Bach Pipe Organ Research Paper

J. S. Bach was born in Eisenach, Germany, March 21, 1685. Bach’s uncles were all professional musicians ranging from church organists and court chamber musicians to composers. His father, Johann Ambrosius Bach, was the town piper in Eisenach, a post that entailed organizing all the secular music in town as well as participating in church music at the direction

Organ is one of the most complex of all musical instruments; has the longest and most involved history and the largest and oldest existing collection of any instrument in Western music. There are other instruments as well on which different artists have performed the Bach’s Toccata and Fugue in D Minor. Such as, on Glass-Harp, Guitar or Piano etc.The first part of Bach’s piece is a “toccata”, is derived from the Italian word “toccare”, which means “to touch.” It represents a musical form for instruments that is designed to reveal the virtuosity of the performer’s touch. In Bach’s Toccata a great many fast harmonies (notes of a chord played in a series than simultaneously) and runs up and down the keyboard but otherwise is generally free form and gives the composer much latitude for personal expression.

Johann Sebastian Bach, born in the year 1685, was a German born composer, virtuoso organist and keyboard player, a

The organ is an instrument that dates back to the third century B.C. The man credited for this invention is Ctesibius of Alexandria who invented an instrument called the hydraulis, which used wind maintained through water pressure to some pipes. Organs are most likely found in churches and are used during the services. Its divine pitch imitates that of a human voice and creates a beautiful sound that many find pleasing. There are three types of organs, non-piped, electronic, and mechanical organs. Non-piped organs are much like accordions and harmonicas. Electronic organs make electronically produced sounds through speakers. Then the mechanical organs are

Born on March 21st 1685, Bach was the son of Johann Ambrosious, who was the court musician for the Duke of Eisenach. Alongside being a musician for the duke Ambrosious was the director of musicians for the town of Eisenach. The Bach family

Bach’s complex compositional style incorporates religious and numerological symbols that fit perfectly together in a puzzle of musical code. Demanding unfaltering facility in dexterity, precise pitch, particularly in the multiple stoppings, as well as sensitivity to implied polyphonic and harmonic textures. These exceptional works may be the closest thing we have to a “perfect” composition, so why is it that musicians have drastically different alterations and interpretations of his works? It is as if quality, intensity, duration, and even pitch are subject to the performer’s adaptation. By mapping out these alterations performers make to Bach’s music, it becomes possible to map out their respective musical personalities.

If we are to evaluate Bach’s significance as a tutor, should we then assess the success of his students? Bach had taught numerous pupils during his life, particularly since c. 1706/7, where most primary sources are dated from. Johann Casper Vogler was one of Bach’s ‘successful’ students who became a nationally known organist and won an exclusive examination performance in the Markt-Kirche at Hanover. In 1721 he moved to take Bach’s former post as Organist for the Weimar Court. Vogler, previously known as “Anonymous 18”, is of significance today through his hand copies of Bach’s works. His copy of Bach’s Prelude and Fughetta in C Major, BWV 870a, is of particular influence, being highly regarded within performance study practices for having the fingerings written out. It is seen that Bach’s teaching methods went beyond the scope of influencing his direct pupils. Johann Tobias Krebs was another of Bach’s ‘acclaimed’ students who in 1721 accepted the post as Organist at Buttelstedt. Here he was expected to play the organ of Michaeliskirche and instruct at the school. Although J. T. Krebs remained at Buttelstedt for the rest of his life, he is mostly acknowledged as being the father of Johann Ludwig Krebs, also a student of Bach. Johann Ludwig Krebs became to be considered comparable to Bach; continuing the genius particularly through his keyboard technique and counterpoint. The names of some other notable pupils of Bach include Johann Martin Schubart, who in 1717 succeeded Bach at his organist post in Weimar. Another student was Johann Schneider who became organist of St.

