Beachy Head Essay

Modernism was a battering ram against the traditional method of writing and introduce more modern techniques. Millay,was a unique modernist for she wrote with the more traditional style, yet her poems were clearly showing a modernistic point of view. An independent, bisexual woman Millay truly stood for the era she wrote in. Millay wrote about what she believed to be “political issues”, which included anti-war and “freeing women from the roles society has set for them”(Boyd). Many modernists of her time did away with the traditional writing style, but Millay added a new meaning to modernism when she kept the writing style but left the views.. Millay introduced a new way of expressing her ideas into the poetry world. Millay’s poems were admired (and imitated) by many of her time. Even in the heart of the Depression, Millay had time to pose a question many thought but never voiced. In “Love is Not All” she asks, “what would i give up for

The diversity of Brooks’s poetry leaves a reader who first encounters her work to draw, as Bolton argues in Gwendolyn Brooks and the Epic Tradition, “overly hasty conclusions about the natures of her subject and verse form” (56). Brooks’s mastery is found in her extended lyric voice characterized in her various poems. From colloquial language in “We Real Cool” to her tense and complex style in the “Anniad”, Brooks’s audience is just as diverse as her anthology. Hovarth identifies the significance of form in relationship to her

A great poet makes the reader feel connected and inside the poem. Shakespeare, Frost, and Angelou all encompass the great qualities of a wonderful writer, because readers are taken on a trip. Much like the Shakespeare, Natasha Trethewey, used “experience” to write poems that take readers on an adventure through the lives of 1912 New Orleans prostitutes. She gives these women identities. These normally shunned women were given families, backstories, and most importantly, emotions. She took what people consider the scum of society and turned them into normal women, who have doubts and insecurities. She manages to make women these women human. In this specific collection of poems, the focus is on Ophelia, a young woman who has to deal with a father

Anne Bradstreet (1600’s) and Phyllis Wheatley (1700’s) wrote poetry in two different centuries. Their topics, themes and the risks these women took in their writings are groundbreaking in that they paved the way for women’s rights today. Both women are known as the first published poets of the new world. Bradstreet’s writings were first published in 1650 and her poetry included controversial subjects such as the relationship between a husband and wife, displays of affection, and women who have made their place in society as leaders. These topics were not typical of women who were brought up a Puritans. In fact, the puritans did not approve of public displays of affection.

Anne Bradstreet (1612-1672) and Phyllis Wheatley (1753–1784), although over a century apart, were pioneers of women’s American literature. There are interesting similarities as well as differences between these two women, but the obstacles they would each face, and ultimately overcome would help to pave the road for women all over the world. Bradstreet, a well educated woman from a wealthy, puritan family, and Wheatley, a slave taught to read and write by her owner, would make history with their published poems.

Charlotte Turner Smith was a renowned English poet of the eighteenth and nineteenth centuries. She was born during 1749 and died during 1806. Her poetic work was written and published during the Romantic era. The Romantic era was comprised of creative works that expressed or evoked intense emotions and were not necessarily about love. Such works possessed an intimate nature as they had endearing qualities. Smith is most famously known for her collection of poems titled Elegiac Sonnets, which was published during 1783. Surprisingly, she was in debtor's prison with her husband and children when she wrote it. She has had a memorable impact on the Romantic movement of literature, touching on social justice and economic issues of her time. Some

Lord Byron, one of the major poets of England during the Romantic Period (1785-1830), epitomized the essence of this movement of literature because “Romanticism was flourishing in the arts. In painting, literature, and music, one of the great Romantic obsessions was the ancient past” (“The Destruction of the Sennacherib”). Some of the characteristics of Romanticism are belief in the common man, reverence for nature, interest in the past, and optimism. All of Byron’s poetry reflects most of the characteristics, such as “She Walks in Beauty” and “The Destruction of the Sennacherib.” Lord Byron acted as the model of the Romantic period by not only reflecting most of or all of the Romantic ideals in just those two pieces, but he

I intend to use this anthology to study different poems of the Victorian era. In doing so, I can effectively identify a trend that reveals nineteenth-century poetry as being infatuated with ideas of dominance, power, and gender

At the point when a reader hears the name Emily Dickinson, they consider a female who composed verse that has been surely understood for a considerable length of time and years. Much to their dismay that Emily Dickinson established American Literature, and began an entire unrest of verse. The procedure Dickinson used to keep in touch with her verse was at no other time seen and was the foundation of her compositions. Major themes, Figurative Language, and Literary Technique utilized by Emily Dickinson were every last bit of her qualities of her towering accomplishment in poetry.

