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Baroque Art History Research Paper

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Heads will Roll Depiction of Decapitation in the Baroque Art History If you consider yourself squeamish or become unsettled easily, this exhibition is not for you. But, if you are curious and find insight in the strange you may want to consider this exhibit. It has the possibility of unnerving you. The topic of this focus exhibition is the depiction of decapitation in Baroque Art History. The one and only thing that makes art art is intention. Thus, art is not required to be happy, pretty or beautiful in order to be art. I chose this topic because not all art can be characterized as pretty, beautiful, nor happy. Some people will want to look away and call these works grotesque, monstrous, or disgraceful. However, they are missing out on something …show more content…

Paul by Alessandro Algardi is a crucial start to the exhibition. This statue is the only piece in the exhibition where the executioner has yet to take the sword to the victim’s neck. Thus it is the first step in what will be a chronological journey through the exhibition. Not only is it critical to have this piece for the beginning but also the end, as it mirrors the last piece in the exhibition as I will discuss later. Another reason to include Beheading of St. Paul is because Baroque sculptors are often overlooked due to Bernini’s popularity. Because of its location in a church I doubt Beheading of St. Paul would be able to be put on loan. Instead I would request a marble casting of the original sculpture to be made as they did for Michelangelo’s Pieta when it came to the St. Paul Cathedral in St. Paul …show more content…

According to Mieke Bal, the “beautifully shaped splinters of light...simultaneously enhance the physical and psychic credibility of the gruesome beheading scene while providing the viewer with some relief from it” (72, Bal). Above the chaos, four putti pull the curtains to create a spotlight that showers Judith in light. Judith, a “Jewish patriotic heroine” is an “example of virtue overcoming vice” (Hall, 181). Inversely, as Holofernes struggles against Judith his right arm and face are pushed into the shadows as he slips off the bed. Here Galle illustrates the contrast between the female heroine and the “evil” male

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