Baba Joon is the newly released movie by writer/director Yuval Delshad. With a film career that grew from the documentary world, this is his first feature. Never one to shy from reality, Delshad turned to a subject that spoke to his heart; the father/son relationship. To create authenticity, the movie is filmed in the dusty village where Delshad grew up and the actors speak a blend of Hebrew and Farsi, just like it was in the 1980’s of his childhood. Delshad loves the fact that life imitates art, “My baby, Yitamar, was conceived during the start of photography and he is already trying to crawl!” Baba Joon centers on the conflict of a traditional father, Yitzhak, whose life has been hard and demanding, and his gently defiant son who, as a pre-teen, is refusing to learn how to farm turkeys. The mother understands that their son, Moti, has no passion for the family livelihood but Yitzhak takes the decision badly. And thus ends the hopes of all good dreams; the father’s desire to pass on his father’s business is doomed by his son’s utter disinterest. Here is a kid who has no love of turkeys, no desire to learn the trade and no appreciation of the art of poultry manufacture. More painful is the perceived lack of respect that the father senses in Moti’s lack of interest. This is the farm that his father built with sweat labor and was the essential …show more content…
How does Baba Joon play against this reality? Delshad sees the similarity of his movie with the current crisis. “The Palestinian- Israel conflict is also a culture of difference and the culture is so different. I have Iranian friends and some Palestinian friends and when I see the way things are, I have a difficult time seeing the way they response to events. We must understand the culture before it can be possible to be break down the conflicts. Also, education has to update the students and education shouldn’t teach bad and
He shows a quality of a good father, being proud of his child’s achievements, when he watches his son graduate from high school. He tells Amir that : “‘I am moftakhir, Amir,’ he said. Proud.” (Hosseini 139). Baba’s development as a father is further showcased with him expressing his delightness to his son graduating. This is a far cry from where he often gave Amir a word of encouragement or a sign of recognition back in Afghanistan. Now, he starts to build a stronger connection with his son by communicating to him genuine interest and complements. Likewise, Baba continues to praise Amir’s skills as a writer towards other and he expresses this towards General Taheri when he says: “ Amir is going to be a great writer…. He has finished his first year of college and earned A’s in all of his courses.” (Hosseini 147). This passage conveys to one that he has changed to be a better father than what he is seen to be in the earlier parts of the novel. Now in the latter parts of the novel, one can see how confident and proud he is of his son. He is certain that his son is going to become a great writer and that is not a sentence that one would expect from him due to his earlier thoughts of Amir in the novel. Moreover, Baba shows that he is a good father when he expresses how happy he is to see his son has grown when he is going to a lafz with
The love and disputes between father and son. The relationship that Amir has with Baba is quite complicated. Amir constantly tries to earn Baba’s love and respect while Baba has a hard time accepting how Amir is and compares him to Hassan. While travelling to Pakistan in the back of the truck Amir felt sick quite often by which Baba was quite annoyed. “I saw it on his embarrassed face the couple of times my stomach had clenched so badly I had moaned. When the blurly guy with the beads-the praying woman’s husband-asked if I was going to get sick, I said I might. Baba looked away.”In addition to this when Amir throws up, Baba apologizes to the fellow passengers to which Amir feels guilty and annoyed that he is just 18 and the way Baba is behaving is as if car sickness is a crime. This suggests that Baba was expecting Amir to be more self controlled and strong so that he didn’t feel sick showing us the conflicts he has with Amir as he expects a lot from him.
The contrast between the son’s first words with his father and his later conversation emphasizes how rapidly he is growing up. At first, the son lovingly exclaims, “not the same story baba, a new one”. However, towards the end, the son’s affectionate speech turns angry, as he shouts,“are you a god, the man that screams?”
In the film Benny & Joon, directed by Jeremiah Checkik, the relationship between characters Joon (Juniper) and Sam is important to the film, and the themes within the story. It is one of the only relationships in the film that is built upon the foundations of unquestionable acceptance, rather than prejudice and discrimination. Sam and Joon treat each other very differently to how other characters do, and rather than being prejudiced and looking down upon each other for how they fit out of ‘the norm,’ they find themselves and find comfort within each others’ quirks and abnormalities, and learn that the definition of ‘normal’ is subjective.
She is betraying the child by burdening him with her and putting unnecessary responsibilities on him; to take care of her-comforts her when she's telling him her troubles . Secondly is the relationship Baba has with his family. The father (Baba) lies to his wife and child that
When the Russian soldier asked for half an hour with the lady in the back Baba stood up and spoke against it. Baba had the courage due to his past experiences and adverse situations he has already faced. “I will take a thousand of his bullets before I let this indecency take place.” His personal values and beliefs went against Russian soldiers demands only because incidents before have had an impact on his character and they shaped his identity. Baba constantly tries to do good deeds to redeem and perhaps forgive himself. Another example of shaping identity is society pressure. Baba’s image mattered, how other people saw him and how they treated him was a part of his personal values and self worth. Wealth, status and honor were how he was portrayed in front of society. Society pressure and judgment shaped Baba’s identity and impacted his decisions. He was ashamed to tell everyone that he is Hassan’s father, a father to a Hazzara. He did not want to lose his identity of being a Pashtun or be disrespected due to his past. Just as Amir Baba was willing to deal with guilt and regret for personal desires and searched for true redemption the rest of his life.