After a reform congregation, The Emanuel Congregation, was formed and the Mikvé Israel was losing its members, the congregation decided to install a committee that would have to find and recommend ways to make their synagogue ritual more appealing. Their recommendations were: to form a choir, and to install an organ. To finance the new organ, the congregation decided to sell one of their off-site buildings by means of an auction. The cost of the organ alone, exceeded the income of their property sale. Nevertheless, the congregation decided to build a new gallery for their new organ and choir. The mahogany organ was shipped and arrived on schedule from Amsterdam in 1866, and was inaugurated in the same year. Ever since, mostly non-Jews were hired to play the organ, as Jews were prohibited from playing a musical instrument on

Johann Sebastian Bach was born into a family of musicians. It was only natural for him to pick up an instrument and excel in it. His father taught him how to play the violin and harpsichord at a very young age. All of Bach’s uncles were professional musicians, one of them; Johann Christoph Bach introduced him to the organ. Bach hit a turning point in his life when both of his parents died at the age of ten years old. Bach’s older brother Johann Christoph Bach took him in and immediately expanded his knowledge in the world of music. He taught him how to play the clavichord and exposed him to great composers at the time. At the age of fourteen, Bach and his good friend George Erdmann were awarded a choral scholarship to the prestigious

The court orchestra consisted of twenty-two players. Bach’s function was mainly a violinist, however he also played harpsichord. Bach, on occasion, wrote some of the music that was played. During this period he wrote strictly for the organ, and he was rapidly becoming known throughout the country. As time went on, people were coming to see him far and wide.

Beethoven was born in Bonn, Germany in 1770. His father, a music enthusiast, dreamed of molding his son into the next Mozart. Beethoven never showed the impressive characteristics of Mozart, but he was unusually talented, learning the piano, organ and violin at a very early age. At 14, he was already skilled enough on the organ to receive a professional appointment (Beethoven). He held positions as an assistant organist in the electoral chapel where he obtained his first

He was born in the German town of Bonn on the 16th of December 1770. His grandfather Ludwig and his father Johann were both musicians. Johann was to act as little Ludwig's first music teacher, but Ludwig soon changed to the court organist C. G. Neefe. Passing eleven years of age, Ludwig deputized for Neefe, and at twelve had his first music published. He then stayed as Neefe's assistant until 1787, when at seventeen, he took off for Vienna. Even though Vienna was to be his home for the rest of his life, this first visit was short. On hearing that his mother was dying, he quickly returned to Bonn. Five years later he finally moved to Vienna to live and work.

The timpani is a percussion instrument with the longest tradition. It's been used in a variety of music: ranging from music to symbolize the power of monarchs to church music. The tuning of the instrument has changed throughout it’s lifespan. First from not being able to tune them at all, to having large, awkward screws, to having an operating pedal on the bottom to change the tension of the head (Tucmandl). The way performers tune this drum has always been improved, making it easier on the performer when on stage. The next step to improve the efficiency of tuning was made with a new way to tune, with electronics. Recently, inventor David Byrd Ribner has created a tuning and pitch control system for the timpani. This makes it almost automatic, and also makes it extremely easier for a timpanist to perform on the spot.

The troublesome part to clarify is the manner by which Bach created the Toccata’s compelling organ effect. At the point when Bach was in Arnstadt when he was young, the organ commonly did not have a 16-foot register on the keyboard; thus, it sounds an octave lower than the typical 8-foot register. Accordingly, keeping in mind the end goal to make the impact, Bach utilized octave multiplying; thus, he proceeded with the resonating impact of the opening bars; on the other hand, there is no octave multiplying in any of Bach’s later organ works; in addition, the fugue sounds irate with its continuous arrangement of quick notes. Likewise, Bach felt humiliated about his unrefined style, and he set the work aside; thus, Bach lost a ton of his other early organ work totally.

Johann Sebastian Bach (1685-1750) was a huge composer during the baroque era. He started out as a principal organist and later went on to write many organ and keyboard compositions. He was hired to write many hymns and perform them in