Batman Character Analysis

Batman contradicts his morals while he is fighting the mutant leader and when he is about to shoot him he stops himself with “though that means crossing a line I drew for myself thirty years ago”. While Batman did not kill the mutant leader, earlier on Batman shoots a mutant grunt with a machine gun and faded blood is splattered behind the criminal holding a baby captive (Miller, 64). Later on in the novel Batman says to the joker “a gun is a coward’s weapon, a liars weapon” (Miller, 149). Batman has power to stick to his morals, to take on the evil of Gotham City, and to make the decision to deliver justice no matter whose side of the law he is. However, in the novel he has clearly stated that killing someone crosses his morals and that he despises guns yet he uses them to kill criminals. Batman crosses his golden rule of not killing criminals and shows that he will go above his own moral code of justice.

His biggest weakness is his inability to connect to others. He often sees this as a good thing, but his inability to form meaningful relationships with the majority of people can sometimes cause issues when closeness and connection are needed. He fakes it and many believe him, but there are those who will be able to pick up on the fact that he wears a very carefully crafted 'person suit'.

The Dark Knight (2008), directed by Christopher Nolan, demonstrates the idea of good versus evil. Batman is known as the protagonist, and Joker is known as the ultimate villain. The representation of crime in the film is seen from the actions of both characters. The film essentially depicts the act of deviance meaning, “behaviour that violates social norms, including laws”. In normality the government would have the greatest amount of power, but in the Gotham city, power is complex. There is minimal structure of law and order in Gotham city due to powerful people like Batman and the Joker. Citizens of Gotham city can no longer fight for themselves in a world filled with supernatural powers. Therefore, the only hope that citizens have rest in the hands of Batman. Although Batman attempts to save Gotham city from Joker’s criminal intentions. Batman, however, also plays a role in deviant activity while attempting to catch the Joker. Realistically, Batman violates the moral code due to destructive behaviour, and putting the lives of citizens at harm. He does not care for social norms, nor whether his acts are of legality. He is devoted to combat organized crime with Harvey Dent, a district attorney in Gotham city. Batman is in fact, the definition of crime, he understands but does not abide to individual rights and social contracts which make up the rule of law. In addition, the man behind Batman, Bruce Wayne also portrays a form of deviance by disguising himself as Batman.

“Somewhere, a Long, Happy Life Probably Awaits You” (Jill Sexsmith) and “Batman and Robin Have an Altercation” (Stephen King) both share a common trait between each of the two stories that revolve around a mentally ill family member. The two stories each follow in accordance with Tzvetan Todorov’s Theory of Narrative. They each begin with an equilibrium and after a disruption, they fall into an offset of the balance of the story. The characters then recognize the problem and take action to restore the initial balance that had previously existed. In “Somewhere,”, theory of narrative is portrayed through a man and his mentally ill wife. The author uses two stories, one about the man’s wife and another about the tree on their front lawn that coincide to develop a path that follows the Todorov’s theory. Batman follows the story of a man and his father who has Alzheimer’s disease. This short story follows a day with the man’s father to convey Todorov’s theory.

In the world of superheroes, there are numerous that believe they are heroes, while in actuality, they are merely vigilantes. This is demonstrated throughout the world of superheroes, but it is not as prominently demonstrated as in Batman. Batman presents himself as a hero, while he is only an over imaginative vigilante. He is more a vigilante than a hero since he has the ability to stop crime, but doesn’t, he only does deeds for his own benefit, and he helps the law but isn’t part of it. These are only a few ways Batman is a vigilante, rather than a hero. These are mainly based upon the idea of him trying to right his own past.

Batman is a depiction of hope. Batman was the answer to a lot of people’s problems in a place where nobody felt safe like they should in their home. He was like the rain after a long, dry spell for

Many of us have grown up watching cartoons throughout our childhood. Of the many cartoons on television is Batman. This cartoon has been on television for many years. It is a story of a man who is a successful businessman during the day and a mysterious superhero by night. Bruce Wayne is the man who is this mysterious man with the two identities. He is both Bruce Wayne and Batman. Only a selected few know both of his identities. Many of us have grown up thinking that he is a great man and a great superhero. Yet, why is it that we do not question how unusual the whole situation is? If we take a closer look, we can find that he is a disturbed man who may

Batman: The Dark Knight directed by Christopher Nolan is non-stop action thriller that continually did the unexpected. The film is based off of the original Batman comic book but additionally changes the perception of the everyday world as good to naturally bad. Throughout the movie, Batman stands for honesty and goodness while the Joker is a symbolism of chaos and evil. Both sides are forced to make quick-witted decisions in order to stop the opposing vigilante from doing his desired work. The citizens of Gotham are put in the heart of this circumstance and feel obligated to go against their values to stop the chaos. Numerous people habitually pursue their dreams and values but often become blinded from their

The artistic representation of the Batman myth is an important cultural artifact of our time because it represents modern society's thirst for heroic ideals in popular entertainment. Since his creation, readers and viewers have admired Batman's unique ability to battle villainy, transcend the law and administer justice. As cultivators of the noir genre in film as well as in literature, Americans have always identified with this enigmatic hero, who exists on the margins of society and yet represents one of the largest corporations in the world. The evolution of Batman in particular and the superhero genre in general (from comic book to television to film and back again) has seen in the latest adaptation from Christopher Nolan's Batman revamp a veritable tilting point for the character once known as the World's Greatest Detective. This paper will analyze why Batman is an important cultural artifact of our day, how he came into being, what he means for society, and how he will be treated in the future.

