claws its way out” (Hosseini). In The Kite Runner, Hosseini shares Amir’s journey to atonement. As Amir states, he was unable to bury his past, similar to his father, Baba, who spent the majority of his life haunted by his sins. While both father and son are consumed by guilt, the way in which they atone for their iniquities is dissimilar. While Baba attempts to live his life according to the Afghan saying, “ Life goes on, unmindful of beginning, end...crisis or catharsis, moving forward like a slow, dusty caravan of kochis [nomads]” (Hosseini 356), Amir strays from this traditional perspective. Baba chose to continue his life unmindful of

Amir’s misadventures begin as a boy living in an affluent Afghanistan world. On the day of his birth, his mother hemorrhages to death. Robbed of any feminine influence or comfort, he goes to his overshadowing Baba for love and acceptance. His father denies his only son the tenderness he desires, leading Amir to believe his father despises him. After all, Amir’s

Passage 1 “I looked at the round face in the Polaroid again, the way the sum fell on it. My brother’s face, Hassan had loved me once, loved me in a way that no one ever had or ever would again. He was gone now, but a little part of him

On Culture, Clashes, and Kite Running In his novel, The Kite Runner, Khaled Hosseini depicts his homeland Afghanistan as a host to many different cultures and classes, such as Pashtun and Hazara, Sunni and Shiite, with this dichotomy of beliefs and attributes being powerful enough to shape diverse, sometimes negative relationships amongst the characters of the novel and their behavior to each other, as well as establish that individual’s identity. Each person interprets the impact of the role of belief and social status differently, while all living in the same setting, adding to their complexity and depth as a character in the novel with many different figures tied together by the same geographical and cultural conditions.

In the novel, Kite Runner, by Khaled Hosseini, the protagonist, Amir, is torn between two truths as he lived associated with different kinds of religious groups in Afghan society: Pashtuns and Hazaras. Each identity played a unique part in Amir’s life. Whether they had a positive or negative effect, both changed his values and beliefs. Individuals also shaped Amir’s character. Baba, Assef, and Hassan were major influences upon Amir’s growth throughout the book; their differences shaped Amir into the man he later became as all three represented a different side of Afghan society.

He is the protagonist. Readers feel compassion for him. He is conflicted in many ways. He is jealous of the relationship and bond Baba has with Hassan. Yet he realises that Hassan is of the lower class in society.”I was going to win, and I was going to run that last kite. Then I’d bring it home and show it to Baba. Show him once and for all that his son was worthy.” (Housini 53) He is very emotional and a storyteller. Baba, the father. He is considered a hero and a leader in Kabul. He is Amir’s father. They never really had a strong connection especially in afghanistan. Baba always exceeds the expectations of others, because of that he expects more out of his son. Baba also comes off as someone who lives by his own moral code. He is hiding a secret that he is afraid to tell. Hassan is amir's playmate and servant. He is also the son of Ali. Hassan felt like Amir was his friend but Amir never really thought of Hassan that way.

Chraibi’s book Muhammad: A Novel is a fantastic, powerful read because it is just that: a novel. It is a fictional story, but written by an author who had an unusual, mystical calling himself to write the book. By using original aspects from the traditional biographies of Muhammad and then

Paper on Rumi’s thought: “Signs of the Unseen” & “Fundamentals of Rumi’s thoughts” Mevlana Jalal al- Din Rumi is one of the most influential Islamic mystics of all times. It is no surprise that even seven hundred years after his death; he remains to be the best selling poet in North America. His poetry reflects the teachings of Islam and his opinions on various matters such as faith, prayer, love, free will etc. are assembled in a book called “The signs of the Unseen”. Occasionally, commentators dissociate Rumi poetry’s from Islam but the fact is that Rumi’s entire writings are inspired from the Quran and sayings of Prophet (PBUH) and represent the essence of Islam.

The reader is then able to recognize a shift in Amir’s values. A child who once favored validation, worthiness, and honor from his father has transitioned into a grown man, who accepts his past mistakes with humility, wishing only now to right his wrongs. He finds Sohrab, Hassan’s now orphaned son, and asks him: “Would you like to come live in America with me and my wife?” (320). As a child, Amir betrayed Hassan’s friendship in order to obtain the blue kite, the key to Baba’s heart. Sohrab represents a change in values, as well as a change in Amir. Now, Sohrab is the key to redemption, the key to giving back to the life he once abandoned. However, Amir does not act out of selfishness. He has built a connection with Sohrab, not only because he know that he is Sohrab’s uncle, but because he understands that helping Sohrab means that one less child will be starved, beaten, or raped in Afghanistan. Amir, who once acted out of envy, and resentment, now makes decisions based on what is

The characters portrayed by Leila Aboulela to a great degree vary vastly in their levels of religiosity. This novel showcases a wide spectrum of Muslim identities. Most of the devout believers follow Islam, as they are constantly expressing their faith, thru means of prayer, recitation or other adorations. These religious members are accepting of veil culture, because they have more to value than materialistic objects and western culture. For instance, the young school girls that wore tobes, while Najwa skirts to university. Also, the servants she had back home, as she would be coming home from a party at dawn, they would be make their absolution, “A light bulb came on. They were getting ready to pray. They had dragged themselves from sleep in order to pray. I was wide awake and I didn’t,” this quote from the novel, illustrates a young Najwa understanding the basis of Islam and the importance of prayer (Aboulela, 32) However, this is an evident class divide, illustrating that those with wealth are more secular and those with less are humbled towards their faith. In her time in London, Najwa befriends woman at the local mosque and develops an interest her recitation. Her realization and locality to religiousness triggers her spirituality.

Segu by Maryse Conde Using specific illustrations from Maryse Conde's novel Segu, this is an essay that discusses how the coming of Islam to Bambar society affected that people's traditional, political, social and economic practices as well as challenging the Bambaras' religious beliefs.

How Arabian Nights redactors borrowed love-story motifs from pre-Islamic Iraq and applied them to historical personages such as the caliphal vizier Jafar the Barmecide and Abbasa, sister of Harun al-Rahid. Jafar and Abbasa are then made to behave

The region of the Middle East and its inhabitants have always been a wonder to the Europeans, dating back to the years before the advent of Islam and the years following the Arab conquest. Today, the Islamic world spreads from the corners of the Philippines to the far edges of Spain and Central Africa. Various cultures have adopted the Islamic faith, and this blending of many different cultures has strengthened the universal Islamic culture. The religion of Islam has provided a new meaning to the lives of many people around the world. In the Islamic world, the religion defines and enriches culture and as a result the culture gives meaning to the individual. Islam is not only a religion, it is in its own way a culture. It may be this very

Sufism      Sufism, otherwise known as Islamic Mysticism, is a branch of Islam. It deals with special powers that are contained in the Qur'an. It is a more philosophical approach, where a person tries to become one with nature, and feel the power of God. The term mysticism can be defined as the consciousness