Bauhaus Case Study

The first decades of the 20th century in modernism was characterised by enormous social and political changes with a radically changing lifestyle. Technology, manufacturing, science and art was the driving force. The Bauhaus movement was one of the most influential modern design movements of the 20th century reaching its peak between the two world wars. It was founded in 1919 in the city of Weimar in Germany by architect Walter Gropius. Although the Bauhaus was founded by an architect, it did not actually have architecture department during its early years. Instead, Gropius wanted to focus on a study of art that would eventually encompass many different aspects of design, and tying them all together. The word Bauhaus

The Bauhaus was established in Weimar in 1919, with the architect Walter Gropius as its founder and first director (Harrison and Wood 1993, p. 338). The school was founded on Gropius’s principle of the importance of combining and unifying all the artistic and technical realms; a separation, which had been to the detriment of existing art schooling (Girard 2003, p. 6-­‐7). Gropius wanted to combine art and technology or “culture and civilisation” (Droste 2012, p. 15). The Bauhaus consisted of workshops with two distinct instructors, a “craft master” who was a

Germany’s fate was changed on April 20, 1889, the day I, Adolf Hitler was born to German official, Alois and my dear, Klara Hitler. Little did they know of what a miracle that had blessed them that day. My destiny was decided for me every time my father lectured me about the abhor Jews, taking up our German property, and beat me for the childish mistakes I made. I realized my destiny was to punish the faults in our once perfect nation. My father’s strict upper hand was not the only contribution to my great plan. At the age of sixteen, I left my home to pursue my dream of becoming an artist. I enrolled myself into the Viennese Academy of Fine Arts. The vile Jews in charge of the school denied me acceptance into the school. I spent

About 1909 the implications of Cézanne's highly organized yet revolutionary spatial structures were expanded by Picasso and Braque, who invented an abstract art of still lives converted into shifting volumes and planes. Cubism, developed by the artists of the school of Paris, went through several stages and had an enormous influence on European and American painting and sculpture. In sculpture its notable exponents included Picasso, Duchamp-Villon, Lipchitz, González, and Archipenko, who began to realize the possibilities of convex and concave volumes. Cubism was absorbed in Italy by the exponents of futurism and in Germany by the Blaue Reiter group; both these movements were cut short by the advent of World War I. Fauvism and cubism were introduced by members of the Eight to a generally shocked American audience in

This case study discusses the differences between Southern New Hampshire University (SNHU) and other well-known universities such as Berkley, Harvard and Stanford. For instance, SNHU College of Online and Continuing Education is not vanity project, unlike other big name colleges such as Harvard and Stanford who offers online classes for its purpose of mostly a branding exercise (Pearce & Robinson, 2015). Furthermore, SNHU differs from other colleges in their admissions processes, graduation rates, lower prices, and the way they address quality in their programs (Kingkade, 2014). SNHU is one of the fastest growing and most dynamic private, non-profit universities in the country (Pearce et al., 2015). According

The Bauhaus movement began shortly after the world war 1 in 1919 to re imagine the materialistic good to reflect how we perceive art works. It was a movement initiated by a German architect named Walter Groupius.The Bauhaus movement embraced and emphasized on the simplicity and the basis of a design. (Griffith 2007) The idea behind the movement was to design and manufacture beautiful and practical products using simple and economical techniques. The ideology of the school was not only to reflect society but improve it by combining simplistic beauty with productivity. (Naylor 1968) The Bauhaus implied form follows function which is created by a cross platform of functional craftsmanship in every field whilst experimenting and using different materials.

Dubuque, Iowa is a city of approximately 60,000 residents that sits on the banks of the Mississippi River. Currently Dubuque is a diverse city that strives for complete sustainability. However, it wasn’t always that way recession hit in the late 80’s early 90’s. The town was a homogenous community and relied on two major industries for employment a famous t-shirt coined the catchphrase “Will the last one to leave turn off the lights?”

How will you leverage the “organization” of CCU and the resources available to you to complete your degree?

