Banksy Exit Meaning

“In contrast to government-commissioned public art, street art is illicit and subversive in nature. Therefore, most street artists, including Banksy, use pseudonyms to avoid legal prosecution for vandalism.”(Chung 27) Banksy’s street art does not focus on competing with rival artists, but focuses on engaging with a broader audience in a deeper level. He provokes his audience by deeply expressing out various social practices that helps viewers to reflect and confront certain aspects together as a community. (27) The underlying message of Banksy’s art can lead towards an active involvement of street art within the community.

To support this idea, Bordwell illustrates how art cinema motivates its narratives differently, through two principles: realism and authorial expressivity. Firstly he proposes the notion that art films reflect realism in their characters, space, and time. Psychologically complex characters are present in real worlds dealing with true-to-life situations. Art cinema is concerned with the characters ‘reaction’ to these situations, rather than their ‘action’. Thus it bares an element of psychological subjectivity as the characters survey the world they are in, which aids the realisation of the distress of

As we know, the result of “Art is” is “Art is” which returned in an ephemeral form at the Studio Museum. All forty photographs are on display on the basement level of the galleries, which are supposedly reserved for pieces in their permanent collection. The room just outside, whether coincidentally or not, is filled with photos of students - reflecting personal memories. How the museum decides to play with this, is by missing them with old-timer photos of Harlem from the

In the same manner that capitalism has been heralded as the “end of history,” has art under the current age of capitalist globalization come to an end as well? In an exchange between two artists, rapper M.I.A and portrait painter Kehinde Wiley for Interview magazine, art has come to its demise, at least in the United States. In claiming such a death of art, both artists used their personal experiences and observations to make a comparative evaluation of the state of art in New York and in developing countries they have visited. This paper analyzes the rhetorical techniques used by both artists – ethos, pathos, and logos – in problematizing what is wrong with the contemporary art scene at the moment.

The idea of art being a unique interpretation of what an artist’s feels towards a particular thing has always been a given when talking about art. However, where is the line drawn on what art truly is and what it means to its audience? To do this, the idea of what art means must be applied to the idea of what art is. In Dorothy Allison’s This is Our World, the author touches on points of what art is and what it means to its viewers. These points and supporting stories point to the idea that art is subjective, personal, and provocative. This allows Allison to draw her conclusion that arts purpose is to depict the deeper meaning into situations and incidents that occur in our world. In Dorothy Allison’s journal, one can see how the author effectively conveys the ideas of art being personal and subjective, but fails at detailing how art can be subjective.

Do you think the contribution of "Exit through the gift shop" movie, which releases in 2010 by Thierry Guetta helps to change people’s thought of street art? Furthermore, according to the film, Banksy and Thierry are face a dangerous situation, have a different identity and different experience and talent in street art.

Throughout history, art has continuously had the power to alter and influence the society we live in. This essay will highlight the correlation between art and society. By using a specific show that has had a significant impact on the performance industry. The movie Hairspray is set in the 1960’s in America in the town of Baltimore. There were many social contextual issues at this time, specifically revolving racial segregation but also issues such as body image, gender representations, and the stratification of social structure.

Cynthia Saltzman, a former Forbes and Wall Street Journal reporter, investigates the history of the famous Vincent van Gogh’s work Portrait of Dr. Gachet by telling a century-long story of this single masterpiece's journey. Instead of focusing on the van Gogh’s background and the painting itself, Saltzman meticulously provides a case study of how the modern art market developed and how the forces of money, politics and taste can ensure that genius will out. From 1890 to 1990, the painting was taken from van Gogh's easel and valued as “an obscure object worth at most a few hundred francs” at beginning. It then was hung in private homes and world-famous museums, and traveled to Copenhagen, Frankfurt, Amsterdam and New York with 13 different owners.

In 2005, the famed street artist, Banksy, created a graffiti art piece named CND Soldiers. The piece became the center of controversies due to the message it relies. CND depicts two cease and desist officers attempting to cover up a red painted peace sign. It comes from a long line of artworks created by Banksy to express the government's control over art and social order. He uses two types of standards of evaluation in his piece, The Aesthetics Standard and The Response Standard. He uses his general aesthetics to show to dark and bright side of government control. He uses the response standard to engage his audience, and to communicate this beliefs on the idealisms sent by the government. Banky’s ability to create inspiring and thought provoking

the street artist Banksy, which follows the immigrant Thierry Guetta, who has a passion for

The nature of Banksy’s work is iconoclastic in the way he blatantly designs images to rebel governmental authority or depict the failings of

Is it the morality or immorality of art that affects our lives, or do we bring that morality or immorality to art? Oscar Wilde’s novel, The Portrait of Dorian Gray, can be seen as a discussion on the effect of art on life and how there exists a unique connection between the morality (or immorality) of art and the importance of human connectivity and response to art.

Art is a persons’ opinion. The definition of art is the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance. There is no real definition for what is beautiful or appealing to the human eye. Banksy is said to be an artist by some and a graffiti lawbreaker by others. Basically, it is up to the person to define Banksy as someone who is doing the right thing verses doing the wrong thing. Banksy creates his graffiti pictures to make a stand for what he believes is the right way to look at controversial issues. Some people may not like Banksy’s graffiti because they do not have the same views as him. Some people might

Banksy is a very renowned street artist who keeps his identity unknown. His artwork is portrayed by “striking images, often combined with slogans, [which] engages political themes, satirically critiquing war, capitalism, hypocrisy and greed” (“Banksy Biography”). He first started his bold street art in Bristol, his hometown located in London, but quickly spread to the United States of America. In the U.S., Banksy targeted the most populated cities; this was due to the fact that it was easier for him to spread his messages. With a crowded location, his lessons will extent over an audience much quicker.

Being of the Marxist persuasion, John Berger believed in the socialist concept of property being equally shared among the people. He points out that, historically, art has been reserved for those in power, possessing wealth and the societal position that have always allowed them to acquire and view art at their leisure. According to Berger, under this context, art is not an asset which should be adamantly concealed from the general public on account of personal circumstances. With his aforesaid statement on the lack of freedom resulting from missing history, he ultimately points out that being excluded from art, something that so beautifully reflects our human history, can be approximated to dehumanizing those who have been placed into a lower class. The incessant nature of this phenomenon is to suggest that the majority is utterly incapable of understanding and interpreting art. Moreover, it is preventive of their very attempt. In the essay, John Berger makes the following statement, "We only see what we look at. To look is an act of choice. As a result of this act, what we see is brought within our reach — though not necessarily within arm’s reach. To touch something is to situate oneself in relation to it. (Close your eyes, move round the room and notice how the faculty of touch is like a static, limited form of sight.) We never look at just one thing; we are always looking at the relation between things and ourselves." (Berger, 1972) This statement, in essence, is to