George Gordon Byron is probably one of the best known English romantic poets. Although Byron’s poetry was prominent urging the era he was writing, it was also often considered as immoral. Lord Byron’s “She Walks in Beauty” is “regarded as one of his loveliest short lyric poems”; his use of imagery, symbolism, and rhyme scheme allows the reader to experience the perfection of love.

From John Keats’ dreamy sonnets to the Edgar Allen Poe’s macabre laments, the most renowned poems across movements and writing styles capture and illustrate the fleeting emotions one feels when a soul impacts another. Through diction, devices, and form, a poet imparts the impression of his muse, the source of these emotions, much like an artist illustrates his source of inspiration through any combination of media. Amy Lowell, a twentieth century pioneer of modern poetry, is one such poet. In her poem, “A Lady”, the muse is not only the subject, but the audience, whom she directly addresses. To describe her muse, Lowell uses allusions to the arts, elegant and domestic imagery, and repetitive sounds; in conjunction, she creates a sensual tone to transmit her admiration to the audience.

Moving from Age of Reason to the Romantics period a lot changed about the author’s works in literature. Those poets who belong to the Age of Reason roughly 1700 and those many famous poets before them all wrote different types of poetry. Throughout decades of this country there have been many different changes to poetry: it has evolved in each country meaning it evolved plenty around the world. Poets like William Wordsworth, William Blake and Lord Byron coming from the old part of the romantics and the new part of the romantic period where poets of this time wanted to make poetry easier to read and understand, but have deeper meaning besides the obvious. A poet mentioned from this time period, Lord Byron was very focused on this type of poetry becoming one of the most famous and most important poets of in our history. A poem that is very popular and important was known as She Walks in Beauty. This poem goes from simple to complex giving out many messages within the poem in different stages of Byron’s life. However, in the poem titled She Walks in Beauty by Lord Byron, Byron conveys three important ideas; the appearance of the lady, differentiating from opening lines to closing lines, and emphasizes the spiritual aspect of the lady.

Nature and the Romantics are two sides of the same coin. In almost every single poem we have read over the course of this semester we have been able to find hints of the natural world. These instances were moments of hunger. While industrialization was tearing landscapes up by their roots, Romantic poets were desperate to experience the euphoric sense of sublimity they had come to associate with the highest level of consciousness. However, this sense of sublimity is not a constant achievable state. For each poet the definition is different, and time was altering the facets of this theory. This paper will look critically at two poets and one essayist in an attempt to study the changing “face” of sublimity. For

In conclusion of her famous “Letter to the Women of England, on the Injustice of Mental Subordination” (1799), Mary Robinson listed in alphabetical order the names of over forty contemporary women writers who by the prevalent injustice and literary subordination were not or only partially recognized for their contributions to the British literary community of the romanticism era. The list contained the names of well known and relatively obscure women writers, poets, novelists, essayists and dramatists, including the likes of well-known Mary Wollstonecraft, Ann Radcliffe, and the relatively unknown author of “Biography, letters, &c.” “Mrs. Thickness”. In her closing assertion, she stated that “there are men who affect, to think lightly of the literary productions of women: and yet no works of the present day are so universally read as theirs”. This assertion resonates with Stephen C. Brehrendt's position on the fate and honor accorded to women writers, novelists, essayists, dramatists and particularly poets of the romanticism era, and the need to rewrite and remap the concept of influence, and the structuralism literary and cultural theory that tends to want to place women at the periphery of romantic poetry rather than the center where they truly belong in his article the “New Romanticism for Old: Displacing Our Expectations and Our Models”.

“Henry was a dreamy boy who loved to read. He heard sailors speaking Spanish, French and German in the Portland streets and liked stories set in foreign places”(“Poet-Henry Wadsworth Longfellow”). Henry Wadsworth Longfellow was a very popular Romanticist poet during the 18th century. This love of reading and interest in foreign languages lead him into the Romanticism movement. In his lifetime he wrote various different poems that are still studied and enjoyed today. Longfellow’s traveling and studies of different languages helped form him into the light Romanticist writer that he is known for today, as demonstrated in “Footsteps of Angels” and “Aftermath”.