Sufism is an avenue within the soul that whispers to those in humanity who hunger for an impending intimacy with God, a prosperous interior essence, and a reserve of spiritual customs that give it depth and meaning. With Sufism’s wealthy mixture of esoteric poetry, their divergent composition, their divine morality, and their innumerable, musical treasures, their mystical life is portrayed. This visually captivating film, recorded in Tunisia and Iran, displays a multi-leveled glance of Sufism, the mystical expression of Islam. Bab'Aziz hypnotizes with its alluring and philosophical depictions of the passion that animates their communication with the Beloved, with the world, and with our neighbors.
The direction of the heart is tangible in Bab'Aziz, a blind dervish who intimately recognizes the desert and its bountiful rigor and delicacies. Bab'Aziz is a splendid representation of the Sufi adab, a
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Although Bab’Aziz does not realize, Bab’Aziz is completely conscientious to everything that goes on around in the current surroundings. Bab’Aziz is not connected to belongings or concerned about the speculations of others. At a certain moment, Ishtar recognizes a troupe of pilgrims going towards one direction and decided to track the troupe but Bab’Aziz assures Ishtar that each person or group is required discover his or her distinct route to the conference and that help was not a valid option to provide to them.
Bab'Aziz even embodies Rumi's interpretation of death as a marriage day. Bab’Aziz contemplates that both life and death are legacies. As well as, at the end of the film when the society of mystics congregate, all the dervishes who send up their dances and their songs to the Beloved believe this same ritual as Bab’Aziz and Rumi follow; they are united amongst these powerful and inspirational views from the Sufi
Though he is blind, Bahira has the same mystical visions as Muhammad, and he calms Muhammad down by telling him he is not alone in seeing them. Acting as a mentor, Bahira helps place Muhammad’s feet on the ground and gives him the confidence to continue forward in his journey to Mecca. Interestingly, Chraibi also creatively introduces the idea of Muhammad’s mysticism in this scene because of how Bahira sees these visions. The audience is intrigued by the mystical visions the pair of them see and is getting accustomed to the idea of Muhammad as a mystic, especially because of the fact that Bahira informs Muhammad that he sees these visions because he is special. The way Chraibi employs this character of Bahira and Khidr genuinely demonstrates and celebrates how Muhammad saw visions and was a mystic even before he became a prophet.
The Muslim world also had a sense of order and policies that were very strict. The laws require you to have a passport to get to some countries, this halted Inb’s travels and made it more difficult for him to keep going. This shows a sense of order because it explains how strict the laws were and how
Amir and Baba eventually leave Afghanistan as well, forced out by the Russian invasion of their beloved country. Everything he does at this point proves that he truly loves Amir; he sacrifices his wealth, business, and life to bring Amir to the safety of the United States. In response to this new country, filled with new people and languages, Amir and Baba’s relationship drastically transforms. Before, Baba was all powerful and knowledgeable, but now, Amir guides his father in the American way. Nowhere is this more evident than when Baba vandalizes the Nguyen’s store after they ask
Using specific illustrations from Maryse Conde's novel Segu, this is an essay that discusses how the coming of Islam to Bambar society affected that people's traditional, political, social and economic practices as well as challenging the Bambaras' religious beliefs.
“It's wrong what they say about the past, I've learned, about how you can bury it. Because the past claws its way out” (Hosseini). In The Kite Runner, Hosseini shares Amir’s journey to atonement. As Amir states, he was unable to bury his past, similar to his father, Baba, who spent the majority of his life haunted by his sins. While both father and son are consumed by guilt, the way in which they atone for their iniquities is dissimilar. While Baba attempts to live his life according to the Afghan saying, “ Life goes on, unmindful of beginning, end...crisis or catharsis, moving forward like a slow, dusty caravan of kochis [nomads]” (Hosseini 356), Amir strays from this traditional perspective. Baba chose to continue his life unmindful of
The reader is then able to recognize a shift in Amir’s values. A child who once favored validation, worthiness, and honor from his father has transitioned into a grown man, who accepts his past mistakes with humility, wishing only now to right his wrongs. He finds Sohrab, Hassan’s now orphaned son, and asks him: “Would you like to come live in America with me and my wife?” (320). As a child, Amir betrayed Hassan’s friendship in order to obtain the blue kite, the key to Baba’s heart. Sohrab represents a change in values, as well as a change in Amir. Now, Sohrab is the key to redemption, the key to giving back to the life he once abandoned. However, Amir does not act out of selfishness. He has built a connection with Sohrab, not only because he know that he is Sohrab’s uncle, but because he understands that helping Sohrab means that one less child will be starved, beaten, or raped in Afghanistan. Amir, who once acted out of envy, and resentment, now makes decisions based on what is
The incident in the stadium also reveals to Parvana and Shauzia the complete horror of living under such a regime and haunts Parvana for the next few days. As a Muslim, the writer believes that the actions of the Taliban like the one’s depicted in this novel disgrace Muslims in the present times. Islam is a peaceful religion that promotes morality and generosity among all people, not the twisted version portrayed by the Taliban.
