Music, Violence, and Identity in Anthony Burgess’ A Clockwork Orange Linking the fundamental conflict between individual identity and societal identity with musical imagery in Anthony Burgess’ A Clockwork Orange creates a lens through which one can recognize the tendency that violence has to destroy an individual’s identity. Although Alex clearly associates violence with his own individual identity and sense of self, he consistently reveals the impossibility of remaining an individual in…

In A Clockwork Orange by Anthony Burgess, Alex, the protagonist is a fifteen-year-old boy who commits ultra-violent acts out of pure pleasure. The allegory present throughout the novel shows that Alex is ruthless and does not feel pain when experiencing the deaths of others. Throughout the journey of a small portion of Alex’s life, vivid representations of settings are used to portray the dark deeds done by Alex and his friends. Burgess also uses distinct dialect to individualize Alex and his friends…

Anthony Burgess’s A Clockwork Orange has long been regarded as one of the most difficult books to read, both due to its heavy use of made-up slang, and the overtly violent nature of the main character, Alex. When Stanley Kubrick’s version was produced in 1971, the movie earned an R or NC-17 rating, due to the sheer amount of violence. The subject matter of the movie was violence at it’s very nature. However, upon closer examination, there are many references to religion, Christianity in particular…

The grace of evil in A Clockwork Orange is a recurring paradox throughout the novel and also implies a deep religious connotation. The main foci are the several aspects of evil, violence, and sexual acts committed by Alex and his gang members. However, Anthony Burgess has cleverly incorporated similar paradoxes to that of grace and evil, along with a different dialect to aid in masking the true harshness that lies underneath the violence. The other paradoxes include the extremes of night…

A Clockwork Orange Authors who write of other times and places help us to better understand our own lives. Discuss A Clockwork Orange in terms of that statement. A “clockwork orange” can be described as something that has a convincing outer appearance yet in the inside is merely controlled by outer influences, such as a clock set in motion by its owner. In A Clockwork Orange, Anthony Burgess takes us into the future where violent criminals are forced to be “good,” and introduces us to Alex…

growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my sword-pen,” Anthony Burgess in his novel ‘A Clockwork Orange’, which happens to be a scathing critique of totalitarian government, through the character of F. Alexander. Burgess is attempting to criticize the type of governments that try to limit the freedom of an individual through science and technology…

about it. Anthony Burgess created this world through his novel, A Clockwork Orange. Anthony Burgess was born in 1917 and died in 1963. A lot of social changes occurred during this period of time, such as: the roaring twenties, prohibition, the Great Depression, World War II, the fall of the Berlin Wall, and many more. Burgess not only lived through those changes, but also helped influences some social changes in literature and music. Anthony Burgess was a jack-of-all-trades throughout his 76-year-old…

Analysis of Kubrick's A Clockwork Orange Stanley Kubrick's 1971 film production of the Anthony Burgess novel, A Clockwork Orange, is a truly unforgettable film. It is narrated by one of the most vicious characters ever put on screen, Alex DeLarge. The promotional poster for the film advertised it as "The adventures of a young man whose principle interests are rape, ultra-violence, and Beethoven" (Dirks 1). Needless to say, music plays a very important role in A Clockwork Orange. The expressive…

The use of music as a motif in (Stanley Kubrick, A Clockwork Orange 1962)] creates a lens so that the viewer is able to recognize the trend that violence has to destroy an individual’s identity. Although Alex (Malcolm McDowell) clearly associates violence with his own individual identity and sense of self, he consistently reveals the impossibility of remaining an individual in the face of group-oriented violence. The images that music create coincide the destruction of Alex’s identity, either through…

Anthony Burgess ' A Clockwork Orange is a dystopian novel set in an oppressive, futuristic state. Published in 1962, A Clockwork Orange is an extremely intense, graphic, and, at times, horrifying novel. A reader begins to question their own values as they become numb and desensitized to the violence at hand. Both behaviorism and free will is occurring throughout A Clockwork Orange. A Clockwork Orange brings up a question, how much control of our own free will do we actually have? Do we really…