Banquo's Letter Essay

Banquo's purpose in the play is the quintessential foil of Macbeth, both in acting, as well as in meaning. Shakespeare utilizes Banquo in order to create opposite moods to what is the drive of the play, which is Macbeth and his wife plotting, scheming, and murdering, by offering great solid blocks of integrity, passion, and goodness, that slightly descend into questioning. In contrast to Macbeth's ambitious state, his transformation into an immoral form of such a state, and his acting on such, Shakespeare creates Banquo in order to give the reader a feeling for contrasting points in order to augment, and practically create, the play.

   In William Shakespeare's tragedy Macbeth the main two characters are worthless knaves because they have forsaken their moral values. The next character with stature is Banquo, whose prowess in battle ranks him alongside Macbeth. He lives a moral life and is heroic for this in a sense.

Burro Genius is story about the life of Victor Villasenor showing how he overcame racism at school and his difficulties in reading to become a famous writer.

Hsun Tzu's philosophy is built from the idea that human beings are by nature inherently evil, and the good they produce will only come through their conscious activity. Hsun Tzu believes that if man follows his nature and indulges in his natural desires, without transforming himself by conscious activity he is doomed to fall victim to his evil nature. "Any man who follows his nature will inevitably become involved in wrangling and strife, will violate the forms and rules of society, and will end as a criminal." Despite the pessimistic tone of Hsun Tzu's message he does propose conscious activity as a solution to man's evil. This paper will examine Hsun Tzu's perspective in light of both Mencius

Macbeth’s voice was filled with fright, and he looked quite disturbed by the sight. Lady Macbeth reassured us that her husband had suffered from these “fits” since his youth and that we would offend Macbeth if we noticed him too much. Though she tried to keep a calm exterior, it was clear that Lady Macbeth was shaken by the sudden outburst. Her words were suspicious, and I was unsure of the truthfulness of her explanation. The once inviting atmosphere of the gathering had quickly dissipated, and it seemed as though an ominous darkness had filled the air. I remained quiet in my chair, but something seemed greatly amiss about the situation. Lady Macbeth pulled Macbeth aside and began talking quietly with him, and though I could not hear what was being said, it seemed as though she was more angry than concerned, which is different than what I would have expected her to be during her husband’s fit. Soon, Macbeth rejoined the table, but he looked pale and shaken, a far cry from the noble man I had witnessed at the beginning of the banquet. After he toasted Banquo, it appeared that the gathering had resumed, and I was looking forward to finally

Though authored possibly centuries apart, the Confucian Analects and court historian Ban Zhao's Lessons for a Woman have far more similarities than they do differences. The reason for this complementarity is that Ban Zhao's writings are intentionally constructed to mirror the teachings of the Analects with a focus on the roles of women in society rather than those of men. She very specifically focuses on relationships between men and women, thus between the two texts a well-rounded picture of the proper marriage relationship in ancient Chinese culture can be formed.

After many years of neglect by the British, the colonists’ lives soon drastically changed. The British became more involved in the colonies and established unreasonable regulations. Influences by many events, the American colonists knew they had to take action against the British and fight for their independence. The Americans were justified in waging war and breaking away from Britain because of unfair taxes, the social and economic life was harmed, the violation of inalienable rights by the British, and the colonists were not represented in government and treated as citizens.

Herman Melville 's Benito Cereno (1856) and Frederick Douglass 's The Heroic Slave (1852) provide social commentary on the evils, injustices and dehumanizing effects of slavery. Melville 's "Babo" and Douglass 's "Madison Washington" are similar in motive—the pursuit of liberty and destruction of slavery. The ways in which these characters are perceived, however, differ and stem directly from the author 's construction of the narrative. By examining the slave uprisings within the both texts, it is clear that Melville creates a story that depicts “Babo’s” rebellion as maliciously calculated, while Douglass paints the portrait of Madison 's resistance as rightfully deserved and necessary. Douglass 's novel is overtly an abolitionist narrative, unlike Melville’s Benito Cereno, which is quite ambiguous in its didactic message. Critic, William L. Andrews, notes that “The Heroic Slave uses the techniques of fiction to remodel the raw materials of history into a more meaningful and usable truth ” (Andrews 11). There is transparency in Douglass 's goal for the novel—to expose and unveil the atrocities of slavery (separation of families, murder of loved ones, perpetual subjectivity, etc.) and denounce preconceived notions of black inferiority. Madison Washington is a slave, but also a human being—not

