Balloon Over Broadway : The True Story Of The Puppeteer Of Macy 's Parade Essay

Most people fail to realize the importance of Broadway and all the history behind it. Did you know John Wilkes’ Booth, the assassin of Abraham Lincoln, brother played on Broadway? Or that Broadway wasn’t always in the same spot. Also, many famous actors today started out on Broadway before making it to Hollywood. Even some plays weren’t that famous until they were showed on Broadway. For example, The Phantom of the Opera, or Hamilton! Also, people also fail to realize that through many national tragedies, Broadway always found a way to show their support for their country. But honestly, how did it all start?

"Curtain! Fast music! Light! Ready for the last finale! Great! The show looks good, the show looks good!" - Florenz Ziegfeld Jr. This quote were the last words spoken by the famous producer of Broadway, Florenz Ziegfeld Jr. (also known as Flo). When he said those words he talking about how his life to coming to a close and his experience in the Broadway industry. It was always so fast paced and coming to a close. Ziegfeld helped to shape Broadway with his influence in the industry and introducing new types of shows and producing classic musicals. Florenz Ziegfeld Jr. was an important figure in 1920s American History because of his influence on Broadway and the way he shaped the industry.

Broadway was one of the first forms of entertainment. Before there were television programs, or movies, there was Broadway. Broadway originated in New York in 1750, when actor-manager Walter Murray built a theatre company at the Theatre on Nassau Street. A musical would show about once every weekend. The shows were very male based, and would commonly show a relationship between young boys and their fathers. Women were slowly integrated into Broadway, and as society changed its point of view on women, so did theatre.

For many young theatre lovers, Stephen Sondheim is their introduction the the musical theatre world. Whether it be from Into the Woods to West Side Story, Sondheim has been a great inspiration to those wanting to be introduced to the musical theatre world. People praise Sondheim on his ability to create compelling characters and expanded worlds that the characters live in. What Sonheim is credited for most, however, is his creation of the plotless musical. He created a bunch of characters and then proceeded to round out their stories into one song. He took seven one act plays and created one musical. Company was created in the 1970s and reflected the values of the time while being able to still reflect the values of today.

Theories and objectives that I have embedded into my performance include the transformation of spectator into the actor, image theatre, forum theatre and importance of proper speculation. It all begins with my cultural artifact, my stuffed animal bear. My stuffed bear may not have a dramatic history like many other objects out there in the world, but it does hold an important value for many if not all. We all grew up having that one toy we deeply loved and were emotionally connected with and for me, it was my bear. I first came into contact with it starting at a very young age and, therefore, I am unable to put a date on it. Regardless, it is a priceless possession that I own and it 's unknown value only appreciates with time. Stuffed animals are objects that are most commonly given to children as gift and presents. What people do not realize is that it is more than just a sentimental gift but rather a tool, a friend, and a companion to those receiving it. It is a tool because it aids young kids to embrace their emotional side which they are often told to withhold especially if they are boys. More than that, it is a friend and a lifelong companion, stuffed animals are typically given to children before they are actually capable of making friends and, therefore, it is usually considered their first attempt or first contact (Miller, 1999). According to Smith (2011), people in modern day society overlook the importance of stuffed animals and its contribution cultivating our

As far as the development and demise of vaudeville, there is much to be said. But to truly understand its rise and fall, first one must understand what vaudeville is. Vaudeville was a theatrical genre of entertainment that was popular in the United States from the early 1880s until the mid 1930s. Each performance consisted of a series of unrelated acts grouped together on a common bill. Types of acts included classical musicians, dancers, comedians, trained animals, magicians, impersonators, acrobats, illustrated songs, jugglers, scenes from plays, athletes, lecturing celebrities, and movies.

