Beauty And The Beast At The Coronado

The past four years, I have breathed, slept, eaten, thought and immersed myself in all thing pertaining to theatre. This is where I discovered to truly work in a team, where I could be without fear of being something I am not, and where I have found peace in the maddening swirl of day to day life, ironic in the fact that theatre is a hectic world. This world is where I have made my best friends and found people I know I can count on and that I insist can depend on me. If I have learned one thing from my experiences in theatre, it is to strive and achieve

I’ve adored theatre for as long as I can remember. From writing plays throughout elementary school, to being involved in Drama Club in middle school, to performing in community theatre in high school, and to visiting the theatre as often as I could from the very beginning, theatre has always been a part of my life. Every aspect of it engages me: the directors working to bring their vision of the show’s scenes, choreography, or music to life, the actors transforming into different characters through their expression of dialogue, song, or dance, the costumers and set-builders transporting the audience into the setting and time period with their artistry, the backstage tech and crew working quickly and precisely to keep the show flowing to curtain call, and the orchestra bringing the show to life through music. There is nothing like the experience of live theatre, both as a member of the audience and as a member of the cast and crew.

Above all, I wouldn’t be where I am today without theatre. Without the chance to perform throughout my life, I would be disconnected from the wide array of communities and histories that’s been imbedded in my daily routine. Unfortunately, it’s speculated that the theatre is a dying art form, because of the expanding popularities of movies (“Is”), but I think that it’ll remain a well renowned part of expressing imagination and interpreting history as years pass; it only takes cooperation with school faculty and young students that go above and beyond to change their

I grew up in a family of artists. My parents were singers and musicians. I began acting in shows during elementary school. As an adult, I acted in community and regional theaters. I performed in Urdu and Punjabi languages. I grew up in a culturally diverse household and community. This enabled me to relate to different personal and societal experiences, and to live out my own and other people 's stories through my acting. Also, my collaborative nature, strong sense of imagination and interest in poetry, literature, politics, public affairs and human experience has helped me play many roles effectively.

As a shy, reserved student, I found myself blossoming through the stage. I fell in love with the stage and auditioned for the middle school's play, A Christmas Carol. Fortunately, I was casted in the performance. I loved the experience so much that I auditioned for the next year's play and musical and got a part in those as well. The more time I spent on stage, the more confident I became. I felt like the stage was where I belonged. I had a passion for theater that began to distinguish like a flame when I entered high school.

Acting on stage with the lights, props, and sets is all surreal. But with that being said acting is much more intricate than to just memorize lines and go on stage and recite them with simple blocking. To combine people and ideas, adding natural movements and gestures, to take the playwright's' words and turn them into your own is the beautiful art form of theatre and acting. To be able to become another person, to feel what they feel, to live their life, is very magical and astounding to me. While acting I lose myself, I am solely whoever I am portraying and I take all matters

Ever since I can remember I have loved theatre. It’s been a constant presence, and an important touchstone, in my life. However, for as long as I’ve loved theatre, I have also been ridiculed for my enjoyment of it. As a child, my interest was tolerated as something precious, something I was bound to grow out of. My parents and teachers would sit in the audience, clapping and cheering me on, all the while thinking to themselves “I bet she’ll make a great lawyer one day.” They thought, like most of society, theatre was an unnecessary luxury; a pastime for the rich and powerful, for those who didn’t have to worry about putting food on the table, or clothes on their children’s backs. Certainly not

From an early age, I loved to perform. Being the youngest girl with three older brothers, I could never get enough attention; This meant singing, dancing and being extremely outgoing to get everyone’s eyes on me. I still hear stories about my younger self dancing in front of mirrors, babbling about my dream of being a “star”. It wasn’t until much later, however, that I found I could put my love of performing to use.

As I sat enveloped in her story of overcoming conclusions, she taught my heart to embrace each quirky part of myself. I identified with Elle Woods’ need to prove herself. This idea of accepting individuality provided me with the courage to audition for my first show, the Arvada Center’s production of Footloose. Since that first nerve-racking, nail-biting experience, I have come to find myself through each move I dance onstage. Getting my first big role, the Dragon in a production of Shrek, I poured my heart out, knowing the people ready to judge and mock were watching. After the show, the peers who judged my intelligence approached me, saying things like, “I never knew you could sing like that.” Through performing I found myself again. I shifted back to the girl I was, the girl who cared about her morals. I want to perform, hoping to provide audience members with the ability to connect with characters who can offer them a point of realization, as Elle Woods did for me.

With the actors energized and compelling, they embodied their characters physically, vocally, and emotionally. The physical gestures made the actors more active and mobile. Their vocals made the performance very projective, and the musical numbers

"I’m so nervous,” I complained to my mom as we walked into the Waukesha Civic Theatre. “What if I’m not good enough. I haven’t even prepared that much!” It was a crisp September day and some leaves had already started changing color. On the way home from school my mom told me about a play that the theater puts on near us every year and thought I would be good for it. Since I had only heard about the audition that day, it gave me a few hours to pick my song and be prepared for whatever part they wanted me to read. The next song that came on the radio was the song “Edge of Glory” by Lady GaGa and because it was in my vocal range I thought it would be good for me. Little did I know that this audition would change my view of theater.

I never took myself as much of an actress, even though I chose the role. Every day, I go in the dressing room and put on my costume. My hair and makeup were done, and it’s show time. The bright spotlight comes directly onto me. The curtains open and it begins. I give the performance of a lifetime. It’s amazing how much the audience believes the story they’re being told. They’re gullible, but they’re not dumb. They know when the show goes sideways and that’s when they begin to ask questions. As always, I reassure them nothing is wrong, and the act is a hit. The curtains close, I return to my dressing room, and I take off the costume. I wish I could give the role back.

When first starting; theatre only seemed like a hobby. Performing did not sound like an ideal career for my life. Being familiar with performing, joining theatre seemed to be a simple task. Prior to high school, my only experience was a play in middle school, but no performances that made my heart yearn for more. Freshman year, I took theatre as a class, but was not interested in getting involved with events outside of the course. After a year of convincing from my teacher and peers, we settled on an agreement that I would audition for the upcoming show my sophomore year: Tarzan. After auditioning, being cast, and beginning to work with my director and peers, I felt a renowned connection to those around me, and to the art itself. After our first full run of the show, the flame was ignited. There were fireworks; a feeling that had never experienced in all my years of performing. At last, the passion was coming from within. From that point I  was excited to watch my theatre career kick off: but that wasn’t the case. That wasn’t the case at

After exploring extracurricular activities my freshman and sophomore year, the abstract beauty of the performing arts enraptured my heart. Keeping theatre in high esteem, I anticipated and prepared for our success in exhilaration. My schedule revolved around our performances, and consequently, I eliminated any conflicts with rehearsals. To ensure the maximum potential of every one of our shows, I allocated all my spare time into productions. I once stayed at school well past 10 at night painting the stage with my director to guarantee we polished our set to perfection. The work ethic I instigated

There is no theatre without an audience. The audience is as much a part of the playmaking experience as the artists—so how do we incorporate them more actively into what we do? We must work with them – and I’ve learned, in so doing,