Barometer Rising Book Report

Timothy Findley's The Wars describes the history of Robert Ross, a Second Lieutenant in the Canadian Army, during World War 1. The story of Robert Ross is a candid recollection of a young man coming of age in the midst of horror and confusion associated with the "war to end all wars". Presented in the form of an archivist trying to piece together the past from pictures and letters, the narrative account is full of rich imagery and deep meaning. The abundant animal imagery in the novel is used to parallel and reveal the character of Robert Ross, foreshadow the situations he finds himself in, and symbolize hope amidst war.

It is a well known fact that experiencing war changes people; there is an innocence that is forever lost. In Tim O’Brian’s, “Sweetheart of the Song Tra Bong”, Mary Anne Bell is an unusual example of the innocence that is lost in war because unlike the rest of the soldiers, she is a woman. Mary Anne’s transformation from innocent “sweetheart” to fierce warrior left readers with mixed emotions because although Mary Anne felt at peace with her transformation, she was also disconnected from reality.

"At times he regarded the wounded soldiers in an envious way. He conceived persons with torn bodies to be peculiarly happy. He wished that he, too, had a wound, a red badge of courage." (Ch.9, Pg. 61) Jim Conklin, Wilson, and the tattered man are not only alike in some ways, but also have differences. The purpose of this essay is to tell you the similarities between the tall soldier, the loud soldier, and the tattered man, how they are like or unlike Henry Fleming, and what roles these major characters seem to play in the novel.

Penned during two distinctly disparate eras in American military history, both Erich Maria Remarque's bleak account of trench warfare during World War I, All Quiet on the Western Front, and Tim O'Brien's haunting elegy for a generation lost in the jungles of Vietnam, The Man I Killed, present readers with a stark reminder that beneath the veneer of glorious battle lies only suffering and death. Both authors imbue their work with a grim severity, presenting the reality of war as it truly exists. Men inflict grievous injuries on one another, breaking bodies and shattering lives, without ever truly knowing for what or whom they are fighting for. With their contributions to the genre of war literature, both Remarque and O'Brien have sought to lift the veil of vanity which, for so many wartime writers, perverts reality with patriotic fervor. In doing so, the authors manage to convey the true sacrifice of the conscripted soldier, the broken innocence which clouds a man's first kill, and the abandonment of one's identity which becomes necessary in order to kill again.

Robert Cormier opens Heroes with a powerful self-description of the horrendous wounds that ex-war ‘hero’ Francis suffers. This scene is confronting as it graphically details his impaired bodily functions. Cormier elucidates Francis’ physical and emotional scars upon returning to Frenchtown. The use of short sentences enhances the direct, intimate narrative voice of Francis which allows readers to feel them listening to his thoughts. Cormier provides a detailed brutal description of the protagonist, which has a great immediate impact and arouses our sympathy.

Norman, a strong guy, could not save him not for lack of strength, but instead because of complete chaos around him, and “the worst part […] the smell” (O’Brien, 139). After the firefight was over, guilt set into Norman that would never leave. He blamed himself for Kiowa’s death, and it riddled him with self-doubt. After the war, he is completely unable to tell anyone about the incident, and the medal he should’ve won, “he wished he could have explained some of this. How he had been braver than he ever thought possible, but how he had not been so brave as he wanted to be” (O’Brien, 126). His feeling of inadequacy is based on this singular incident, and is something unable to be represented in the NBER study. After the war, Norman lived in the same town he has always lived in, yet he felt like a stranger: “the town could not, and would not listen. […] It had no memory, therefore no guilt” (O’Brien, 137). Norman feels alienated from society, wracked with guilt for a situation beyond his control, he finds his only solace is in the taking of his life. Tim O’Brien uses the suicide of Norman Bawker to represent the extremes of post-war trauma of veterans as a whole. Norman is a stand-in for every soldier who comes home from the war feeling as if he could have done more. Norman’s home town, a sleepy town in middle America with, “stone patios with barbecue spits and grills, and wooden shingles” (O’Brien, 131) represents America as a whole and its uncertainty of how to

The returning of a dramatic event disables a soldier to adapt accordingly to everyday life. Ones conscious of reality is infringed upon Posttraumatic experiences of warfare, which unleashes an outbreak of inhumane actions directed towards existence and significant others. As the short story progresses after the event of the Vietnam War, the narrator says referring to Henry that:

An idea that arises No Great Mischief[, is MacLeod’s ability to prove to the readers that it is impossible to talk about the Scottish-Canadian heritage without mentioning family history, loyalty and bonds. It is common for an individual to discuss all three factors when discussing family or one’s past in general. However, in No Great Mischief, MacLeod successfully

George, unlike the reader however, is unaware of Editha’s dishonest reasons for her support of the war and ignorantly goes off to war with the innocent belief that his girlfriend actually cares about the outcome of the war itself and not that it might potentially shape him into the man she secretly wishes he was. Howell’s use of Editha and her deceitful motives for supporting the war add a layer of realism to the story, as peoples’ motives in real life are not always pure.

Ever since then women proved that they can work in a man’s workplace and do just as well. Any job that was a man’s, was a women’s as well. Women were soon “the most needed workers of all” according to Brenda Ralf Lewis. Factory workers became known as “the soldiers without guns”. If women hadn’t stepped up to the line, winning the war wouldn’t have been as easy as it was for us. Not only did the women in factories and shipyards have a big part in doing their part in the war contributions, but so did the women who were out on the field fighting alongside with their men risking their very life.

In Soldier's Home, Ernest Hemingway paints a vivid picture of Harold Krebs return home from World War I and the issues he confronts while trying to shift his way back towards the ordinary life he once lived. After his battling over seas took place, it took Krebs over a year to finally leave Europe and make his way back home to his family in Oklahoma. After finally finding the drive to come home, Krebs found that it was difficult to express his feelings towards all he had seen during his tour of duty, which must be attributed to the fact that he was in the heart of some of the bloodiest and most crucial battles mankind has ever seen. Therefore, Krebs difficulty in acknowledging his past is because he was indeed a “good soldier” (133), whose

In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.

Hawkeye, Uncas (brother), and Chingachook (father) all set out in 1757 to save the daughters of colonel Munro. The three men hide out in the woods and wait until the opportunity presents itself to attack and get the sisters back. The three men succeed on their mission to apprehend the sisters. On the way back to take the sisters to their father the three men find that the French are attacking the Mohawk Indian tribe. These guys were relentless in their quest to gain control over the Mohawk farms and villages. As a result, Hawkeye goes to British leader and request that they try to help the Indians. However, the British leader denies the request and proceeds to tell the colonist that if he finds that they assisted the Indians in any way they would be killed. Although told not to a few of the colonist decided that it was worth the risk.

When people think of the military, they often think about the time they spend over in another country, hoping they make it back alive. No one has ever considered the possibility that they may have died inside. Soldiers are reborn through war, often seeing through the eyes of someone else. In “Soldier’s home” by Ernest Hemingway, the author illustrates how a person who has been through war can change dramatically if enough time has passed. This story tells of a man named Harold (nick name: Krebs) who joined the marines and has finally come back after two years. Krebs is a lost man who feels it’s too complicated to adjust to the normal way of living and is pressured by his parents.

A young Canadian nurse, a Sikh bomb disposal expert, a thief turned spy, and a man burnt beyond recognition, meet in the last moments of the Second World War. The identity of the patient is the heart of the story as he tells his memories of a doomed love affair in the North African desert. Love and passion are set against the devastation of war in this inspired novel by Canadian writer Michael Ondaatje.