Baldassare Castiglione Research Paper

From day one, middle-class merits are expected to do great things; they are expected to excel in school and sports, Brooks contends (194). He furthers this by saying that the activities that the middle-class participates in become the “bricks” of their identities (195). Brooks argues that character is not created in youth and just retained throughout life, but is built up gradually and people must struggle to maintain and improve throughout their lives (195). He moves his argument forward by talking about how society will reward these meritocrats (195, 196). Brooks believes that society is constantly praising these kids, and that this praise pushes them towards the realization that their success means nothing, unless they give back to society (196). He uses the example of a baseball player enjoying trips to clinics to share stories with the younger kids there (196). Brooks then moves into discussing the choices meritocrats must make later in life; he insists that some people can choose to be made famous because of looks or money (196). He says the other side of this, is to choose an opportunity more worthy of your time and others’ praise

Through grand parties, lavish attire and reckless doings one woman’s lifestyle can wreck a nation. “Meanwhile, the fair young queen in her halls of state walks like a goddess of Beauty the cynosure of all eyes: as yet mingles not with affairs: heeds not the future: least of all, dreads it,” (Carlyle, 27.) Marie Antoinette, the young dauphiness of France, was the icon of her time. Her outlandish fashion and her views on money and finances gave her an education where she did not think of the rationality of the things which she was purchasing. For Marie could never have enough jewels, dresses and luxuries and that led to the revolution of her country.

Societal values related to wealth and class are seen as unjust by the authors, which is why they personify that the wealthy, although higher up in the hierarchy of classes, are not divine and do not have the sincere human morals that the less fortunate usually

Costantini’s sea-faring activity lasted four years on board Layton, which ‘may have brought him into contact with American eastern seaboard primitive artists, …’ Smith makes clear that the change in the artist’s perception depends on the fulfilment of certain conditions and that ‘to break down the visual prejudices associated with objects…the artist had to experience these things in new ways’. Costantini, through his trips it is reasonably practicable to come into contact with the colonial art created in other parts of the world. Costantini possessing the skills of a draughtsman had a certain perception about art, which might he used in order to adopt a particular style, in his effort to illustrate the world around him. The scientific voyages

The people of Renaissance were composed of four social classes, the nobles, the merchants, the tradesmen, and the unskilled workers (M. 2016). Nobles lived on large estates outside the city walls. Nobles controlled and owned most of the city’s land (M. 2016). They served as royal advisers, politicians, and military officers (M. 2016). Nobles gained wealth in industries like wool processing, shipbuilding, and banking (M. 2016). Merchants were often out to protect their wealth by controlling government and marrying into noble families (M. 2016).

During the renaissance, most artist had a common enemy known as the court, which was ruled by the most wealthy and powerful families in Italy. The court was in charge of one’s position in society. When an individual would be born in a royal family, that individual was able to experience life to a new level. “Three chamberlains will never suffice in dressing our lord…” (pg. 23). In

Or many water features such as Tiber River which flows from the Apennine Mountain, to the Tyrrhenian Sea.

The colony’s achievements, feasible under the framework of Enlightenment that brought economic development, were immortalised by the hands of the first amateur colonial artists. One of the fabricated arguments of the nineteenth century in the European continent was the idealisation of productivity and wealth. The scientific breakthrough due to the Enlightenment was perceived as leading to the rise of production, and therefore to economic improvement. This tenet had been idealised in Europe simplistically; if progress was predetermined, then its consequences were too. Thus, productivity and wealth were integrated into the cultural values of Europe. Hence, economic progress remained an element that made a distinction between civilisation and barbarism.

Merchants and bankers were the most socially mobile group in the renaissance. The often started from humble beginnings- as peddlers or craftsmen, for example- and exploited new commercial opportunities to become very wealthy. Once they were rich, they tried to behave like the nobility. Many became patrons and leaders of society (“Social Order” pp.58).

As the conversations between the Duke and his servants in The Book of the Courtier demonstrate, skill, a concerted effort, and a good education go a long way in increasing your social stature. Nonetheless, this doesn't mean that if you tried very hard to become more wealthy and elite that it would always have fruitful results; it was still very dependent on who you were related to and their prestige.

Throughout history, it has been tough and at times extremely difficult to change social classes. Those born into poverty tend to remain in the lower class as peasants, and the elite or upper class managed to stay in the hands wealthy. However, there have always been special individuals that overcame this anonymity rose to fame. In Balzac’s novel, Pere Goriot, Eugene Rasignac uses the pursuit of wealth and the upper class to show how the wealthier characters become the harsher they treat other people through his journey of trying to become a wealthy elite in the city Paris.

Vittorio Emanuele Orlando(1860 - 1952) was an leader who held several high Italian political positions, including Minister of Justice and Prime Minister, during and after World War I. Due to his influence, Italy aided the Allies in winning the war, and he was also a member of the “Big Four” during the post-war Paris Peace Conference in 1919.

Giovanni Battista Belzoni was born on November 5, 1778 in Venice and died on December 3, 1823 in now present Nigeria. In Belzoni’s early life he was working in his father’s barber shop and attempting to pursue the study of monastic vows. However, in 1798 he fled Venice and the occupation of French troops to go to the Netherlands where he worked as a barber for a few years (Mayes). Belzoni then, in 1803, fled to England to avoid being jailed for fleeing Venice and tax evasion (Mayes). While in England he met his future wife, Sarah Bane, and together they both joined a traveling circus. Belzoni became a circus strongman and for some time he entertained many by presenting incredible feats of strength that many would think to be impossible (Mayes).

The bourgeoisie, wherever it has got the upper hand, has put an end to all feudal, patriarchal, idyllic relations. It has pitilessly torn asunder the motley feudal ties that bound man to his “natural superiors”, and has left remaining no other nexus between man and man than naked self interest, than callous “cash payment”… (p. 15)

This paper will focus on how nobility affects social status, opportunities and how it provides a luxurious life to nobles. From La Fresne, I will study the fact that La Fresne’s luxurious possessions (blanket and fine ring), set her fate. Because of it she received an education and a decent living, and eventually met her parents. If she didn’t show “signs” of nobility her life would have turned out very differently, she could have been abandoned or worse.