History of Photography
Final Research Project
Bauhaus: Influences on Photography and Architecture
After the defeat in the First World War and the fall of the German monarchy, Germany faced darkness and lost hope in the future. Walter Gropius, a German architect, who served in the war, saw the need of re-orienting the art world for the better (Westphal, 7). One year after the First World War, 1919, Gropius opened a school in Weimar, Germany called the Bauhaus school. His intention for this school was to create a total work of art in which all arts would be brought together (Bayer, 12). He also wanted to create a “consulting art center for industry and the trades” (Bayer, 13). In his Bauhaus Manifesto, Gropius mentions
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Some of his assignments were to create an impression of three-dimensionality in a two-dimensional drawing, and figurative studies drawing from nature (Westphal, 51). Wassily Kandinsky taught analytical thought process to help students understand the basic concepts of design in painting. His class included learning color, shapes, lines, composition, and characteristics (Westphal, 54). Paul Klee taught the analysis of sensory perception, picture construction, and color theory on a more intense level (Westphal, 59). He mentions that Expressionism, the strength to discover the inner strength, and science played a huge role in his curriculum (Westphal, 59). Oskar Schlemmer taught stage and costume design (Westphal, 60). After the preliminary courses, students would have the opportunity to eight workshops: furniture, metal, print and advertizing, photography, theatre, wall painting, ceramics, and weaving (Westphal, 73). These courses prepared students to acquire solid craft skills. Also, just like the preliminary courses, the workshop would be an in-depth learning and experience of each subject. The photography department was under Walter Peterhans in 1929. Photography was initially only used for catalogue illustrations for advertising (Moholy-Nagy, 134). With Moholy-Nagy’s enthusiasm in photography, he was able to bring respect to the Bauhaus school. Moholy-Nagy also suggested the term
It can be said that the Bauhaus was the first modern art school. Art schools are strongly influenced by their teaching of design and skill. The Bauhaus curriculum model is still used in education today. “The Bauhaus curriculum combined theoretic education and practical training in the educational workshops. It drew inspiration from the ideals of the revolutionary art movements and design experiments of the early 20th
The Bauhaus was established in Weimar in 1919, with the architect Walter Gropius as its founder and first director (Harrison and Wood 1993, p. 338). The school was founded on Gropius’s principle of the importance of combining and unifying all the artistic and technical realms; a separation, which had been to the detriment of existing art schooling (Girard 2003, p. 6-‐7). Gropius wanted to combine art and technology or “culture and civilisation” (Droste 2012, p. 15). The Bauhaus consisted of workshops with two distinct instructors, a “craft master” who was a
Germany’s fate was changed on April 20, 1889, the day I, Adolf Hitler was born to German official, Alois and my dear, Klara Hitler. Little did they know of what a miracle that had blessed them that day. My destiny was decided for me every time my father lectured me about the abhor Jews, taking up our German property, and beat me for the childish mistakes I made. I realized my destiny was to punish the faults in our once perfect nation. My father’s strict upper hand was not the only contribution to my great plan. At the age of sixteen, I left my home to pursue my dream of becoming an artist. I enrolled myself into the Viennese Academy of Fine Arts. The vile Jews in charge of the school denied me acceptance into the school. I spent
An introductory course for both the general interest and art major student: a survey of the nature and role of the visual arts in society. Art theory, art practices and an overview of art history will be required. The Medias of art will also be explored. Field trips are required.
Published in 1989, Modris Eksteins’ book, “Rites of Spring” argues that World War I, with Germany specifically as a catalyst, is the turning point of modernism. As Eksteins explains it, World War I was the final battle between the old world and the new, modern, world. To put it simply: England and her allies represented the old ways, while Germany and her allies represented new ways. Eksteins believed that the end of the nineteenth century was filled with urges for modernism with Germany leading the way as the “modernist nation par excellence of our century” Throughout the three acts of his novel, Eksteins continues to address how Germany, and both world wars, managed to battle the old ways of the nineteenth century and as a result continue into the twentieth century with humanity completely disillusioned as a whole.
