Baroque Art: Protestant vs. Catholic Essay

We are also shown how these different forms of art change over time and how different cultures have adopted them and used them as their own form of art to express emotion, love, creativity, and passion. This book teaches us how art is viewed in different ways by the church and was very informative for me to obtain a better and deeper understanding of art and how the churches valued it.

Beginning in 17th century Italy, the Baroque era is notorious for its exaggeration of movement, and detail meant to convey excitement and tension. Influenced by the Counter Reformation, art began to impart religious themes with detail, particularly towards emotion and drama meant to convince people that Catholicism remained legitimate. One such artist in this movement was Juan Sánchez Cotán, a Spanish Carthusian Monk. Although the bulk of his work comprises religious scenes, he is famous for his work in still life. Another artist specializing in this genre, Clara Peeters, pioneered the way for other Flemish still life artists. While neither conveyed drama, both exhibited competence in creating beautiful and realistic still life paintings.

The Last Supper by Leonardo is very different to Tintoretto’s representation of the same incident. The last supper is one of the most important occurrences which took place in the Christian religion such an important event that many have seen the need for the event visually recorded through art the two most famous of these representations are by far Tintoretto’s and Leonardo’s works. The Last Supper by Leonardo was created during the renaissance period and is a simple symbolic work with little emotion. Tintoretto however chose to represent the event in a surrealistic manner to give full impact; A way in which was typical of the art period in which he painted the work, the

After the idealism of the Renaissance (c.1400-1530), Baroque art above all reflected the religious tensions of the age - notably the desire of the Catholic Church in Rome (as annunciated at the Council of Trent, 1545-63) to reassert itself in the wake of the Protestant Reformation. Thus it is almost synonymous with Catholic Counter-Reformation Art of the period. This period is often thought of as a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, theater, and music. The style began around 1600 in Rome, Italy, and spread to most of

The impact of the Protestant Reformation changed the Northern European art in 1517 – 1648. The Protestants depicted narrative imageries from the bible that did not stray

Part One: Apollo and Daphne, a Baroque sculpture, was chiseled by Bernini during the time of the Catholic Reformation, or Counter-Reformation. The Catholic Reformation was when the Catholic Church began a movement to gain a larger following of Catholicism and reclaim power. As a result, church leaders (in this case Cardinal Borghese) commissioned works of art that had a sensory appeal and could evoke a more emotional response by capturing the attention of its observer. For this reason, Apollo and Daphne, a marble sculpture, engages the observer with its movement and dynamic portrayal of human bodies. With its attention to details such as texture and near life-like portrayal, Apollo and Daphne draws in the viewer just as the Catholic Reformation aimed to draw in followers of the church.

Throughout history, people have used paintings and art as a tool to express their religious beliefs and values. Illustrations depicting the Virgin Mary and child, often referred to as Madonna and Child, are one of the most recurring images in Christian and European Art through the ages. Though these paintings and sculptures may have similarities in their iconography and style each work of art varies based on the different artists’ and time periods. Two paintings that portray these features currently reside in the Museum of Fine Arts Houston. The first, Virgin and Child by Rogier van der Wyden, was originally painted after 1454. In the painting, the Virgin Mary is holding Christ against her shoulder as he twists around to face toward the viewers. The second painting is Virgin and Child with a Donor, painted by Antoniazzo Romano and originally painted c. 1480. In this painting, Virgin Mary is supporting Christ who seems to be standing and includes a figure of a man with his hands crossed in prayer. While both paintings depict the mother and child, there are both similarities and differences in style and portrayal. In this paper, I will thoroughly examine these traits, as well as address the similarities and differences associated with the two paintings. This analysis will be done by using information gained from reading Gardner’s Art Through the Ages, in class lectures from ARTH 1381 Art and Society Renaissance to Modern and ARTH 1300 Ways of Seeing Art, and close visual

The painting The Holy Family with Saints Anne and John the Baptist, 1592 (oil on canvas) was created by Italian painter Sofonisba Anguissola (c.1532-1625). It is currently held at the Collection of the Lowe Art Museum, University of Miami, as a gift from Mrs. Forbes Hawkes and Bridgeman Images. This painting is among the unique pious narrative paintings by Anguissola. “The Holy Family” is the last dated painting by the artist. It was executed when she had just returned to Italy after spending 14 years working for King Philip II at the Spanish court. By this time, she had already married to a Genoese ship captain. Her various visits to court and her personal contacts with great painter at that time largely inspired herself. Through these contacts, she successfully stayed in touch with current developments in art. By closely observing this masterpiece, I argue that the artist perfectly sustain the beauty of counter-reformation arts in her work by use of light and shadow, delicate brushwork and accurate proportions of each subjects.

More than simple geometric composition style and use of linear perspective, The Last Supper reflects Da Vinci’s skills in conveying emotions through gestures

In 1655, Rembrandt van Rijn, a Dutch painter and printer, created a painting known as, “Titus at his desk.” On a 77x63 cm canvass, Rembrandt depicted a young boy who seems as if he was attempting to accomplish his studies, but in the end, he was lost in his thought. This oil painting in essence, is a great example of the artwork done in the Baroque era.

The Baroque Period (1600-1750) was mainly a period of newly discovered ideas. From major new innovations in science, to vivid changes in geography, people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach, Handel, Vivaldi, and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today, and is a treasured discovery of outstanding compositions being reiterated with every performance of them.

The Resurrection of Christ is from the Baroque period. This work of art portrays the sense of dramatic antagonism that Caravaggio achieved by manipulating light across full range of tones, changing the intensity and transforming its radiance this was done so that every beam and shadow expressed a dissimilar emotional content. (Sayre, 2010) In Rembrandt painting he focused on using emotional contrast between light and dark tones to emphasize the emotional difference. Here you can see pure light radiating out of the tomb of darkness. Christ himself begins to rise from the tomb in the light of true symbolic

The present work is focused on undertaking an in-depth analysis of two famous religious paintings: The Virgin and Child by Barnaba da Modena, an Italian painter from the fourteenth century, and The Elevation of the Cross by Peter Paul Rubens, a seventeenth century Flemish artist and diplomat. Following, by comparison, a thorough account of the two works' features, careful observation reveals more than one interpretation.

In the early Baroque period, an era that started around 1600 and ended around 1750, the music went through rapid changes. During this time opera kicked off in a huge way and also gave soloists the chance to properly show off.

I have been greatly impacted by all of the artists, styles, and types of art we have talked about so far in Art History I. We have looked at sculptors, paintings, architecture, and prints with varying styles, from a numerous amount of artists. While I am intrigued by mostly all of what we have studied, The Last Supper paintings catch my eye the most. Many artists have successfully completed paintings of The Last Supper including, Tintoretto, Paolo Veronese, and Leonardo da Vinci; however, da Vinci was the first, original painter of The Last Supper. My favorite Last Supper painting definitely has to be the one by Tintoretto. Tintoretto’s Last Supper painting truly represents various key aspects of art; from the usage of colors and shadows, all the way to the numerous groups of people taking on various different tasks.