Baz Luhulmann Film Techniques

Love plays a crucial role in telling the story of Romeo and Juliet, clearly shown in the appropriated Luhrmann film. Using film as a new medium, cinematic techniques explore the love between Romeo and Juliet. The balcony scene is a clear example of how Luhrmann expresses this. To show his love for Juliet, Romeo decides to sneak into the Capulet mansion to confess his love for her. When Romeo sees Juliet through his window, light shines around her and he describes it as, “ the sun.” This suggests that Romeo is calling Juliet the brightness in his life. Luhrmann decided to portray Romeo

When picking a scene to analyze in Shakespeare’s Romeo and Juliet, it is easy to go straight to the temptingly classic and romantic balcony scene. Especially in the case of Baz Luhrmann’s film adaptation Romeo + Juliet, the director gives viewers plenty to talk about with his innovative staging that puts Romeo and Juliet on the same level. However, a more brief scene that gives way to important insight about the film is Romeo and Juliet’s wedding. In Shakespeare’s play the audience does not actually witness the wedding, so Luhrmann had total creative freedom in what he wanted this scene to look like. When the two young lovers finally reach the end of the aisle together, they quickly evoke the image of children playing dress up. Romeo’s suit is old-fashioned and too big for him, as if he borrowed it from his father’s closet. Juliet wears a 1950’s style halter dress, hanging on her like a costume. Her hair is messily pulled into an updo with strands hanging down by her face, making her look like a kid who has tried to do a fancy new hairdo but does not quite know how and could probably use a haircut besides that. Attire aside, Romeo and Juliet just have very young-looking faces. The actors portraying them, Leonardo DiCaprio and Claire Danes, are ages 21 and 17 and you can tell by their bright faces and softened features that they are still quite young to be getting married (Rolling Stone). Their clothes and faces combined

How the film techniques used by Baz Luhrman to influence the portrayal and development of characters in the film Strictly Ballroom?

Luhrmann’s variation of the film is more suited to a teenage audience than Zeffirelli’s due to the vibrant settings and modern sets utilised throughout the film. Several of these sets include the beach, high rise buildings and petrol stations. These factors are used to tempt a younger audience. Zeffirelli’s Romeo and Juliet, however takes place in a medieval Italian city. Although the original play was based and performed in this location, teenage viewers cannot relate to the surroundings, hence making it difficult to understand or appreciate the plot.

Language developed tremendously through the use of silent films in the 1800s and early 1900s. A silent film is that which consists of only the picture, and no sound. This was an era of truly transformative filmmaking, forcing writers and producers to have to step out of a comfort zone in order to allow purely visual expressions to touch their audiences and convey their stories. This was achieved through a greater emphasis on facial expressions and body language.

Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.

Luhrman has based his version at Verona Beach; America and instead of basing it in the 16th century like Zeffirelli, he had his film based in the 20th century, with mansions, shiny cars and bright lights. While Zeffirelli paced his film in an Iambic pentameter – a traditional Shakespeare pace; Luhrman never kept his film at a solid pace. “By modernizing these aspects of the play, and reconstructing the prologue, Luhrmann creates a movie that is more interesting to the modern viewers.” ("Franco Zeffirelli and Baz Luhrmann's Romeo and Juliet." 123HelpMe.com). As Zeffirelli may have believed famous actors would steal his show he instead hired fresh new faces to give the movie a more fresh, innocence value, But Luhrman used well known actors to play the lead roles. This worked because more people were attracted to the film by the actors.

Romeo and Juliet is a timeless story about two ill-fated lovers. Originally written by, Shakespeare, this story has been adapted by different directors who all commonly try to add their own unique twist to it. Two of the most prevalent adaptations of Romeo and Juliet have been done by Franco Zeffirelli and Baz Luhrmann, who have taken this love story to the big screen. Franco Zeffirelli’s movie, which was produced in 1968, is extremely authentic and stays true to Shakespeare's vision, whereas, Baz Luhrmann’s version produced in 1996, is contemporary and appeals more to younger audiences. There are various differences and a couple of similarities between Zeffirelli’s and Luhrmann’s movie versions such as the costumes, their interpretations of

Baz Luhrmann’s Romeo + Juliet was an accurate representation of the famous Shakespearean play, The Tragedy of Romeo and Juliet, and was very entertaining for today’s audience. First, this modern version presented the original play in both an appealing and entertaining way for the younger generation. People today are interested in movies that are more romantic yet action packed, and Luhrmann’s version of Romeo and Juliet met these preferences. The film included many scenes from the original play that were changed to be action packed and tragic, such as the gunfights between the Capulets and Montagues, which appealed to the younger audience because of their modern day thinking. Because the film was action packed, the audience took an interest

Romeo And Juliet : Recreating Literature Accurately in Film Using Cinematic Techniques Movies , are they like the book? Not always and though the book is usually better , the movie still can accurately recreate the scene of a book into a movie scene using cinematic techniques . In the case of Luhrmann’s recreation of Shakespeare's play Romeo and Juliet , specifically Tybalts death scene ( Act 3 Scene 1 ) , Luhrmann accurately recreates mood and tone using cinematic techniques . The mood of Tybalt’s death scene is tense .

The production design in Romeo + Juliet triumphs the more traditional approach made by Zeffirelli in Romeo and Juliet. Luhrmann’s presentation of his film is aesthetically appealing and engages the audience. Luhrmann also uses his environment to suit the emotions of various characters. He suggests that something bad will happen when the clouds turn grey and it begins to rain during the fight scene between Mercutio, Romeo and Tybalt. Furthermore, he continues to play with the weather in correlation to the characters’ emotions, as a thunderstorm ensues during Romeo and Tybalt’s showdown. This is effective in altering the motif of the scene, as it suddenly creates a gloomy atmosphere, in contrast to the constant weather in Zeffirelli’s version. Zeffirelli’s version is bland and it fails to entice the audience in anyway. The beach setting is modern and there are more colours which is visually dynamic. The final scene where Romeo and Juliet meet is very different in both versions. Luhrmann’s one is vibrant, creating a realistic image with the many candles surrounding Juliet’s death bed in the church. However, Zeffirelli’s scene once again fails

play was to be acted; this had an entrance and an exit. There was no

This paper will focus on the film techniques used by Cameron in his three most known movies, Titanic (1997), Avatar (2009), and Terminator series. Mise-en-scene according to John Gibbs is used in film studies in the discussion of visual style. Translated literally it means “To put on stage”, but for the purpose of students, it is defined as the contents of the frame and the way they are organized (p 5). In addition, a director’s style can be identified only through the arrangement and orchestrations of the film’s mise-en-scene (Nelmes, 425).The films Titanic, Avatar, and Terminator series were successful

Luhrmann is eccentric and unconventional in his filming as he illustrates ideas and themes to modern audiences while still working with older texts. He uses Red Curtain Cinema in all his movies. Red Curtain Cinema breaks classic Hollywood traditions and the purpose of it is to entertain,

Buz Luhrmann’s intention in making movies is to provide and entertaining, extravagantly beautiful film, and he succeded in the making of these two films.