Balem Vs Jupiter

Millions of people flock to the movie theater year after year on a quest to be entertained. Even a mediocre movie has the ability to take the audience to another place, escaping the realities of their own life, even if for just a few short hours. Some movies are simply pure entertainment. And then, there are those movies that provoke conversation long after the film has been viewed. Despite the popularity of the recent films The Hunger Games and Divergence, the dystopian theme in film is not a new one. The Matrix shows a society where humans exist without any freedom. The film, not only entertaining but thought provoking as well, paints a world with two different dimensions, a world very much like today’s when the film is closely examined. The Matrix questions the benefit of technology and influence over society.

  The books Brave New World by Aldus Huxley and Anthem by Ayn Rand are both valuable twentieth-century contributions to literature. Both books explore the presence of natural law in man and propose a warning for what could happen when man's sense of right and wrong is taken from him. In this essay, I hope to show how these seemingly unrelated novels both expound upon a single, very profound, idea.

Jupiter Research Jupiter is the fifth and largest planet in our solar system. This gas giant has a thick atmosphere, 17 moons, and a dark, barely-visible ring. Its most prominent features are bands across its latitudes and a great red spot, (which is a storm). Jupiter is composed mostly of gas.

1984 has come and gone. The cold war is over. The collapse of oppressive totalitarian regimes leads to the conclusion that these governments by their nature generate resistance and are doomed to failure. The fictional world of George Orwell's novel, 1984, is best described as hopeless; a nightmarish dystopia where the omnipresent State enforces perfect conformity among members of a totalitarian Party through indoctrination, propaganda, fear, and ruthless punishment. In the aftermath of the fall of capitalism and nuclear war, the world has been divided among three practically identical totalitarian nation-states. A state of perpetual war and poverty is the rule in Oceania. However, this is merely a backdrop, far from the most terrifying

Bernard, Lenina, and Linda all have unique characteristics that set them apart from the regular citizens of the World State Society. However, all three of them have unknowingly fallen into the conformities of the state’s maladaptive rules, preferably choosing to emanate the state’s values that do not fit their own characteristics. The World State’s guidelines and regulations pull all the citizens of the World State, including Bernard, Lenina, and Linda, into one lifestyle of living through a domino effect of conformity: the more people that conform, the more harder it is to resist the urge to conform with them. Aldous Huxley’s Brave New

In a westernised world humanity has lost control of traditional value to the deadly sin of greed in its representation of financial benefits. Interaction in a range of different social contexts mould our viewpoints on anything that is occurring around us, including ourselves, others and the broader world in general. Corporate power and morality are two ideas that are shared between the film Blade Runner directed by Ridley Scott and the novel Feed by M.T Anderson. The texts emphasis on a futuristic dystopian world where humanity is no longer parallel to technology and the vices of corporate power and morality are used against humanity to exert dominance. Both composers emphasis on the existential crisis of corporate power and morality

In contrast, the context at the time ‘Blade Runner’ was made was more concerned with the fragility of nature and the devastating effects the greed of the multinational corporations which were focused on the economical gain will have on the environment. The polluted world is shown through the

Shelley’s Romantic novel Frankenstein (1818) compares and reflects values of humanity and the consequences of our Promethean ambition against the futuristic, industrialized world of Blade Runner (1992) by Ridley Scott. The notions of unbridled scientific advancement and technological progress resonate with our desire to elevate humanity’s state of being, mirrored amongst the destructive ambition to overtake and disrupt nature and its processes. The disastrous implications of overreaching the boundary between progressive and destructive power and knowledge are heeded through the ultimate and inevitable loss of self and identity, transforming humanity into a form of monstrosity.

Film director Andrew Niccol’s science fiction thriller Gattaca and author George Orwell’s politically scientific book 1984 employ a variety of textual techniques to explore the themes of control and freedom. The context of a dystopia is used in both texts to portray how dogma’s within society’s constrict the freedom of individuals. Niccol discusses the consequences of the pursuit for perfection in the “genetically perfect” society of Gattaca. Similarly, Orwell analyses the subordination exhibited by the war torn society of “Air Strip One” to the governing party and “Big Brother.” Technological and scientific advancements further impact imprisonment of individuals by improving only a portion of the population. Niccol uses the science of

BR depicts the hunger of mankind to break the barriers of humane principle and intrinsic concepts of nature. The extended irony in the film paradoxically gifts the artificial

Although the comparative study of texts in time offers insight into humanity’s changing values, it is the portrayal of common, contextually resonating concerns which continue to engage us timelessly. Despite their divergent media and compositional milieus, Mary Shelley’s novel Frankenstein (1818) and Ridley Scott’s film Blade Runner (1982) share ongoing anxieties regarding unrestricted technological growth and social decay. By examining these texts together as social commentaries which are shaped by their Regency and contemporary contexts, we come to a heightened understanding of human nature and its flaws.

Frankenstein and Blade Runner both explore ideas that are universally alike, however are impacted by their form, context and values. The texts explore similar ideas about man’s place in nature and progression of society, but do so within the conventions and context of their creation. Mary Shelley’s ‘Frankenstein’ and Ridley Scott’s ‘Blade Runner’ both draw ideas from their rapidly changing periods to contextually explore and analyse mankind’s thirst for forbidden knowledge which destroys one’s morality. With the progress of man, many aspire to achieve power, and morality is devalued.

It opposes the values of love, empathy and community with the innovative forms of technology and social life under advanced capitalism. The binary opposition between man and technology is represented by three characters in the plot: Deckard, apparently a human. Roy, an android who fears death and longs to be human and Rachel, who thinks she is human and who enters a relationship with a human. These replicants represent capitalism’s oppressive characteristics and also to a certain extent the rebellion against exploitation. Deckard's realization of how the Tyrell Corporation exploits him, and the rebellion of the replicants against their oppressors, is the ultimate critique of capitalism. Since both sides — killer and killed — reject their status as servants of the corporation and refuse further exploitation. (Kellner, et all) The corporation in the Blade Runner that is used to illustrate capitalism’s destructive characteristics is The Tyrell Coporation. The Tyrell Corporation invents replicants to have a controllable labor force that will perform difficult and dangerous tasks. Similarly applicable to today, where capitalism turns individuals into machines that have only the function of productivity. Ironically, the replicants form a human rebellion; while the actual human characters in the film seem to submit to corporate domination and live a life like the corporations sees them to. It seems as if the humans have become so dehumanized that the replicants form a rebellion against their oppressor instead of human beings. Capitalism has dehumanized the population to such an extent, that technology is actually more

In addition to ethical and moral questions surrounding the use of science to replicate human life for commercial purposes as stated by Tyrell, “Commerce is our goal here at Tyrell. More Human is our motto,” Ridley Scott also displays his alarming concerns for the ecological and environment

Throughout this semester our literary material dealt with themes of technology, modernization, the imponderable bloom, human nature, and truth to name a few of the most overarching. Each text has woven an impression of the possible near future for humanity if the patterns we are creating continue at an exponential rate. Patterns such as consumerism, neglecting unpleasurable emotions, using drugs, and controlling the environment for our short term benefits will write an unsavory and inevitable future. Science Fiction often reflects on society by exaggerating their negative characteristics and advancements to seem far-out, but often it is ironic how close many aspects of the fiction are a direct reflection of the present condition. Even now, the possibilities of utopias and dystopias forming are not so out of reach. The ability of our culture to control an entire population with a self-satisfied culture of vices outfitted with technology is less and less science fiction as the years pass.