Bagley Meaning

| In the industry of hand crafted goods their pottery showed various types of patterns carved or painted onto them, even stones had fine pictures painted onto them. They usually wrote in a special ink, they had various forms of writing like hieroglyphics, and self-explanatory characters. They usually carved these onto animal bones or tortoise shells. Architecture was built into houses made of wood or carved out of the earth into rows. They listened to folk music and palace music. With their practice in bronze they made fine musical instruments, people engaged into music but they were divided into 3 sections; Wu, music slavery, and Gu.

For this first paper assignment I have chosen to write my essay on The Funerary Model of a Pig Sty. This artwork takes place in Ancient China around c. 2nd century BCE. It was designed and used within the Han Dynasty early in China’s history. These clay models like the pig sty and other burial goods had a hand in furthering the development of Chinas cultural heritage and beliefs. Within this paper I will be discussing my chosen MIA artwork, works that are similar but different to this artwork, and also how all three works, although all different, have the same purpose for what they have been made for. Then finally touching on how the context of the piece can change based on its surroundings.

Martin Robertson and Mary Beard’s manuscript, Adopting an Approach, focuses on the study of Athenian pottery. The manuscript begins, by describing Sir John Beazley and his revolutionary method of studying Greek vases. The Beazley Method focuses on the technical conventions of Greek Vases such as naming the artist, dating the pieces and then grouping them based off of similar characteristics. Beazley “provided for the first time a comprehensive framework of analysis for Athenian painting, and a way of dating and classifying.” (Pg. 16) However, what Beard’s main argument suggests is that it is not the artists that help us understand the importance of the vases because even if a vase is assigned to a specific time period or artist, there is

In the article “Likeness of No One” Ladislav Kesner is trying to establish new approach in studying and perceiving the status of Qin terra-cotta figures of the Lishan project. The uniqueness of the Qin army, its massive scale, incredible details of every soldier perplex many scholars. There is no clear explanation of the meaning of terracotta army, the originality of the monument suggest too many questions and theories.

The inclusion and value of ‘external evidence’, information concerning the artist and his interpretation and reasoning of his piece, has frequently been debated by philosophers. Many argue that external evidence should not be considered in the interpretation of a piece of art; better yet, the audience would seemingly benefit from not having any prior knowledge of the artist or his implications. Other theorists counter that while we should not judge a piece with the artist in mind, having some general knowledge does give important insight into the culture that is expressed through the piece.

The piece I decided to analyze is the famous sculpture, Laocoön and his two sons. I decided on this particular piece for a few reasons, one being the emotion we see on the subjects’ faces, and the other being the importance for future art. When I began this research I could not have possibly understood the relevance this piece had on the art that was yet to come.

This essay aims to investigate two different time periods in the history of art. It will scrutinize the influence that the respective societal contexts had on the different artists, which in turn, caused them to arrange the formal elements in a specific way. I will be examining an Egyptian sculpture of the god Isis nursing Horus, her son, as well as the Vladimir Virgin icon, which dates from the Byzantine era. Experts vary on the precise ‘lifetime’ of the Ancient Egyptian civilization, but according to Mason (2007:10) it existed from 3100 BCE up to 30 BCE. The Byzantine era, which

The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.

Beauty is an incredibly subjective thing; what might seem appealing to one’s eyes may be horrendously ugly in the eyes of another. However, the status of “beautiful” or “ugly” can be assigned rather objectively when art is examined from the perspectives of different philosophies. The beliefs and values of different philosophies can be used to find meaning and beauty in various art forms, allowing for a more straightforward determination of beauty. Because of the many layers of meaning most paintings entail, they are a perfect example of an art form that can be analyzed by numerous philosophical viewpoints to find meaning and beauty, and Ma Yuan’s painting Walking on a Mountain Path in Spring, which comes from the Song dynasty of Chinese and depicts a sole figure standing in a natural surrounding, is no exception. Ma Yuan’s painting is beautiful because it represents the ultimate achievements for the Buddhist, Daoist, and Confucian philosophies.

