Bartleby By Susan Weiner Analysis

By using symbolism and setting, Melville shows how Bartleby's surroundings affected his life in a such a strong

“Bartleby, The Scrivener” is a memorable story, by Herman Melville, that is able to keep its readers captivated from beginning to end. How does the author successfully grab the attention of his readers? The author utilized his masterful command of the English language to convey the characters, setting, and plot effectively; and in the midst of all the detailed descriptions Melville have used food and the action of eating as powerful symbols. In the story three of the characters have names that are associated with food, and the main character of study, Bartleby, eventually dies of starvation by choice. Given the setting of the story was in the onset of the second industrial revolution, the coming of the big corporations where Wall

“Bartleby, the Scrivener” In the story “Bartleby, the Scrivener, ”we are told a story about Bartleby from the eyes of his boss who is a Lawyer. The readers are told from the Lawyers view about Bartleby instead of about the Lawyer himself, because the ones reading the story can better understand the Lawyers concerns and how Bartleby prefers not to do anything this also keep Bartleby a mystery from what is going on inside of his own head and keeps the readers guessing. Bartleby is known as a flat character and does not change much throughout the story, but he does have a big effect of the Lawyer who is the major or dynamic character he also helps us know more about the minor character which are: Turkey, Nippers, and Hazel Nut. The Lawyer is the dynamic character because he transforms into a selfless man who is more kind and considerate or others, but the Lawyer changes his views and this makes him a round character also.

Melville’s “Bartleby, The Scrivener” is an example of romance by using symbols and evoking emotions felt by the lawyer to bring the reader to a different place and time. Melville’s symbols are not as obvious as Hawthorne’s; non the less, they are present. If we dig deep into the symbols of the story we see reality; however, the story may seem a bit farfetched. Melville’s symbols are not as obvious as Hawthorne’s; non the less, they are present. Melville also takes a different approach to creating emotion with his reader. Instead of using colorful words to paint a picture, Melville uses feelings of frustration, anger, and sadness to make us feel what the lawyer and Bartleby is feeling. The remaining paragraphs will elaborate on the symbols and emotions Melville presents in his story.

In the short story, "Bartleby the Scrivener," Herman Melville employs the use of plot, setting, point of view, characterization, and tone to reveal the theme. Different critics have widely varying ideas of what exactly the main theme of "Bartleby" is, but one theme that is agreed upon by numerous critics is the theme surrounding the lawyer, Bartleby, and humanity. The theme in "Bartleby the Scrivener" revolves around three main developments: Bartleby's existentialistic point of view, the lawyer's portrayal of egotism and materialism, and the humanity they both possess. The three developments present the lawyer's and Bartleby's alienation from the world into a "safe" world of their own design.

Melville’s short story Bartleby the scrivener, describes the narrator as an elderly old man that wishes to give details of the life of Bartleby the scrivener. Bartleby was a completely emotionless human being who refuses to interact with the world around him. These actions shape the short story, picking at its viewers mind as to why Bartleby is disconnected from society. Bartleby worked in the dead letters office this may have triggered his inability to relate to the world around him. This motionless docility covered his inner troubles that he withheld from the world. The narrator states “I have known very many of them, professionally and privately, and if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep.” (Melville’s). In this he means that many persons might choose to smile as they find pleasure in reading “Bartleby” as much as those who might weep because they find the short story to be discouraging. In the 1970’s adaptation is one of those sentimental souls that the narrator is talking about in that it weeps for Bartleby, however the narrator brings the humor to life as he becomes speechless to Bartleby preferring not to do his work.

In the short story “Bartleby, the Scrivener,” which was written by Herman Melville, the character named Bartleby is a very odd, yet interesting individual. In the story, Bartleby is introduced when he responds to a job opening at the narrator’s office. Although there is no background information given about him, it becomes very apparent that he will be the antagonist in this story. Unlike the usual image put on the antagonist, Bartleby causes conflict with a very quiet and calm temperament. This character’s attitude, along with the fact that he is a flat and static character, makes him a very unique antagonist, and this fact is shown through the way other characters approach and deal with his conflict.

In Herman Melville’s “Bartleby the Scrivener”, a story of “the strangest” law-copyist the narrator, a lawyer, has ever employed is told. The narrator experiences conflict with Bartleby when he “prefers not to” examine some law papers. Once Bartleby “prefers not to” once, he continues to repeat the statement on all request asked of him. This statement sends Bartleby into a state of tranquility, staying isolated in the cubical and refusing all assistance by any means. This state results in him going to jail, and eventually dying. This passive resistance Bartleby exhibits traps him physically and psychologically by surrounding him with “walls” the narrator symbolically describes numerous times. The idea of transcendentalism arises from

The photograph is severely cropped which presents the image as a fragment instead of a whole scene. This lack of wholeness within the photograph becomes another layer to the metaphor of memory that reverberates throughout the image. Memory often arrives in one’s thoughts in the form of fragments that must then be pieced together. The viewer of the photograph must rely on the little information that Davis did not crop out, just as a person must rely on the attainable information in

Photographs are also manifestations of time and records of experience. Consequently, writings on photographic theory are filled with references to representations of the past. Roland Barthes (1981, 76), for instance,

He went against the norm of his workplace, Wall Street, something that seems inexplicable to take place in a story that is set in the hustle and bustle of Wall Street. He rebelled against a job that many would not dare to rebel against. Nonetheless, Bartleby’s weakness arises from those around him who are unable to understand the impression he gives.

It creates an illogical connection between ‘here-now’ and the ‘there-then’. As the photograph is a means of recording a moment, it always contains ‘stupefying evidence of this is how it was’. In this way, the denoted image can naturalise the connoted image as photographs retain a ‘kind of natural being there of objects’; that is, the quality of having recorded a moment in time. Barthes stresses that as technology continues to “develop the diffusion of information (and notably of images), the more it provides the means of masking the constructed meaning under the appearance of the given meaning’ (P159-60).

Have you ever seen a person so disconnected from society and from what is considered to be normal that he or she made you question their sanity? If so, you could relate with the lawyer in the story “Bartleby, the Scrivener.” In this story, the narrator, who is a lawyer, has a simple man named Bartleby respond to a job opening as a scrivener. Unbeknownst to the lawyer, Bartleby did not act in the manner the lawyer would have expected. Bartleby is so outside of what is expected that it is almost as if he had died and no longer had to live up to society’s standards. In this story, Bartleby is portrayed as a lifeless zombie and is alone with nowhere to go, no one to see, nowhere to be, and no purpose to live for.

Recently, I have learned that urban settings creates an opportunity for intimacy with one another; however, in “Bartleby, the Scrivener” written by Herman Melville, that was not the case. He describes the nature of the world of work and business through concrete description of the scenery. The story is set on Wall Street in New York City which had become the core of American business life during the 1850s. The setting is a critical component of Bartleby, because it emphasize the author’s concern about the effects that an environment has on American society. Bartleby’s environment separated him from nature and the people around him. To illustrate Bartleby’s detachment from society, he worked in “a corner by the folding-doors” behind a screen and has a window that “commanded at present no view at all” (1489). A creation of emptiness in the business life was molded. The setting indicates a sense of isolation and failure to connect; however, it establishes the relation between the walling out of Bartleby from his boss, passive

The lawyer-narrator’s chambers become, so to speak, every office. Bartleby becomes the archetypal clerk, a figure bowed to his task and of whom it is demanded absolute compliance and reliability. His preference “not to” becomes the insistent and impeccable articulation of resistance in the wilderness called Modern America.