Qin Shi Huangdi, the first Qin emperor, was a proactive and ambitious emperor who implemented a central bureaucratic system that oversaw the evolution and unification of China at the cost of public sentiment. The Qin Dynasty is considered among the most influential dynasties as it laid the foundation for the massive cultural and economic development of China that took place during the Han Dynasty, but it also failed to achieve many of its pro-commoner ideological goals. In fact, socioeconomic disparity was not alleviated and despite the notion of enriching the lives of the common people, it was under Qin rule in which public resentment of the authoritarian government peaked as there were countless peasant revolts against the iron-handed bureaucratic rule of China. Because a paranoid emperor alone wielded political clout and influence, the tumultuous few years of Qin reign was rife with paranoia and suspicion among the masses. Although the Qin Dynasty is seldom thought as possessing the same glaring discrepancy between ideology and state that the Communist regime in post-World War II China had despite the similarities, the failure of the flawless egalitarian state models in socioeconomic and political aspects during the Qin Dynasty mirrored the developments in early Communist China.

Mark C Elliott’s book Emperor Qianlong Son of Heaven, Man of the World is a short biography about Hongli. Hongli was the fourth son of the Yongzheng Emperor and the favorite of his father and grandfather and was born in 1711. In the beginning it describes how he rose up in rank as a son through his father who introduced him to the current emperor Kangxi, his grandfather. The first chapter gives us the story of what Hongli was like as a child and how he won the favor of the Emperor. The book follows Hongli all the time from his birth from a low ranking palace consort right up to the end of his life even after he technically gave up his title as

There are ancient accounts about the history of a small kingdom along the Yellow River that existed from about 2,000 BC to 1,600 BC. The main ancient accounts are in the Records of the Grand Historian (史記) that were written between about 109 BC and 91 BC by Sima Qian and another textthat is called the Bamboo Annals (竹書紀年) that was a text that was said to have been buried with the King of Wei who died in 296 BC and was rediscovered in 281 AD during the Jin Dynasty. The text was written on flat pieces of bamboo, and this is why it is called the Bamboo Annals. Are these accounts accurate? It is said that the Xia Dynasty people didn't keep written records, but that their histories were passed orally. Archeologists

Ang Lee’s Crouching tiger Hidden Dragon is probably one of the most successful foreign films to ever be screened in America. Being the number one film of the year in 2000. On the other hand it was reportedly considered a flop in China. While it was influenced by American film styles, it still kept true to many aspects of its Chinese film heritage. With very apparent love story, it lacked the Extreme amount of Kung Fu fight scenes eastern audiences have come to enjoy. This is a stunning love story between a monk and widow. While it does have its share of over the top fight scenes, when you start to dig deeper the films many social implications become apparent. With ties to subjects such as religion, martial arts, philosophy, love, and even gender issues. This film is a representation of the modern era and how long practiced traditions are being challenged. Each character and plot line allows a glimpse into the Social and Traditional understanding of a culture.

The Merchant of Venus, is a play written by William Shakespeare and is a majority of the time remembered for its scene with Shylock and Antonio. As intricate as the play wove itself, the word that seemed to occur a majority of the time “bonds”, had multiple meanings occurring throughout the play. Oxford English Dictionary (OED) tells us that Bonds can mean the bondage of a marriage, the ways of which a thing is bound or tied down, agreement or engagement binding to him of which who makes it, and a deed, by which binds himself, his heirs, executors, or assigns to pay a certain sum of money. In this play, we see a strong connection between bonds and goods reoccurring from start to finish. The term “bond”, is

He was a philosopher attributed with the writing of the Tao-Te-Ching and the reputed founder of Taoism. ("Tao" meaning the way of all life, "Te" meaning the fit use of life by all men, and "Ching" meaning text.) Lao Tzu was not his real name but rather an honorary title given to him by his followers meaning "Old Master".

Characters in plays begin to become influenced as their stories unfold. In Macbeth by William Shakespeare, two prominent characters Macbeth and Banquo have certain differences and similarities, and as the play progresses, contrasting attributes of both characters begin to appear. Both characters uniquely develop in the play, portraying eminent leadership skills, while possessing contrasting attributes towards temptation, and relationships with their families.