Established during the early 8th century, an artwork known as The Pair of Lokapala, translated as the heavenly guardians, shapes the essence of early Chinese dynasty art sculpture. The 40 ½ x 16 ½ x 11 ¾ inch sculpture is focused around the Tang Dynasty due to its prominent years dating from 618-907 A.D. Furthermore, the materials to create The Pair of Lokapala was used with earthenware with three color lead glazes. Although the artist is unknown, the style of the artwork stretches the styling of Chinese sculpture, showing that the artist used those values to create the artwork. Therefore, The Pair of Lokapala evokes various aspects through Tang Dynasty art by emphasizing two guardians through the subject matter, arranging many formal

In this essay, I will compare and contrast two different sculptures from two different contexts of art. The first being an Olmec Colossal head (monument 1), from the context of “Art of the Americas,” and the second sculpture being ahead from Rafin Kura. The head from Rafin Kura comes from the context of “Art of Africa.” Both sculptures come from two different time periods and parts of the world. They also are both made with natural materials and have their own symbolic meaning.

“The Chinese… seem to have developed a complex intellectual position that assumed that if an image was convincing… then these features gave the image the powers of the thing or person depicted.” She goes on to assert that these figures were not simply mere lifeless substitutes but important religious images; “Indeed the urge to make powerful images to complete afterlife dwellings was closely connected with the search for good outcomes, that is, auspiciousness.”

Sayre the author says, “The Buddha is the most extensive collection of large-scale sculptures in the world and can be found an hour north of New York City in the lower Hudson Valley at Storm King Art Center (“A World of Art”). Zhang seems to like the traditional aspects of chinses culture, because he re-used an ash material form other artists, to create his own sculpture. The techniques he used to create the sculpture is casting, assemblage, and construction. Without using these three additive techniques of sculpting, the artwork wouldn’t have been fragile, and not overwhelming in size. The subject of the “three Legged-Buddha” is another conflict with the governmental rules and regulations, and it has drawn a lot of attention due to its strong message that it conveys. When I initially examined the art piece for the first time, it looked like a huge dismantled, three legged human figure. I thought it was a symbol for keeping your body in better shape over your mind. The most amazing part of the sculpture is how extremely large it is compared to the electrocution sculpture. After reading and interpreting the sculpture it struck me that it was made for ceremonial gathering, where incense placed and burned from inside of the sculpture, and pours out of the head. I think that the artist was trying to involve the visitors in his sculpture. Since Zhang Huan

The sculptures and paint show details how society viewed and interpreted women body, sexuality, and maternity. In addition, revealed that these women were protected from threats around them with ornaments. Civilizations since early times, believed that we were in permanent threat from forces we do not see or cannot explain and because of it, we protected ourselves with artificial elements in a form of jewelry, crowns or caps. This idea has been continue from one generation to the next to the point that in modern societies some of us still use this type of protection in our bodies (e.g., small cross, divine images, tattoos, etc.).These pieces of art also indicate that humans believed in gods with superpowers and they are looking over us constantly. Humanity also believes in dark forces or demons trying to makes us do things that would upset the good gods. Some of the differences between these sculptures and paint are the material in which each one of them were created. The first figure, the Woman of Willendorf was carved in limestone, the second piece, the portrait of Queen Tiye was carved in wood and the last piece, the Virgin and Child Icon was created of tempera on a wood. You can also notice how the details on their faces and bodies changes throughout the time and years. The woman of Willendorf figurine offers details of a voluptuous nude women’s body but there is not face, or feet. Queen Tiye statue shows the face of a woman in detail closed to the gods but without any body parts and lastly The Virgin and Child Icon, is an expression of divinity of the views, reflections and beliefs from the gospel. Because communities started to innovate on the art of carving and painting, populations began to discover and/or create art with the objective of expressing different purposes of our daily lives, such as the beauty of a woman’s body, or to commemorate an ancient

Our world is full of so many grandiose monuments, eye-catching sculptures, and stunning statues, each having an individual story to tell. Thousands of them have been created however, only a small number of them are actually extraordinary and picture-worthy. This paper will compare and contrast two of those picture-worthy sculptures. Furthermore, I will examine the aspects of each of these sculptures. I will compare and contrast what each of them represents, the differences in texture, their size and their tone.