Battleship Potemkin Essay

From a nag to being a phenomenal race horse. Seabiscuit is not well known these days, but Seabiscuit is legendary in the Great Depression. He was a symbolism of Hope. Seabiscuit was one of the greater things that happened at this time. He had a rough life along with the people growing up in the great depression, where he was bred at Wheatley Stables, didn't like how he moved so they took him away from his mother. Later on, Seabiscuit’s trainer Omaha told his jockey at the time to beat him on his left side for a quarter mile, and see if Seabiscuit will accelerate in his speed. Seabiscuit's things that helped him get this far in his career was Seabiscuit early life, His amazing training by Smith, Seabiscuit's early career, Middle years, then his Late Years.

Starship Troopers is a classic novel written in 1959 by retired Navy Lieutenant Robert Heinlein. At the time that it was published Starship Troopers was controversial yet won the Hugo Award in the 1960’s for being one of the best science fiction novels. One of the controversies surrounding the book is the main character’s history teacher’s view on violence and how violence “has settled more issues in history than has any other factor.” The book had such a cult following that there has been a film adaptation. It is a work of literature that has stood the test of time and is being read in our schools today. This may not seem shocking for such a classic book, but being science fiction it is a true accomplishment.

The Cutting Edge: The Magic of Movie Editing is a documentary about the art of film editing and the immensity of the job an editor is given. The reasoning of the film is to show the impact editing truly has on movies and our emotional attachment towards them. This documentary shows clips from different films to prove to it’s viewers the substantial effect editing has. Directors and editors speak out about the significance of editing, something not many viewers know nor think about.

Saving Private Ryan is a movie that generates strong responses from most people that see it. While interviewing four individuals and reading three movie reviews, I found that each of my subjects would recommend it, not one of the individuals interviewed felt the violence was senseless, and all of them left the movie with a strong emotional response of some kind. It appears that Saving Private Ryan is the kind of movie to which many can relate.

Nikolai Litvin recalls his experiences from his tenure as a Red Army soldier in his memoir 800 Days on the Eastern Front. Litvin transcribed his memories of the war seventeen years after he left the military, which provided him ample time to process his experiences and formulate complete thoughts on what happened. Using a concise writing style, Litvin packs his memoir with vivid details of military operations and offers subtle details about Stalinist thinking and Soviet life. The memoir contains some significant Soviet bias, and Litvin’s point of view is clearly impacted by the unique experiences of a Red Army soldier. To truly understand 800 Days on the Eastern Front, the reader must decipher how Litvin understands his experiences, the impacts of internalized Stalinist thoughts and how Litvin reflects them, and how Litvin reveals the truths he believes about the war.

The picture then merges in to show a black and white long shot of a landscape. The camera pans rounds and the audience see a shot of two lines of prisoners doing hard labour, then a low angle shot shows them chained together. This could explain to the audience why none of the prisoners are trying escape. When the audience has seen the prisoners the camera goes into a wide-angle shot and shows three men running across a field and then jumping down. This can be quite comical as they are being very obvious and could easily be seen but never do.

Ivan IV was a complicated man, with a complicated past, in a complicated country, in a complicated time; his story is not an easy one. Ivan the terrible, the man, could never be completely understood in a few words, nor in a few pages, and only perhaps in a few volumes. A man of incredible range his dreadfulness could only be matched by his magnificence, his love by his hatred.

I knew before this book that editing is vital to the storytelling process. But I never thought about the relationship between cuts and the human eye. At first I thought Murch’s theory was a little strange, humorous. Then I thought about it, does not our eyes cut from one object to another? Murch’s best explanation for his cuts and human eye theory is an excerpt from an interview featuring John Huston by Louise Sweeney, writer for the Christian Monitor.

     Erwin Rommel Jr. was born on November 15, 1891 in Swabian. His father Erwin Rommel Sr., was a schoolmaster in Heidenheim in Wurttemberg , and Rommel's mother was Helene von Luz was a daughter of the local Regierungs-President.

The Great The Corruptness of the American Dream The nineteen twenties was a decade of renaissance characterized by the American Dream- the widespread aspiration of Americans to live better than their parents. F. Scott Fitzgerald’s novel, The Great Gatsby, contains themes that continue to be relevant today. In his novel, Fitzgerald reprehends the American dream by describing its characteristics: the pseudo-relationship between money and happiness, the superficiality of the rich, and the class strife between the rich and the poor. “The American Dream is that dream of a land in which life should be better and richer and fuller for everyone, with opportunity for each according to ability or achievement” (Mailer 97).

On April 14,1912 a great ship called the Titanic sank on its maiden voyage. That night there were many warnings of icebergs from other ships. There seems to be a conflict on whether or not the warnings reached the bridge. We may never know the answer to this question. The greatest tragedy of all may be that there were not

to dramatize the people’s massacre through the symbolized slaughter of the bull. The jump-cuts and non-diegetic inserts, the use of graphic patterns of lines and shadows, the contrasts between long shots of the enemy and close-ups of citizens, contrasts between shots from different perspective of the regular people and the Bolsheviks are some other of the non-traditional and signature characteristics of Eisenstein’s films. Presented from citizens point of view editing achieves sympathy and compassion at the audience accepting the Revolution as their own point of view of the historical event. The montage of unique rhythm and graphic elements creates a wholeness of the film structure and defines the specific style of of intellectual editing in Sergei Eisenstein’s works and his propaganda vision.

Sergei Eisenstein and Dziga Vertov are among the most identifiable names in early Soviet film. Their contributions to film, in the areas of montage and documentary film respectively, have helped to structure film, as we know it today. However, apart from their theoretical contributions to the field, both directors played an imperative role in Soviet film during the 1920s and 1930s. This paper examines historical revisionism within their film, how their theories of montage influenced the revisionism, and how they were persistent in the use montage throughout their careers as filmmakers to assert themselves as artists.

In this essay I will be discussing five key points throughout Post Production history between the 1900s-1960s. Post Production is seen as a vital component in the cinematic industry as it essentially finalises the final products. Techniques that have been developed over the years are incredibly important, but they all have an origin. Although these techniques started out without overwhelming effect, they are now unbelievably crucial to how films are constructed. The five points I wish to discuss go as follows: The Great Train Robbery and Edwin Porter himself, D.W. Griffith and his overwhelming influence on editing, The Jazz Singer, the Kuleshov Effect and finally, 2001: A Space Odyssey. As well as discussing these key factors, this essay will take into consideration secondary material.

The Battleship Potemkin, is a soviet film directed by Sergei Eisenstein in 1925. Sergei Eisenstein was a