How Arabian Nights redactors borrowed love-story motifs from pre-Islamic Iraq and applied them to historical personages such as the caliphal vizier Jafar the Barmecide and Abbasa, sister of Harun al-Rahid. Jafar and Abbasa are then made to behave
The region of the Middle East and its inhabitants have always been a wonder to the Europeans, dating back to the years before the advent of Islam and the years following the Arab conquest. Today, the Islamic world spreads from the corners of the Philippines to the far edges of Spain and Central Africa. Various cultures have adopted the Islamic faith, and this blending of many different cultures has strengthened the universal Islamic culture. The religion of Islam has provided a new meaning to the lives of many people around the world. In the Islamic world, the religion defines and enriches culture and as a result the culture gives meaning to the individual. Islam is not only a religion, it is in its own way a culture. It may be this very
In the novel, Kite Runner, by Khaled Hosseini, the protagonist, Amir, is torn between two truths as he lived associated with different kinds of religious groups in Afghan society: Pashtuns and Hazaras. Each identity played a unique part in Amir’s life. Whether they had a positive or negative effect, both changed his values and beliefs. Individuals also shaped Amir’s character. Baba, Assef, and Hassan were major influences upon Amir’s growth throughout the book; their differences shaped Amir into the man he later became as all three represented a different side of Afghan society.
However, his constant burden of having to pay for his adulterous act, considered one of the ultimate sins in his conservative Sunni Islamic environment, coupled with the tragedy of his wife’s death leads Baba to also be portrayed as a less of a father and more of having an immature personality in the way he deals with his son. Hosseini’s purpose in this complex relationship with Amir was to highlight how different the circumstances were in Afghanistan given more extreme social conditions Americans are unfamiliar with. This conflict leads Hosseini to somewhat reconcile Baba’s bad parenting as being a product of the trade-offs necessary to living in context of that particular belief system. His preoccupation with relieving his guilt prevented him from being the father Amir secretly desired him to be.
The characters portrayed by Leila Aboulela to a great degree vary vastly in their levels of religiosity. This novel showcases a wide spectrum of Muslim identities. Most of the devout believers follow Islam, as they are constantly expressing their faith, thru means of prayer, recitation or other adorations. These religious members are accepting of veil culture, because they have more to value than materialistic objects and western culture. For instance, the young school girls that wore tobes, while Najwa skirts to university. Also, the servants she had back home, as she would be coming home from a party at dawn, they would be make their absolution, “A light bulb came on. They were getting ready to pray. They had dragged themselves from sleep in order to pray. I was wide awake and I didn’t,” this quote from the novel, illustrates a young Najwa understanding the basis of Islam and the importance of prayer (Aboulela, 32) However, this is an evident class divide, illustrating that those with wealth are more secular and those with less are humbled towards their faith. In her time in London, Najwa befriends woman at the local mosque and develops an interest her recitation. Her realization and locality to religiousness triggers her spirituality.
The work of literature “Midaq Alley” by Naguib Mahfouz introduces the audience an Arab culture through his descriptions of different characters. Each character is used as an analogue, representing people in the alley with different beliefs and ambitions. Moreover, the characteristics of Mahfouz’s characters also draw international readers’ attention concerning how westernization takes place.
A Sufi tries to change the state in a person, to bring him closer to God.
Mevlana Jalal al- Din Rumi is one of the most influential Islamic mystics of all times. It is no surprise that even seven hundred years after his death; he remains to be the best selling poet in North America. His poetry reflects the teachings of Islam and his opinions on various matters such as faith, prayer, love, free will etc. are assembled in a book called “The signs of the Unseen”. Occasionally, commentators dissociate Rumi poetry’s from Islam but the fact is that Rumi’s entire writings are inspired from the Quran and sayings of Prophet (PBUH) and represent the essence of Islam.