Beethoven Informative Speech Outline

When we talk about Beethoven people often recall him as one that was great. When you think of Beethoven you can consider him a transitional composer and that is mainly because he is the crucial transitional figure linking the Classical and Romantic eras of musical history. Beethoven's innovation was the ability to briskly establish imperishability in bringing together different keys and unexpected notes to join them. Beethoven's music was correspondent to the agreement of the music in literature. Most of his music focused on life drama of one or more individuals through hard life circumstances. Beethoven’s role as a transitional composer between the classical and romantic periods took

Ever since his father began teaching him as a child to play the violin and clavier, any keyboard instrument such as the harpsichord, Ludwig van Beethoven has been amongst the most renowned and influential composers of music. Despite the harsh punishments and mistreatment Beethoven suffered through while practicing with his father, he still managed to become a “prodigy” at a rather young age, having his first public recital at around seven years old. After his first recital role music played in his continued to grow, and soon after dropping out of school to pursue music “full time” he published his first composition.

Only a few composers in the history of time have ever successfully left their mark throughout our musical world we live in today. It’s been over two hundred years since the birth of Beethoven and his music still speaks to us today as he originally expressed and composed it. Ludwig Van Beethoven was born in the city of Bonn Germany on December 16th 1770 and has since been one of the most influential composers known to man. A common theme of early age learning and mastering seems to emerge in Beethoven’s life because while living in a musical family as a child, his father taught him how to play the piano, violin and in addition how to compose musical pieces since he was four years of age. A few short years later, he gave his first public piano performance at the age of seven. While Beethoven certainly gained a lot of knowledge from his peers, he also supported his family by giving music lessons and also by playing in the court orchestra. In the year 1792, Beethoven worked under an Austrian composer Franz Joseph Haydn and by the year 1800, his compositions established him as a strong Mozart successor.

We see the events in his life that made him into the person he became. Negatives in the book were that Morris gives too much detail at times regarding the specifics of Beethoven’s works. This may be due to the fact that Morris himself has a background in music. While Morris and musicians may understand the musical vocabulary used in the book, from a reader’s perspective with limited musical knowledge, this could be difficult to read. Some may feel that Morris could have conveyed his message without the rigorous descriptions that at times were

“Beethoven said that it’s better to hit the wrong note confidentially than hit the right note unconfidently. Never be afraid to be wrong or to embarrass yourself; we are all students in this life, and there is always something more to learn.” – Mike Norton. This quote by Mike Norton hits spot on Beethoven’s character and his person in general. Unlike other musicians of his time, Beethoven had several unique characteristics about his compositions. In his time, he was called a revolutionary. In his later years, Beethoven became deaf and could not always verbally show his emotion, he portrayed his feelings in his music. Although considering the matters of religion and thoroughbass cut and dry, his study of aesthetics was something that he could create something of his own. Throughout several of his Sonata’s and compositions, he holds a darker style of music that shocked and disturbed rather than calmed like the traditional music in the 18th century. Much like his appearance, his contemporaries perceived his compositions as wild, bizarre and crazy. The pieces were more complicated than pieces that were being written in that time period, and Beethoven claimed he was writing them for the future. In one of his final pieces, Piano Sonata, Op. 111, he “shows his radical approach to form and his revolutionary brilliance stands out in every movement of his five Late Quartets, simply the greatest body of music ever composed” (Woods). He went against the grain of the musical society in

Beethoven contributed one of the most significant musical developments through his fifth and ninth symphonies. He used a musical motive as the basic of his entire piece. (Beethoven described the motive as “Fate knocks at the door”.) It was the first time in history that anyone had done such a thing for a multi-movement piece. Beethoven’s contribution has become a norm in the music world, even to this day.

