Basmala Album Analysis

Number Twelve: They Wrote a Song with Major Lazer. The band collaborated with the production duo on the title track of their 2012 album, Push and Shove. Jamaican singer Busy Signal was also featured on the

The lyrics of this song are uplifting and make the listener feel as if nothing can get in their way to reach their goal. This song is polyphonic because it contains two voices accompanied by instrumentation. The tempo is upbeat and creating a feeling of happiness. The male voice’s timbre is raspy and soulful. The melody shows the sentiments that the two singers are promising each other during the chorus. The instrumentation included strings, which gave the song a sweet and catch tone, and the drums gave a pulsating drums that keeps the song upbeat. While listening to the song I feel like I can conquer the world and nothing can stop me from doing the things I want to do so the sense of power evolves into happiness

The dynamics of the album helped to popularize it and establish Parton’s musical abilities. The album includes 14 different tracks spanning within less then 30 minutes. The album contains a variety of

Basmala ‘Plots’ ft. Hasan Atiq, evolves as the revolutionary music he is gifting to the world. He pushes the known boundaries of hip-hop and constructs a bridge traversing the musical evolution of many years within the span of a few minutes, a single track or a passionate collection. That is exactly what this independent recording artist has been doing ever since his emergence in the west-coast underground hip-hop scene in 1998 with an LA produced Record Usephasan- Chemistry Teraqueous (Pomo & Amani Smith).

William “Count” Basie was born on August 21, 1904 and went from a little boy in Red Bank, New Jersey to becoming a renowned jazz musician who made many contributions to music and inspired millions. He was responsible for developing swing jazz and earned many Grammy Awards. He is most known for the song "One O'Clock Swing."

 Music: I decided to use the song “Brave” by Sara Bareilles because I thought it was the

Sport brings people from different religions, social and cultural backgrounds and makes us put aside the differences and negative thoughts and opinions. During a short video from Cathy Freeman, she strongly believed that sport unites people and brings them together. She believes that discrimination is a part of life but should not be allowed. In Garuda di Dadaku, there is differences between each person. Either being rich like Heri and his father. Being in the middle of the rich and poor like Bayu and his family. Or being poor like Zahra and her father. But in the end everyone comes together because they all have the love of the sport and having the same goal. Families and friends are brought together. Bayu and his grandfather’s relationship

The reason I choose this song because I like this song’s style, simple words but complicated emotion. I first read this song when I was in China during my middle school on our school’s magazine. There is a part called ‘everyday English’. On the magazine, they said the author of this song is Shakespeare. Actually this song comes from Turkey and no one knows who’s author. In the song, the author use Juxtaposition to express his counselor. In literature, juxtaposition is a useful device for writers to portray their characters in great detail to create suspense and achieve a rhetorical

On August 21, 1904 Count basie was born. His real name is William James Basie. Basie was born in a small town called Red Bank, NJ. His mother taught him how to play the piano, and he started performing by his teens. He dropped out of school and worked the lights for a local theater.At age 16 he increasingly played jazz piano at parties, resorts, and other venues. In 1924 Basie went to Harlem and he toured with groups to the major jazz cities of Kansas City and Chicago, St. Louis.In 1927, Basie, then touring with Gonzelle White and the Big Jazz Jamboree, became stranded in Kansas City, Missouri. After working a short amount of time as a house organist in a silent movie theater, he joined Walter Page's Blue Devils in 1928. When the band broke

The overall feeling of his album is delicate, like what I imagine butterfly feet pitter patters sound like amplified. Starting off with a fun trio of “Folly,” “Broken Necks,” and “I Admit I’m Scared,” Eskimeaux blends dancier influences with the pop side of bedroom pop. The result of which is sunny guitars and synths with a sprinkling of drum machine, a combination which is hard to beat.

and physically. This is depicted over a choir-esque sound which is layered in between few other sub basses and upright tones which evoke a cool, airy feel, somewhat adding to the sensuality of this song. The tones of a lush synthesizer and rattling high hats are compiled to produce this masterpiece of a both rhythmic and chill style. The harmonious tones in the background are formatted perfectly to comply with technical languid tones, to ensure his audience focuses on the lyrical message, by not unnecessarily amplifying it with the backbeats and support sounds itself. This technique of eschewing the idea of upfront rhythms and kick basses is applied to songs such as ‘Hello’, ‘Apparently’ and ‘St Tropez’, where the lyrics are the focal point of the

The title track opens the album with jagged synths and distorted experimental samples, as Arsenault helms the whole thing with his idiosyncratically charged vocals. “Look Up”, meanwhile, is one of Mas Ysa’s best songs yet; it’s a breezy, uplifting track that builds into a fantastic crescendo. The song’s main chord progression deserves some credit, too; there’s something about it that makes it seem wonderfully unfinished and stripped. “Gun” displays both ends of Mas Ysa’s emotional spectrum, as the track goes from a whisper to a blast of saxophone in a matter of seconds. Additionally, “Arrows” is something of a climax for the album, and what a wonderful climax it is. Set after the sleepy and intimate “Garden”, it builds to a tired chorus, then suddenly switches to a house beat; for the next three minutes, we get three walls of sound, full of the emotion that Arsenault provides with his vocals. Seraph isn’t lacking in emotional dynamism; the crescendos on this album tower like

In comparison to the Fugees’ version, the switch to the female vocals resonates a more intimate and personal experience. The introduction of background vocals

On December 29th, 1999, I was born in New Albany, Mississippi. I have a sister who is two years older than me, and a brother who is three years younger than me. When I was still a baby we moved to Maumelle, Arkansas because my dad got a job at a church there. I loved living there but when I six my siblings and I were told that we were going to move. The church where my dad worked at was closing down because they didn’t have enough money or members to keep it open. We found a new church fairly quickly and have lived here ever since. I was in first grade at the time. I was super excited because I had my own room, I didn’t have to wear uniforms at my new school, and my new house had stairs. For some reason when I was seven I had a major obsession with houses that had stairs. I told my parents that in the new house I wanted stairs and a pool. Sadly I didn’t get the pool and honestly I’m still upset about it.

In this essay I am going to look at one of the producers who has influenced my work and has a significant impact on the UK Bass music scene with a successful career spanning over 20 years in multiple genres and that is Ben Pettit AKA DJ Zinc. From when I first heard Super Sharp Shooters in 1995 which came out on DJ Hypes Ganja Records and his Dope Skillz alias for Six Million Ways I was amazed as those tracks seemed to take the jump up sound of DnB and Jungle to a higher level. At a time when jungle was thriving, these tracks were not pure Jungle in my opinion due to the fact they heavily sampled Hip Hop and funk tracks, with Super Sharp Shooter sampling Fred Wesley, Method Man, LL Cool Jay, James brown, Tommy Roe and The Winston’s classic Amen Brother. Naturally by using those types of rare groove and Hip Hop samples they had more of a Hip Hop feel to them as opposed to the true raga jungle feel, which was more reggae,