Bedroom Observation

Several of the tree branches are curved at one point or another, but some in the foreground are straight. Each branch is a different width and texture in this work of art, even if just a slight difference. The branch in the foreground is the largest and most detailed, while the ones in the background are less detailed. The artist did include knots on the tree trunks and knobs on the tree branches to add to the detail. Also, there is the metal fence in the background, that creates a line across the horizon. The fence has both horizontal and vertical lines on it to form the pattern of the fence. There are more vertical lines in the foreground, but the boldness of the curved tree branch causes it to be dominant. There is a cool color scheme present in this photo with the use of greens and yellows that fade into a red color at the very top of the

Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.

The texture of the canvas works very well with the subject matter portrayed in the painting. The grassy hill side and the leaves of the trees are especially complimented by the canvas. It makes the leaves feel like they are slightly moving, this combined with the lack of detail itself the leaves. This is contrasted nicely with the very detailed renderings of the trunks and branches of the trees, the

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

This art design was created by a man named, George Inness. He is an American artist and this just so happens to be one of his well-known paintings. Inness’s is known for landscape painting. His education is in “National Academy Museum and School”. The painting of his artwork, “The Lackawanna Valley” is a 2D piece of art; it shows very interesting elements. Two important elements that stick out are value and lines. You can tell from the background of the picture how the mountains are very light because it’s something that’s supposed to be seen from very far away and once you get closer to the actual flat land the color starts to darken and appear more clear. He used a lot of organic and irregular lines to demonstrate the trails. The colors shown

I see a cityscape in the middle ground with rolling hills, trees and multiple buildings. In the foreground is a large dark foreboding cypress tree. The night sky takes up the majority of the painting as the background, with the starry sky lit with a crescent moon. This use of three continuous layers within his paintings almost allows the paintings themselves to become something that is moving all at once. As the sky seems to be swirling and twirling within both paintings, I can almost get a feeling of a cool breeze as the rolling hills merge directly with the starts of the skies.

He is walking towards the right with a stick in his hand and a bag tied at the top of the stick. He is the largest object in this art piece, therefore he is the most important. The sky is blue with a little brown color making it seem like the sun is setting or has set. Behind the man, there are mountains colors of purple-gray and orange. Growing below the mountains is greenish brown grass. In front of the mountains, there is what looks like a stream or a river that is blue with waves. Light uses black lines to show that there are trees, mountains, and river. Also, he uses black to outline the shirt, hat, and

My heart drops into my stomach. I am plunging into the dark abyss below not knowing what waits for me at the bottom. I look up at the roof of the rusty old elevator to see the last rays of sunlight disappearing above me. I, along with eleven other people, am packed into the tight space like sardines in a can. As I plummet I can feel the hot summer air becoming more and more frigid, yet the heat of bodies surrounding me warms my skin. Clicking and whirring of the machine is all I hear yet it is almost deafening. The elevator comes to a sudden stop as my body lurches forward. While regaining my balance light once again appears. Large stadium lights are fighting to supply this massive cave with light. I step out into the large dome shaped cavern

These lines are smooth and flowing through out the painting creating movement. The color is shown in this painting as an analogous color scheme of blues, greens, and yellow tones. These colors represent the land very well and do not need any other colors to bring out the subject matter of the landscape.

The afternoon of March 20, 2016 at 1 pm I sat in the classroom 303 of Brewster B Wing awaiting Dr. Powers to begin her instruction on what would be happening in the Community Lab. We viewed a video that reiterated information that was addressed in the interviewer-training manual, Dr. Powers answered any questions that we had, and then we proceeded to the research lab.

First painting that I choses called NATURE WALK by Tim Ames from New York. Ames is late blooming landscape painter; he starts painting in his 50s. He really enjoys painting because “I soon discovered that while painting, I became so immersed in the process that all else was erased from my mind.” So he forgets all his problems while painting and focus on what his doing at the moment. He never went to art school and never been thought by anyone before. He starts to teach himself how to paint by reading books of famous painters. He began with oils, but was soon drawn to the fast drying acrylics, which seemed a better fit to his style of painting. John Singer Sargent, Joquin Sorolla and of modern masters Richard Schmid and Scott Burdick are the people who he got spired by. He is the co-founder and serve as President/ Business Manager of an Artist Coop, Lakeside Artisans ' LLC, which opened in March of 2011. He helps other artist to sell their art works in this place. I think most of his works are realistic and close to real landscape. Name of this painting was the reason that I chose it. It called nature walk and when you look close to the right side of the painting there is wiggle. At first I thought it’s a road or something but when I looked closer it sapped like a snake. It’s like the nature is crawling and try to move away. It also has two side on it as well. if you look at the trees on the left side you would see that they don’t have any leafs but on the other side, there

According to an article some teacher if enough room gives a student two desk on opposites side of the room or allows breaks to walk to the water fountain and back. "Whether or not you agree with this particular strategy, what makes it interesting is that the teacher has attempted to take behavior that is usually disruptive getting out of his desk frequently and turn it into appropriate behavior moving toward his “other desk”(CH.A.D.D.). By doing this it gives the option of moving around in a nondistracting way. it can be known that "teachers can be instructed to seat a student with ADHD at the front of the class, near the teacher so she can keep an eye on him (CH.A.D.D.)." The problem with this strategy is that with the younger students they

The smell seemed out of place in the bedroom, it smelled like fresh paint and smoke but we weren’t near either. Then it hit me. The painting of my house back home that hung on the wall, just down the hallway. The only painting in the entire house was the one on that wall, with its pale exterior topped with the sky-colored blue roof, my mother’s chair on the patio, and my purple bike leaning against the side.

What I initially noticed when looking at the landscape painting Mountains of Collioure(1908), by Andre Derain was that the brushstroke is like of the impressionists, in which the strokes are short and thin, as well as seldom use of the color black. It is also highly contrasted in color, with many hues of various colors. I also notice that if it were painted by a kid it makes sense that the painting's colors would not match the natural colors of the actual subject matter within the painting. The mountains are off colored from the natural color using different tones and shades of orange and blue, while the trees are somewhat natural, with the use of darkened orange, and intermediate hues such as blue green,yellow green, and others. Also notice

The impression that I got from this painting is beauty of the simplicity. Compare to previous and later Chinese landscape painting, Zhao’s simple brushwork makes me to approach easily and appreciate the overall painting. Also, not just drawing the overall mountain included by numerous trees, I like how Zhao described each tree’s feature like its leaves, brunches or color. Zhao painted the mountain with color blue instead of green and I think this is creative and beautiful at the same time. He had an innovative choice which makes him more special.