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Baroque Music Essay

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Due to the fact that Baroque keyboards generally lack the ability to make crescendos and diminuendos, music played on these instruments sound very boring and straight forward unless elements are added to the performance. For organ and harpsichord, the player cannot change dynamics once the registration is chosen. A decent performance of Baroque music, no matter on a Baroque or a modern day keyboard, relies very much on the variety of touch to sound interesting. I would therefore like to discuss some crucial concepts that guides keyboard players on how to effectively control the touch and attack of the keys with correct posture and movement. Friedrich Wilhelm Marpurg, a German music critic and composer in the 18th century, wrote that ‘It is true that there are passages that can be fingered in more than one way. But of all these ways, there is always one which is more suitable to these passages than any other. One should therefore choose among the good position. Then, between these different possible positions, one must choose the one that makes the least movement.’ This highlights the importance of limited movement in the body and the arm at that period of time, opposing the modern …show more content…

Due to the fact that the black notes on the pedal board being nearer to the organ bench than it is nowadays , playing any notes with the heel was difficult to control and uncomfortable, which will cause the music created to be unstable. Therefore, all of the pedal notes are generally played with toes only. As mentioned previously, notes that are next to each other can be played with the same finger to create natural articulation, the same principal applies with playing with the toe of one foot only. Compared to organs built recently, it is easier to pedal historical organs with toe only because the pedals are not only shorter in length but they also have higher benches which makes feet crossing more

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