Peter Behrens is one of the most influential German designers. At the beginning of the century, he brought forth amazing works in architecture, graphic design, and painting, which began to influence in all these various fields, opening uncharted territory for the generations to come. He is viewed as the founder of modern objective industrial architecture as well as modern industrial design. From the late 1800's he worked as a graphic artist in Munich, where he joined the Jugendstil movement. He produced woodcuts, colored illustrations, designs for book bindings and craft objects. Peter Behrens designed china, glass objects, and patterned linoleum flooring. This fused Graphic Design and Architecture.

A reflection of the International Style and the Bauhaus movement, Mid-Century architecture was typically used residentially in the hope of bringing Modernism into the post-war suburbs.

The Bauhaus was set up in 1919 in Weimar by Walter Gropius (1883–1969). In 1925, the Bauhaus moved from Weimar to Dessau, where a new building is designed by Gropius. In this essay, I am going to discuss about the opinions made by many writers on Gropius’s mindset and intention in building the new Bauhaus. The architectural aspects and interior space planning of the Bauhaus have become the identifications of the modernist architecture as well as legend in the history of design and design education.

The establishment of the Viennese Secession in 1897 marked the genesis of modern art in Austria—a nation at the time known for its strong holdings on conservative traditions and values. It was the first movement of artists and designers who were devoted to the renewal of art’s meaning—the projection of inner states of emotion. Led by Gustav Klimt, the Secession was the most influential breakaway; rejecting the revivalist styles endorsed by the conservative academies, the group promoted an art that would celebrity modernity. The Secession was largely attributed for the responsibility of the rise to international fame of several of its members, including Gustav Klimt, Joseph Maria Olbrich, Koloman Moser and Josef Hoffman, who helped Austrian art become renowned once again. There were no unifying characteristics between paintings or sculptures, or even architecture: instead, its members were committed to the ideal of modernizing Austrian art by acquainting it with latest modern art movements—Art Nouveau, Post-Impressionism and Expressionism. The initial movement was short lived. By 1905, there were internal divisions ultimately fracturing the “group’s monopoly on the scene for contemporary and decorative arts” (Rosenman). However, the Secession was vital for the promotion of Austrian contemporary art.

“Design is for living”. The adage fashioned a widespread shift in design during the 1940s and 1950s. It revolutionized the form by creating an electrifying visual language that signaled a new age and a fresh start- two of the powerhouses were Charles and Ray Eames. The Eameses were a husband and wife team whose unique synergy led to a whole new expression in furniture and architecture. The couple advocated the principles of Modernism through the adaptation of innova¬tion from wartime technology .Their design style can be branded as “California Modernism,” a term that is often used interchangeably with “Mid-Century Modernism.” This distinct style embodied an approach to design that opposed the “social conscience” of the Bauhaus in order to embrace looser, warmer design which was both more expressive of local character and in touch with the realities of commerce and salesmanship. With the west-coast coming-of-age, economy shift from making goods to producing information and the global expansion of American culture; their lives and work embodied some of America’s defining movements. They contributed to architecture, film, industrial and graphic design. They were known as pioneers of affordable mass production and residential constructions. The evolution from furniture designers to cultural ambassadors validated their bents and overlaps with country’s interest and projected how design can enhance the lives and practical needs of ordinary people and not just the elite.

The Bauhaus school was founded in 1919 in Weimar by German architect Walter Gropius (1883 - 1969). In 1923, Walter Gropius introduced the agreement between “creative artists and the industrial world”. The Bauhaus is most famous for the idea of combining forms and functions. They combined both fine arts and design elements to create a curriculum that trained artists and designers to be capable of producing both functional and aesthetic work. One of the main goals was to bring design and technology together. During the Bauhaus period, Fine art and craft were combined together and aimed toward problem solving for an innovative, modern and industrial society. Nowadays, the Bauhaus legacy continues in modern designs, such as minimalism, or design brands like IKEA. In this essay, I will analyze Bauhaus’s influence on modern design, including architecture and furniture design by exploring different examples from different periods of time.

The Bauhaus was created by Walter Gropius in the city of Weimar. He was a German architect