Baba is mainly used by children but in Lee’s poem the father does not acknowledge his son as a child and is son is there with him at the moment because he is too concern about the son as a matured man. The whole poem is revolved about the father's struggle to come up with a poem, all the son wants from his father is to hear a poem that he has not heard yet. The poet made sure to keep coming back to the story, even after the father begins to worry about future events the father tried to get his son to listen to one of his stories with hopes that he will not completely lose his son.
Amir’s misadventures begin as a boy living in an affluent Afghanistan world. On the day of his birth, his mother hemorrhages to death. Robbed of any feminine influence or comfort, he goes to his overshadowing Baba for love and acceptance. His father denies his only son the tenderness he desires, leading Amir to believe his father despises him. After all, Amir’s
Click, clack, click, clack the unknown child walks down stairs and wanders out the front door. There are plenty of logical reasons behind why Neil Gaiman selected not to reveal Bod's name before he came to the graveyard. One possible reason is that he wanted the readers to see Bod as being the unknown child when he wandered into the graveyard. Having the name Nobody doesn't connect Bod to his old life. The name Nobody describes Bod perfectly. Nobody knew who Bod was when he came to the graveyard, and still the only a few people that know him live in the graveyard.. He is not known as being the child whose family was murdered. When Bod the unknown child came to live with the forgotten people and started his new life, Bod was separated from
As the war in Afghanistan begins, Baba and Amir flee to America where they went from being at the top of the social pyramid, to starting again at the very bottom. Baba’s mindset however, remains the same throughout his whole life. Back in Afghanistan, Baba was very proud of his possessions and the ability to afford so many luxuries, as he often would show off his fancy mustang which he bought prior to seeing it in a movie, “Then, Baba and I drove off in his black Ford Mustang – a car that drew envious looks everywhere because it was the same car Steve McQueen had driven in Bullitt, a film that played in one theater for six months..”. When Baba and Amir get to America,
Amirs father, Baba, is a strong man very set in his ways. He represents the independent culture of old Afghanistan. He instills his ideals of masculinity on Amir, and believes he should be stronger, more sports oriented, and able to stand up for himself. “Of
Zen, also known as Ch’an Buddhism in China, is a school of Mahayana Buddhism that was established in China about 1500 years ago. Zen is a form of religious practice of mainly concentrating the mind to a single point in which then results in self-realization and/or enlightenment. Zen philosophy is interpreted that all humans are capable of reaching enlightenment, which is generally blocked by ignorance. The idea emphasizes enlightened masters over forms of scriptures, and is the least “academic” of all the Buddhist schools.
Yet, there are certain points in the novel where Baba provides his perspective on life to Amir, demonstrating compassionate, father-like qualities. This is highlighted when Baba states “There is only one sin, only one. And that is theft. Every other sin is a variation of theft… When you kill a man, you steal a life…You steal his wife’s right to her husband, his children’s right to a father. When you tell a lie, you steal someone’s right to the truth (19-20). Baba educates Amir about the principles in which he values you to be true about sins. Yet, this is ironic because Baba proves to be a thief himself, which expresses more instances of alienation in Amir’s childhood existence. Baba shows to be hypocritical when he deprives Amir the right to have a father figure. This drives the conflict of the novel. He gives the impression how it is a sin to steal the right to someone. Although not recognizable at first, he clearly goes against his beliefs when analyzed. His disloyalty adds on to alienating Amir. This is because later on in the novel, Amir himself comprehends that Baba was truly a thief. This is expressed when Amir notes, “And now, fifteen years after I'd buried him, I was learning that Baba had been a thief. And a thief of the worst kind, because the things he'd stolen had been sacred” (225).
Baba’s high expectation influences Amir 's fixed mindset because Baba feels that his son should be more courageous and follow the values that make up a Pashtun man. Throughout Amir 's childhood Baba always sets these high expectations for Amir that leads Amir to believe that one cannot be weak at things. Throughout the story, Amir is a shy insecure boy while Baba is a confident and proud man. Due to Amir 's introverted self, he spends most of his time reading books and poetry; while Baba tries to force his interest onto his son Amir for the purpose that Baba wants Amir to be the great example of what a Pushtun man should be. An example that shows Baba has a fixed mindset was when Amir states, "With me as the glaring exception, my father molded the world around him to his liking. The problem, of course, was that Baba saw the world in black and white. And he got to decide what was black and what was white. You can 't love a person who lives that way without fearing him too. Maybe even hating him a little" (Hossieni15). This quote shows that Baba was a man with a strong personality, and it was his way or the highway. This instills so much fear in Amir that he is afraid of committing mistakes around his
However, his constant burden of having to pay for his adulterous act, considered one of the ultimate sins in his conservative Sunni Islamic environment, coupled with the tragedy of his wife’s death leads Baba to also be portrayed as a less of a father and more of having an immature personality in the way he deals with his son. Hosseini’s purpose in this complex relationship with Amir was to highlight how different the circumstances were in Afghanistan given more extreme social conditions Americans are unfamiliar with. This conflict leads Hosseini to somewhat reconcile Baba’s bad parenting as being a product of the trade-offs necessary to living in context of that particular belief system. His preoccupation with relieving his guilt prevented him from being the father Amir secretly desired him to be.