The presence of a passive audience facilitates the better performance of any show and encourages the performers to do well. In most cases, the success of any show, such as a comedy show, a dancing show, or a singing show depends on the audience. Vaudeville acts were not very famous until Keith and Albee, two entrepreneurs and the main characters in the second chapter, Vaudeville INC., of Robert Snyder’s book the Voice of the city, teamed up and reshaped the style of Vaudeville. In addition to their motivation to increase the popularity of vaudeville theater performances, “the middle class audiences” made a huge impact on vaudeville acts by attending them in great numbers. The development of vaudeville marked the beginning of popular entertainment as big business and demonstrated the changing tastes of an urban middle class audience. Keith and Albee made the tickets for vaudeville acts very inexpensive, ten cents a seat, and attracted the middle class. Shirley Staples, the author of Male-female comedy teams in American vaudeville,

The Globe Theatre became what it is today because of its history. What was its history exactly? Unfortunately, those are two questions many people don’t have an answer to. So, what is the history?

The 20th Century was home to many important events in history, one of the most memorable being The Great Depression. Unemployment was at an all time high, businesses were forced to shut down, and suicide rates were through the roof. New York City was no exception. 213 of it’s 253 theaters were forced to close, putting hundreds of thousands of theater people out of work. In these devastating times, a hopeless yet admirable organization known as the Federal Theatre Project (FTP) was created by request of President Roosevelt. Originally created to preserve music and art, this project consumed government funds, was plagued by censorship, and was blatantly biased in social issues, with the end result being far from it’s original goal.

From the Ancient Greeks, to the Romans, and all the way to present day New York City, theatre is a tradition that has been passed down for thousands of years. The art of expression through live performance is something that will never go out of style. The history of Broadway is a rollercoaster with flourishing highs and devastating lows, but they both have significantly contributed to shaping the industry into the prosperous business that it is today.

Vaudeville, the forgotten type of theatre. During the mid-1800’s, people from across the world were starting to settle in the United States. The newly found ‘spike’ of the diversity of cultures and population, vaudeville quickly became the central point for the American cultural life.

XTC’s composer Andy Partridge considered Easter Theatre as one of the most perfect songs of his career. Featured as the Lead Single in Apple Venus Volume 1, Andy intentionally designed the lyrics uniquely, purportedly to exorcise the ever-present influences of the Beatles and the Beach Boys’ Brain Wilson. It is commonplace in rock music that every band has to espouse some Beatles-que lyrics and of course borrow to some extent from the genius of Brian Wilson, who is regarded as the greatest composer of all times. This paper investigates whether Andy was successful in avoiding such common influences, and more so those of the Beatles’ Penny Lane, which was done by John Lennon and Paul McCartney

On the evening of Sunday, December 16, 2012, I had the pleasure of attending a concert I’d wanted to see for quite a while. I was delighted to attend Tchaikovsky’s The Nutcracker, performed by the Richmond Symphony Orchestra and the Richmond Ballet. The performance took place at Carpenter Theatre in Richmond Virginia. As I entered I felt a bit out of place. I’d never attended a performance quite like this one and I was a bit nervous. I took my seat to the left of the orchestra pit. I was thrilled to see how close I was. I had arranged for a seat near the orchestra so I could observe them as they played.

Two great writers of American musical theatre, Richard Rodgers and Oscar Hammerstein II, had one idea in common. They wanted to present to the American public a new and revolutionary musical that would stand out above the rest. They wanted to make an impact on the societies of the era. They wanted to be creative and do something that was considered rebellious. When they finally combined their ideas together they created an American masterpiece in musical theatre: Oklahoma!. It was the first Rodgers and Hammerstein collaboration, starting the most successful creative partnership in the history of American musical theatre.

The name of the Bread and Puppet Theatre hails from the custom of sharing freshly baked bread with the theatre visitors to symbolise that art should be an everyday ritual for everyone just like eating bread.` We give you a piece of bread with the puppet show because our bread and theatre belong together. For a long time the theatre arts have been separated from the stomach. Theatre was entertainment.` (Peter Schumann, Bread & Puppet official website). The foremost goal of this theatre is to raise feelings of sensitivity in the viewer and to outline what the terms 'good' and 'evil' mean, especially in political spheres. This reflects the use of the audience as being used to create this form of