The Bauhaus movement began shortly after the world war 1 in 1919 to re imagine the materialistic good to reflect how we perceive art works. It was a movement initiated by a German architect named Walter Groupius.The Bauhaus movement embraced and emphasized on the simplicity and the basis of a design. (Griffith 2007) The idea behind the movement was to design and manufacture beautiful and practical products using simple and economical techniques. The ideology of the school was not only to reflect society but improve it by combining simplistic beauty with productivity. (Naylor 1968) The Bauhaus implied form follows function which is created by a cross platform of functional craftsmanship in every field whilst experimenting and using different materials.
Modernism was in effect expelled from Germany and many of its champions emigrated overseas as Hitler described modern art as “Bolshevist art”” in his autobiography “Mein Kampf” and “criticized the Weimar Republic for its alleged cultural weaknesses”.(Architecture and Politics in Germany )
Throughout my time while learning Visual Arts, I had the privilege and the opportunity to be exposed to a number of artists and mediums. Like all artist, I have been influenced by a number of artist and techniques. I was especially interested in a contemporary artist called Gerhard Richter. I was introduced to his works in the beginning of my years in IB and he has been constantly influencing me in my works, one way or another. One major concept that I realised was that he had a very close relationship with photography in his artworks. This triggered me to ponder if it was the same for other artists and actually how photography affected paintings throughout the history of art.
“I don’t think of myself as an artist, I really don’t. I think i’m more of a facilitator, I think I’m more of a guide, a coach. I give you machines, I introduce you to tools on the machine, and I give you opportunities to do things with what you know about that machine. That’s my gig. That’s my job.” He would state passionately, his voice stern while retaining a calm undertone. Mr. David Holicky isn’t a teacher, he’s a coach teaching students who have grew accustomed to being taught what to do from Step A to Z, letting their artistic skill be their guide rather than showcasing what it would look like. Each of the 42 students, split evenly between Holicky and Sellers feel the comforting vibe the room brings. It’s different than a normal room some have grown use to, Metallica and AC DC along the walls with
A new form of art was born called modernism which helped to describe the new world
4. To discover whether a concept artist’s way and theory of art suited to be made as guidelines for art students in producing artwork
The Bauhaus was set up in 1919 in Weimar by Walter Gropius (1883–1969). In 1925, the Bauhaus moved from Weimar to Dessau, where a new building is designed by Gropius. In this essay, I am going to discuss about the opinions made by many writers on Gropius’s mindset and intention in building the new Bauhaus. The architectural aspects and interior space planning of the Bauhaus have become the identifications of the modernist architecture as well as legend in the history of design and design education.
World War II was a war that was forever etched in history as a result of it destruction and overwhelming body count. But who would have thought that this war would have found a way to impact art before it’s time. Before Hitler rose to power, he used the civil war in Spain around 1936 as his personal field test. In response, arts took to their trade to cope with their frustration and express their opinions. Then as war was on the verge of beginning, Hitler stole modern art from Jewish artists and put them in his own show. His show was titled “Degenerate Art,” and it portrayed the artist as demented people who were a hindrance to society. He felt sane people were incapable of producing such abstract art. He went on to sponsor another
The Bauhaus school was founded in 1919 in Weimar by German architect Walter Gropius (1883 - 1969). In 1923, Walter Gropius introduced the agreement between “creative artists and the industrial world”. The Bauhaus is most famous for the idea of combining forms and functions. They combined both fine arts and design elements to create a curriculum that trained artists and designers to be capable of producing both functional and aesthetic work. One of the main goals was to bring design and technology together. During the Bauhaus period, Fine art and craft were combined together and aimed toward problem solving for an innovative, modern and industrial society. Nowadays, the Bauhaus legacy continues in modern designs, such as minimalism, or design brands like IKEA. In this essay, I will analyze Bauhaus’s influence on modern design, including architecture and furniture design by exploring different examples from different periods of time.
The Bauhaus was created by Walter Gropius in the city of Weimar. He was a German architect