The incidence Bruce Wayne must confront is his parent’s death and how he can be an expander and point to corrupt cops that are prevalent in the Gotham Police Department or a container that says its more about guns and drugs. However, as Bruce develops his body and mind through training with the League of Shadows he decides that being either an expander or a container doesn’t fix the immediate issues and is why his vigilante stance goes above the law. This view is exemplified in a final part of his training he asked to execute a prisoner without first evaluating the evidence and data

Another work by Crutcher emphasizes that ‘Many Lives of the Batman’ and ‘Batman Unmasked’ are bought in three areas: popular culture studies, popular culture as it relates to marketing and consumerism, and the nature of the comic publishing industry. Most writers have examined the impact of Dark Knight Returns on cultural consciousness, politics, and so on. This antihero construction sparks centuries old dialogues on ethics, the kind of business that comprises the bulk of Batman. “The complexities and graphics in the novel and comic of Batman have been defined as his duality with his villains” (Crutcher 66). Due to popularity and the existence of Batman, people began using the Batman symbol as paraphernalia on personal belongings such as clothing, equipment, and supplies.

An Analysis of Bruce Wayne Through the Theories of Sigmund Freud and Erik Erikson Bruce Wayne is a fictional DC Comics character from comic books, television shows, and movies. He is better known as “Batman” and was originally created by Bob Kane and Bill Finger in 1939 (Warner Bros Entertainment, 2014). Some may say he is a hero, some a superhero, and some a vigilante, but everyone knows that he has one goal… to keep crime off the streets of his city, known as Gotham. Bruce was an only child, and an heir to the fortune of his family’s multibillion-dollar company, Wayne Enterprises. Once his parents were brutally murdered right in front of his eyes the company immediately became his - a company now owned by an eight year old boy (or 6 according to The Dark Night Returns).

The Caped Crusader, the Dark Knight, Bruce Wayne, these are all aliases for an enigmatic character in popular culture most commonly known as Batman. While having his humble origins in the pulp magazines of the late 1930’s, over the span of his existence, he has expanded into a full-blown franchise. There have been 3 TV shows on him, 4 movies (1 more still in the making), various videogames, and over 20 comic book series that currently feature his name. Even after 60 years of being in print, it was a Batman issue that was the highest selling comic book of the last week of November, 2004. It is the aim of this project to explore the reasons why this one particular comic book superhero has managed to keep his

Batman was a hero by night and during the day he is the wealthy Bruce Wayne. When Bruce was a young child he watched his mom and dad get mugged and murdered after a family outing at the movies. The criminal then turned pointing the gun to shoot at the young Bruce Wayne and said, “Have you ever danced with the devil in the pail moon light?” The arrival of the police saved Bruce Wayne that day. Dr. Leskue Tomkins, a wealthy Gotham City resident and his butler, Alfred Pennyworth took custody of Bruce. Shortly afterwards, the Bruce and his guardians moved away from Gotham. Bruce studied criminal minds, behavior, and patterns. He also learned different ways to fight crime and the art of self-defense. He mastered all of these by the age of 14, then he moved back to Gotham City. Upon his return, he observed criminals at night. He did this until he felt comfortable to capture them by himself. On the first night of crime fighting he was almost killed. Luckily he was brought back to his study in the Wayne Mansion to heal. As he was looking out a window, he got the idea of becoming Batman.

Throughout the film, Batman goes through a series of complex ethical and moral issues that begins to challenge the way he thinks of himself as well as he begins to questions why he does certain things in a particular way. Batman at first seems to fit what Aristotle would say is a virtuous person. Batman does practice good virtues because he does not kill, bring happiness to others, (i.e. keeping criminals off the street) and has qualities a virtuous typically would have such as courage, generosity, etc. However, Batman later on in the movie becomes the opposite of what a virtuous person is. He does act based on reason, but by his pleasure and what brings him happiness, despite the fact that it does inflict pain onto others. For example, when Batman decided not to reveal himself because he felt Batman could not endure such act, people ended up losing their lives. There were several times in the film where Batman did not follow what Hobbes would say he went against the social contract because his actions oftentimes would go against society’s rules/contract. In the movie, Batman would kidnap Lau, violated