Baseball as a Plot and a Metaphor: The play, Fences by August Wilson

In "Fences" baseball symbolizes a lot of meanings. Troy is proud of baseball and he not afraid of anything or the values of his life because his attitude toward death is satisfying. In addition, Troy discover baseball as one of the best moments of his life. In the article "Baseball as History and Myth in August Wilson's Fences" by Susan Koprince, she writes about history and mythic connection of baseball as metaphor for the American Dream, while in the article "Walking Around the Fences: Troy Maxson and the Ideology of "Going Down Swinging" by David Letzler, writes about Troy beliefs and ideas of "Going Down Swinging" in "Fences." Both articles by Koprince and Letzler are summarize and compare with each other analysts and one article was point out to be more convincing than the other and the reason why I agree with each writer.

Fences can be viewed as a family play, it can also be viewed as a work specifically of the black man's place, or plight, in a predominantly white world. Either way, it has a very valuable message. It is a true art to be able to touch on so many aspects of life in a work, aspects that may be viewed differently by different people.. Wilson's work, and the character of Troy Maxson, makes me question many things, among them myself, as well as his intended message. This is why I am so in awe of Fences, and of Wilson's talent. This is why I am writing my paper on Fences.

The utility of the epigraph is two-fold. First, it can be applied to the father in the sense of the family as in the three generations represented in the play, but it can also be read as commentary on the father as in the historical meaning. When Troy is discussing Cory’s desire to play football, he says “The white man ain’t gonna let him get nowhere with that football” (8) and when he responds to Bono’s comment that Troy was just too early, with the remark “There ought not never been no time called too early!” (9), he is referring to the sins of “our fathers.” Instead of heeding Wilson’s advice to forgive and erase the power of racism, Troy decides to perpetuate the sins of our fathers by boxing Cory in with his own experience with racism. While Wilson uses Troy’s dialogue about baseball to showcase the racism of the past and its effect on the present, he also imbeds key moments in the play as a way to make the audience identify with the characters.

Plays, “Fences” and “A Raisin in the Sun” share similar plots. They take place in the mid-western United States in the 1950’s and explore the family dynamics of the African-American Family and the paradigmatic shift it experienced between two generations. The older generation, who could remember slavery by first-hand experience or by being born during a time when success for the average African-Americans was systematically stifled by racist and unconstitutional laws that were put in place when slavery was legal, and the young generation that began to show some sense of entitlement, had begun to overcome institutional barriers to succeed and empower

To begin, in the play Fences the author reveals the impact that race has towards Troy by reminiscing on Troy’s past as a baseball player and his experience with racial discrimination.  Towards the beginning of the play, Troy starts to talk about how his son Cory wants to play football in high school and pursuit it

When Troy is talking to Cory he says, “See...you swung at the ball and you didn't hit it. That’s strike one. See, you in the batters box. You swung and missed. That's strike one. Don’t you strike out!” Troy is creating new tension by adding more pressure to Troy and is doing it by saying don't strike out and baseball is a good way to explain it. Cory plays football and Troy is against it and Cory wants to do it in his future but because he is black he has different rights. Most days Cory would use the excuse of “ Yeah, I had to go to football practice.”(31) This is saying that yea I have other things to do rather than work and I wanna do something better with my life and he is conveying that through football. When Cory is talking to Troy that he wants to continue with football and not get a job that causes more tension through conflict.

"Fences" the play is about an African-American man who tries to raise his family and overcome the statistics in the 1950s. The main character Troy is a garbage collector who was a great ballplayer for the Negro leagues. Troy is a very arrogant man; he becomes the center of attention of his family, even though he tries to change his life. In act one he expresses his discomfort with Bono his best friend about how unfair his boss Rand is with the colored man. According to act one Troy had asked Mr. Rand Why"? Why you got the white’s men's driving and the colored lifting? “Told him what's the matter, don't I count? You think only white fellows got sense enough to drive a truck. That ain't a paper job! Hell, anybody can drive a

