Because I Could Not Stop For Death By Emily Dickinson

When comparing “Death, be not proud” (John Donne) the most comparable poem was “Because I could not stop for death” (Emily Dickinson). These poems were obviously similar in using death as the topic however; they were also similar in their attitude toward death. Donne expresses that death isn’t as powerful as it thinks it is. Donne is saying that although Death (referring to death as a person) thinks he's something special, because he has the power to take life, really, he's not. Death isn’t special because he must take everyone whether they're kings or just regular men. So that means he's really a slave to every

Death is part of the human life cycle, approximately 151,600 people die each day. Everyone wonders how they will die, if they suffer, if it’s tragic or if it’s just simply peaceful. In each of the three poems the main focus is death. Each poem shows a different feeling about death. “Thanatopsis” by William Bryant, “Don’t Fear the Reaper” by Blue Oyster Cult and “Dust in the Wind” by Kansas, all have different meanings of death.

Death is a controversial and sensitive subject. When discussing death, several questions come to mind about what happens in our afterlife, such as: where do you go and what do you see? Emily Dickinson is a poet who explores her curiosity of death and the afterlife through her creative writing ability. She displays different views on death by writing two contrasting poems: one of a softer side and another of a more ridged and scary side. When looking at dissimilar observations of death it can be seen how private and special it is; it is also understood that death is inevitable so coping with it can be taken in different ways. Emily Dickinson’s poems “Because I Could Not Stop for Death” and “I Heard A Fly Buzz When I Died” show both

The poems "Do not go gentle into that good night" and "Death Be Not Proud" both deal with the subject of death. These poems seem to have contradictory messages about death, yet at the same time have similar attitudes toward it. "Death Be Not Proud" talks about how death really has no power over people, while "Do not go gentle into that good night" says that it is part of human nature to fight against death.

For Dickinson, sight is the most valuable sense that allowed her to see the world and act based upon whatever situations were thrown at her. In her poems, it seems that “darkness” would be a metaphor for the uncertainty, subsequently allowing “sight” to be a metaphor for how we tend to react to this uncertainty. Her two poems, “We grow accustomed to the Dark” and “Before I got my eye put out” seem to share the same representation and message that sight isn’t only a physical sense, but more importantly it’s the way our minds can adjust to see problematic situations with a different outlook.

As Engle notes, “In the true way of a warrior, the speaker, in stanza 2, looks her own death in the eye and thereby not only escapes its hold over her, but also achieves that “edge” or tension in perspective essential to living one’s life fully and in the moment. Her attention is squarely upon “Him,” as they ride together in his carriage, and she exhibits no fear.” Whether you believe that the speaker is dead at the end of the poem, or that she has escaped the clutches of Death, this is an important element of this deeply layered poem. I believe that Engle downplays this and writes it off as the speaker being a “friend of death.” I find the speaker to be very anxious and perhaps even very afraid of her demise. Perhaps she hasn’t accomplished all she wanted to do in her

In “Because I could not stop for Death” by Emily Dickinson, Dickinson personifies something I never thought could be personified: death. In the poem, death is a “he” who is on a carriage ride with the narrator to the narrator's death. In lines one and two, Dickinson writes, “Because I could not stop for Death-- He kindly waited for me.” This is personification because death cannot literally stop to wait for someone. Here, death is not associated with its usual connotations such as fear, but with peace and kindness, which is ironic. In line three, the poem reads, “The Carriage held but just Ourselves-- And Immortality.” In this line, immortality is also included in the carriage ride, contrasting death. This is personification because immortality

"Death, Be Not Proud" has an unusual theme compared to other poems about death. This poem talks about God rendering death's power useless. It speaks about death positively, instead of a gateway to Hell, it is instead a path to Heaven. At the beginning, it seems this poem is a letter taunting death, saying that one day, death will be no more. It compares death to sleep, saying that eventually, people will awaken for eternity. This poem has a great way of intertwining death and Christianity together in a motivational letter.

