Beauty In Ma Yuan's Walking On A Mountain Path In Spring

The significance of the Buddhist teachings has impacted the everyday lives of Buddhist adherents as it provides a set of guidance, in which the goal of individuals is to improve themselves through effort and ultimately reach Nirvana, enlightenment. Through the Four Noble truths; The existence of Dukkha (Suffering),

It is said that a picture is worth a thousand words, but maybe they are worth far more than that. Pictures, although seemingly simple in nature, are extremely complex. Far too often, people overlook what a picture truly is. When a person looks at an image, they most likely see only the image, nothing else. Many people do not look deep enough into an image to fully comprehend the true meaning of it. However, when an individual begins to truly study an image in an attempt to understand the true complexity of it, they will be surprised at what they overlooked before. As stated by French Realist Painter, Gustave Courbet, “Fine art is knowledge made visible.”

Everything from their names to the ways they are described is meant to differentiate the two and clarify that Beauty is kind and lovely and Pock Face is terrible and ugly. Lin Lan’s views, and their society’s views, on the relationship between beauty and goodness is shown clearly here. The fact that Beauty is seen as much more virtuous than her less attractive sister is represented largely by how beautiful she is.

For centuries, people’s aesthetic value has been influenced by Rome's perfectionism, so do I. I used to think that artworks that make people feel appreciated are just equivalent to visual appreciation and satisfaction. However, after observing the painting and researching sources of this pieces of art I realized that an excellent artwork needs to cover all aspect requirements. For instance, an excellent artwork needs to contain a high operation of art skills as well as art knowledge in order to persuade audience. In addition, to qualify as a great artwork it has to create a substantial amount of activity in the audience’s mind or heart. When I look at an artwork I always try to figure out what is the artwork's message or what the artist is trying to communicate, to convey. Overall, I think a good artwork needs include some of the elements and principles of the language of art as well as the structure they give to be able to successfully communicate an idea.

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

This style favored subjective perception and rebelled against life-like depictions. In a similar way, because unregenerate hearts cannot fully recognize the handiwork of God in art and in the natural world, unbelievers can only appreciate art at a subjective, superficial level, even if they understand the historical and cultural context of a given work of art. Believers, however, can see the deeper meaning behind even the artist’s message because they recognize that all artwork reflects the creativity of the original

At first glance, the 17th century paintings of the Baroque period, India, and China may not have much in common, but upon closer inspection there are relationships and divergences to consider beyond the surface. These details can be seen between Bichitr’s Jahangir Preferring a Sufi Shaykh to Kings, Wang Hui’s A Thousand Peaks and Myriad Ravines, and Diego Velázquez’s Las Meninas (The Maids of Honor). While each carries the style of its own location of origin, they all showcase influence and subject matter similarities and differences worth making note of, most specifically the presence of duality in focus within the paintings.

“The Chinese… seem to have developed a complex intellectual position that assumed that if an image was convincing… then these features gave the image the powers of the thing or person depicted.” She goes on to assert that these figures were not simply mere lifeless substitutes but important religious images; “Indeed the urge to make powerful images to complete afterlife dwellings was closely connected with the search for good outcomes, that is, auspiciousness.”

Since several tens of thousands of years ago, human beings have created art. From the simplest of cave paintings to the most advanced compositions of today, artwork has transformed. As time went on, the development of technology and techniques has allowed artists to express themselves to the viewer. This paper will analyze excerpts from Dr. James Cahill’s book, Parting at the Shore: Chinese Painting of the Early and Middle Ming Dynasty, and Dr. Kathryn Liscomb’s article, “The Power of Quiet Sitting at Night: Shen Zhou’s (1427-1509) Night Vigil.”

Throughout history, art has changed and transformed dramatically as empires have fallen and new civilizations have formed. There have been many different forms of art and extremely different tastes of art based on which civilization you decide to focus on. According to this opinion, out of all the different types of art, “the highest form of art is realism.” The writer then claims how many civilizations have undergone intellectual and creative declines when creating unrealistic art. This, of course, is simply an opinion, but the the thoughts and ideas of this writers bring up many intriguing questions about art and how society perceives art.

The Four Noble Truths of Buddhism are: LIFE is suffering, DESIRE causes suffering, ENDING desire, ends suffering, and FOLLOWING the Eightfold path ends desire. Life is suffering is a true belief, if we have a good sense of this concept then we can handle most of life’s ups and downs more effectively. Second, the desire for thing can yield a life of suffering due to excess. Webster’s dictionary says, excess is a state or an instance of surpassing usual, proper, or specified limits. Next, we have Ending desire ends suffering, means being content or excepting certain notations pertaining to life will bring more joy and less suffering.

The most important trait in defining art is its beauty. As complex as the term “art” can be, the term “beauty” is nearly just as complicated. In order to understand art more clearly it is important to understand beauty. “We label an object beautiful because it promotes an internal harmony or ‘free play’ of our mental faculties; we call something ‘beautiful’ when it elicits this pleasure.” (Freeland 8). As defined above, beauty is not a direct message. It is something that subconsciously allows man to feel good and pleasurable. There is “an internal harmony” when we observe something beautiful that allows us to take away a deeper understanding of a work of art regardless of it being “nice looking” or “ugly”.

As onlookers peer into the artworks in front of them, there is no question as to whether or not they considered what the artwork means, where it came from and what the artist was interested in who created it. The

For over two thousand years, various philosophers have questioned the influence of art in our society. They have used abstract reasoning, human emotions, and logic to go beyond this world in the search for answers about arts' existence. For philosophers, art was not viewed for its own beauty, but rather for the question of how art and artists can help make our society more stable for the next generation. Plato, a Greek philosopher who lived during 420-348 B.C. in Athens, and Aristotle, Plato’s student who argued against his beliefs, have no exceptions to the steps they had to take in order to understand the purpose of art and artists. Though these two philosophers made marvelous discoveries about the existence of art, artists, and

Life consists of constant cycles of spontaneous outbursts of joy and unexpected disappointments; there is an upside to this repetitive tug of war. On this rock we call home, we are surrounded by the most gorgeous creations, structures, and landscapes that add a touch of serenity to our miserable existences called aesthetics. Aesthetics as an adjective is defined as concern with beauty of the appreciation of beauty. As a noun it means a set of principles underlying and guiding the work of a particular artist or artistic movement. The surrounding beauty that we take for continuous granted is significant towards our existence. In everyday interaction, we straddle the line between aesthetic judgement, where we appreciate any object, instead