August Wilson uses baseball ideology to construct the mindset of his protagonist, Troy Maxson, in “Fences”; however, Wilson also uses Troy to embody black America in the 50s. The metaphorical and literal significance of baseball is the driving force Troy’s subjectivity and ideology. Whether it be comparing death to baseball pitch, warning his son to not strikeout, or complaining about being stuck on first base, Troy uses baseball to explain life to those around him. Ironically, it is baseball that actually leads to Troy’s psychic castration. Although Troy was older when he was released from prison and playing in the Negro leagues, racism held younger players from competing with white Americans and there is no doubt that Troy saw this as what held him back as well. Unable to play in the major leagues bitters Troy’s attitude towards life and affects his relationship with his son, Cory, and wife, Rose. While on a micro level, the rules and mechanics of baseball have a negative impact on Troy’s mentality, on a macro level Troy’s loyalty to the game can be seen as an empowering force for black America in the 50s. The idea of not striking out, and the fetish of the home-run is meant to represent the black community’s resistance against society’s racism during this time. Although the ideology of baseball consumes Troy to the point of his own personal strikeouts, the ideology itself, and who Troy represents, is suppose to represent black America’s fight against a racist

In so many ways Fences is such an ordinary story that its power comes from the ways in which ordinary people hear and view it. There is no doubt but that the metaphor of the fence prevails, working its way across work, family, friendship and the emotional pain of living a life literally dependent on garbage for survival. This is what Wilson wrote about in his Fences of the 1950s. In retrospect, however, it doesn't take a lot to put some of these pieces together yet again to create a difference story of its own kinds of fences, wooden, social, economic. But then or now, this story is still about the ordinary failing of a person who cannot figure out how to get out of the box that surrounds him and who thus finds himself pulling others inside his own fenced in troubles and pains. Being a black man wasn't easy then and it isn't easy today.

The fence becomes a representation of the barrier that Troy tries to create between him and mortality. Troy has a fixation on Death. He talks about how Death is an easy “fastball on the outside corner” (I. i). Troy always speaks about how he could easily knock a baseball out of the park. Comparing Death to a fastball shows how Troy thinks that he can continue to always keep Death on the other side of the fence because like a

Alan Nadel argues that the object of the fence in August Wilson’s play, “Fences” symbolizes a great struggle between the literal and figurative definitions of humanity and blackness. The author summarizes the play and uses the character Troy to explain the characterization of black abilities, such as Troy’s baseball talents, as “metaphoric,” which does not enable Troy to play in the white leagues as the period is set during segregation (Nadel 92). The author is trying to use the characters from the play as examples of black people during the segregation years to show how people of that time considered black people not as literal entities and more like figurative caricatures. Stating that these individuals were considered to be in a

The conflict during the play “Fences” was the unsatisfied dreams the Maxson Family had. Troy could not make it into baseball because he was over age. “Maybe it just sags like a heavy load.” (Hughes, Harlem 617). Troy cannot overcome his failure.

In baseball, Fences is the slang term for the outfield wall that must be cleared for a home run (Zirin). During troy’s younger years he was a great baseball player but due to the color barrier in the major leagues, he was unable to finish his dreams. Although Troy knows he could go the distance in baseball, he sees the fences in his real life as a confinement. The fences are not only his confinement from his dreams but he is confined to dealing with his guilt. Troy says “I stood on first base for eighteen years and I thought…well, goddamn it…go on for it!” (Wilson 1609). Troy has built up guilt due to his infidelities with another woman. He cheats on his wife because he despises the idea that Rose is the best he can do. The building of the fence is something that Troy is trying to delay because he feels like in a sense having the fence up with take away his dreams and keep him in which is inevitably the reason for his adultery.

August Wilson’s Fences emphasizes on two main selections of otherness, one on racial otherness and one on generational otherness. Wilson’s play is a universal concept that many struggle with today. Parents try to look out for the best way to help their children be successful in life though at times failing to take into account of the child’s hopes, wishes and dreams. Troy used to be a skillful baseball player at his prime that was unfortunately discriminated against due to the color of his skin. Though the urging of his best friend and wife that “[he] just came along too early” (7, Wilson) Troy does not feel as if his son Cory’s athletic scholarship would be beneficial to him. Troy argues that “the white man ain’t gonna let [Cory] nowhere with

One of the major symbols Wilson uses in the play is sports and baseball in particular. Troy was not given the opportunity to pursue his dreams and have a professional baseball career because of his race. The fact that he was not able to have a professional baseball career not because he was not good enough but because of his race has a major impact on him and makes him a rancorous man. Troy uses baseball when he thinks about life and death. He describes death as “a fastball on the outside corner.” Troy claims that back in the day he could hit a homerun off this pitch and that is a symbol of him flaunting