The Poem begins with a personification of death as "kindly" (3). By doing this, the speaker introduces a portrayal on death that might have conflictions. Most of the times, death has a negative connotation. Whether it is an inevitable or tragic view, it opposes to what is seen in the poem. The speaker accepts death as a friendly invitation when the time is right, rather than something that is bound to happen. The speaker then joins immortality, personified as a passenger in a carriage. Immortality simply cannot be a passenger as it is a non-living thing. The reasoning for this could be that immortality ties together the link between the speaker and death, ultimately introducing the voyage to come. The first stanza sets a precedent of a meter to follow throughout most of the poem. The first line contains eight

“Death be not proud” by John Donne personifies death, as its title aptly prescribes. Giving death human traits allows the writer to blast him with colorful images full of sarcasm and a tone of defiance. The ultimate message of the author provokes the human soul to resist the fear of death.

She sees death as not an ending but a new beginning. Life should “Say not Good night, but in some brighter clime// Bid [ ] Good morning.” Although it is not clear what she believes will follow death, something must follow it since life must greet her once again. The inability to say good night shows that the speaker does not see finality in death, only a fresh start which resembles a new day or chapter. This faith in the fact that death cannot truly be the end reveals a deeper feeling of fear, one that the speaker is scared to admit to. The insistence that there is not an end shows that she sees finality as unthinkable. She may even believe in reincarnation as she asks if after some time, life will “break [its] trance and reassume [its] power?” This once again reveals that the speaker must feel as if there must be something succeeds death. By stating this as a question, she seeks reassurance that there truly is no true end. In the poem she is addressing life, so when she asks if it will come to power again, she is really asking if there is life again after death, perhaps in the form of an afterlife or new life. The speaker then asks life to “ say what art thou, when no more thou ’rt thee?” She is asking what life will be when it is no longer able to be called life. The absence of life refers to death, so she is wondering what death consists of. Death, unlike

However, in contrast to Emily’s poem, the speaker undervalues death’s supremacy as its power is actually not in its own control. It is a contradictory to Emily’s poem. In line 9 "Thou’art slave to fate, chance, kings, and desperate men" indicates death as a slave as it does what has been ordered from the superior ones. Death takes human’s life not because he is willing to do so but because he is forced to do so. In line 10-11, “And dost with poison, war and sickness… can make us sleep as well” the speaker associates death with poison, war and sickness as death is not the only factor of human’s deceases which then the speaker posts rhetorical question for death to stop being proud. Also, the usage of rhetorical questions like in line 2 “For thou art not so” makes death fragile. Further, the last line in this poem “And death shall be no more; Death, thou shalt die” points out that at the end, the only one who dies is death itself which will be discussed in the element of Christian theology in this essay. The ending also eventually argues that death is weak and vulnerable, not in control and that is the reason why human should not fear death. All the arguments made by the speaker in this poem creates death less powerful and less control of itself which illustrates a condescending tone to elucidate death’s incapability to kill.

Poems are like snowflakes. While no two are the same, they all have common structures and themes. One prevalent theme in poetry is that of death, which is present in both “Because I Could Not Stop for Death” by Emily Dickinson and “Stopping by Woods on a Snowy Evening” by Robert Frost. Dickinson perceives death as a gentleman, while Frost perceives death as loneliness, which provides insight on how the time periods of the poems, the genders of the authors, and the authors’ personal experiences influence literature.

Is death a slave to fate or is it a dreaded reality? People differ on the opinion of death, some people view death as a new beginning which should not be feared, while many people perceive death as an atrocious monster. Death be not proud, by John Donne is a poem that challenges death and the idea of its ferocity. Donne’s work is greatly influenced by the death of his countless family members, friends and spouse. Donne was not only a poet, but he was also a priest in the Church of England, so his interest in religion and his belief in eternal life after death, also contributed greatly to his work. The poem Death be not proud, is a metaphysical poem about death, in which John Donne undermines, ridicules, and determines the meaning of death, according to his perspective.

The central theme, introduced quite early within the poem, is the helplessness of death. Throughout the poem the speaker belittles death and approaches it with such bravery and poise. Donne confronts death by saying it is not in any regard “mighty and dreadful” (2), but rather brings “much pleasure” (7). Death is personified in the poem, and in this regard, possess no greater power over man. The speaker of the poem is Donne himself. He uses his literary tools of rhetoric and poetic devices to belittle death. Throughout the poem, the speaker comes across as being slightly arrogant, but he refuses to show weakness. His arrogance shows that he is not afraid of death as he demands death not to be proud. Donne takes the association of death and sleep, and reinvents this comparison to a greater effect. He describes sleep as being “pictures” (5) of death and death is no more different or more frightening. He extends this metaphor throughout the poem. In the second last line of the poem he