Born on December 17, 1770, Beethoven was a child Maria Magdalena Keverich and Johann Van Beethoven, where he was born and raised in Bonn, Germany. At quite a young age, Beethoven began exhibiting impressive musical talents. Following, Beethoven’s father became his initial musical instructor, however his methods of teaching were certainly questionable. Johann was brute, it was accounted for by neighbors that they witnessed a small child weeping playing the clavier while standing atop a footstool to reach the keys. His father shadowed him and punished him for every mistake; he also overworked and deprived him of sleep. With his father, Beethoven studied the clavier as well as the violin. He also received additional lessons from organists in the city he resided in, adding to his workload. Hoping for his son to be recognized as a musical prodigy, Beethoven’s first recital was held on March 26, 1778 when he was seven years old. Unfortunately, the performance was not a success, not in the way his father had hoped, Beethoven’s talents where indeed portrayed, however it did not receive the type of recognition that Johann had hoped for as there was no press or publicity. Meanwhile, average was a fitting word to describe Beethoven’s studies, music came more naturally to him than anything else. Therefore, he withdrew from school at the age of ten and committed his life to music. Following, he began to study music with the newly appointed court organist who went by the name of Christian

Ludwig van Beethoven can still be considered a household name, even though Classical, or more accurately Romantic, music is no longer popular. According to Budden, Beethoven has been regarded as one of the greatest composers who ever lived, a statement that many others would agree with. A fountainhead of Romantic music and a man of great musical innovation, Beethoven was truly a talented composer. Beethoven’s music evolved into his own style over the course of his life leaving a great impact on history, despite the loss of his hearing.

Ludwig Beethoven was not only one of the greatest composer & musician ever born- he is a wonderful study tool for me during exam week. My faithful study partner was born in a small town, Bonn, Germany on December 16, 1770 to a family of professional musicians. Beethoven learned violin and some other instruments from his father. His father wanted him to be perfect in music, and in that endeavor he violently scolded Beethoven whenever he made any kind of mistake during practice. Even, according to one story, due to the punishments given by his father, Beethoven suffered from hearing problems in future, which basically ruined his life. (NP)

Rather, Beethoven’s legacy is that of a performer, a poet, an icon of his time and a precursor of the future. In this essay, I will discuss the aspects of Beethoven that most strongly compel the study of his

Although there have been many famous composers over the years, probably none are as well-known as Ludwig van Beethoven. Regardless of one’s particular preference of musical style, almost everyone can quickly recognize Fur Elise, Moonlight Sonata, Ode to Joy, or Symphony 5. Beethoven “was born during the age of the Enlightenment, came to maturity during a period of political and social revolutions, and died as the Romantic era was in full flower” (Benton & DiYanni, 443). He was “regarded as the bridge figure to the Romantic period” (Chiego, 307).

The famed American pianist and composer Les Baxter once said, “Any good music must be an innovation.” Indeed, the works of Beethoven and the successors that he influenced have lived on because they possess a certain quality of enduring musical entrepreneurship. As Beethoven straddled the line between the Classical and Romantic period, he himself acted as both a messenger and a craftsman: translating the techniques of the Classical era to the early Romantic period, only to then transform these techniques into masterpieces that were considered to be radically

Ludwig Van Beethoven was one of the most influential composers of his time. The decades around the 1800’s were years of many changes and Beethoven’s new approach to music was something that reflected that. “His symphonies, concertos, string quartets and piano sonatas are central to the repertory of classical music.” This essay will focus on the historical and theoretical aspects of the third movement of Sonata Op. 28 No. 15.

The early piano sonatas of Beethoven deserve special mention. Although his first published examples of concertos and trios and the first two symphonies are beneath the masterpieces of Mozart and Haydn, the piano sonatas bear an unmistakably Beethovian stamp: grandiose in scope and length, and innovative in their range of expression. The sonatas were able to move expression from terrible rage to peals of laughter to deep depression so suddenly. Capturing this unpredictable style in his music, a new freedom of expression which broke the bounds of Classical ideals, was to position Beethoven as a disturbed man in the minds of some of his contemporaries. Furthermore, he was to be seen as the father of Romanticism and the single most important innovator of music in the minds of those after him. (Bookspan 27).

In my first week of Beethoven and Revolutions, I have learned more about Beethoven than ever before. Before this class, I knew Beethoven was important, but I never really appreciated it. On the first day of class we watched a clip from the King’s Speech, and I believe it changed how I felt about Beethoven. I had not realized how powerful his music could be in the right sequence. Being in band for seven years, they never showed us anything that would excite us about Beethoven, it was the usual background information.