Beezley Secondary Source Summary

Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.

Miguel Leon-Portilla author of Broken Spears- The Aztec Account of the Conquest of Mexico, tells the story of the Spanish conquest over the Aztecs from the Aztec point of view. It is more familiar in history that the Spanish led by Hernan Cortez defeated the Aztecs with a powerful army and established an easy victory all while having intentions to gain power and greed. However, Leon-Portilla focuses on the Aztec Empire and their story. Leon-Portilla does a great job giving readers the real occurrences and events from Aztec members. This paper argues that history must be told from all sides. It is more common to hear about the Spanish conquest

Judas at the Jockey Club written by William H. Beezley provides an accurate description of a struggling and developing Mexico while during the rule of president Porfirio Diaz up until 1910. Being divided into three sections such as Sport & Recreation (elite class), Rocks & Rawhide in Rural Society (lower class) and the title itself Judas at the Jockey Club. Beezley covers the changing class of Mexico through the view of sports and leisure activities. I believe Porfirio Diaz allowed the social tensions to occur causing Mexicans to separate from unity even though destruction and chaos reigned much of Mexico before him. During the presidency of Porfirio Diaz its often remembered as a period of oppression and social degradation of freedoms in Mexico. Diaz has also been associated with the general decline of quality of life of an average Mexican and the decline of social welfare institutions. Diaz was a liberal whose sole goal was to modernize Mexico and put a stop to any ethnic uncivilized actions. Mexico during that time was in a crossroads of two very different cultures: the industrial and the traditional.

It is crucial to focus on translators when it comes to understanding the conquest of Mexico. It shows how

Leon-Portilla based the stories told in this book upon old writings of actual Aztec people who survived the Spanish massacres. The actual authors of the stories told in this book are priests, wise men and regular people who survived the killings. These stories represent the more realistic view of what really happened during the Spanish conquest. Most of the history about the Aztec Empire was based on Spanish accounts of events, but Leon-Portilla used writings from actual survivors to illustrate the true history from the Indians’ point of view.

This particular story is like a complementary to the note lectures about the Aztecs. Also, this lecture help to understand

Rain of Gold, is a true story about the history of Mexican people, their culture, traditions and customs that were passed down from the Euro-Indian heritage of Mexico. Rain of Gold was written by Juan Villasenor in search for his ancestral roots. The people of this story are real and not fiction. The places that are discussed are true. And the incidents did actually happen to his family. There are several underlying themes that need addressing. Such as: the importance of family, the importance of religion and spiritualism, woman as center of home and family, respect--protection of woman's virtue; ideal of women as pure, power of the woman--the mother, being a man-man as protector of the family, pride of man to be a

The Underdogs by Mariano Azuela is arguably the most important novel of the Mexican Revolution because of how it profoundly captures the atmosphere and intricacies of the occasion. Although the immediate subject of the novel is Demetrio Macias - a peasant supporter of the Mexican Revolution -, one of its extensive themes is the ambivalence surrounding the revolution in reality as seen from a broader perspective. Although often poetically revered as a ‘beautiful’ revolution, scenes throughout the novel paint the lack of overall benevolence even among the protagonist revolutionaries during the tumultuous days of the revolution. This paper will analyze certain brash characteristics of the venerated revolution as represented by Azuela’s

Any student of history has come to recognize the fact that history is written by the victor and in lieu of this, research becomes essential to uncover where the truth lies. The True History of the Conquest of New Spain, so ironically named, is a personal account for historical events leading up to the conquest of New Spain, formerly known as the City of Mexico. The author, Bernal Diaz, was a soldier of the conquering army who composed the document well after the events took place sometime between 1552 and 1557. Though the document did provide insight in regards to the victor’s perspective, it also served as a tool to rewrite the account of the conquered people.

Villa’s exploits on and off the battlefield have broadened into legends that remain an integral part of Mexican history and folklore, especially as a champion of the poor and landless. (Johnson)

This document gives evidence to readers that the natives were being sent “to the mines to dig gold… and to the big ranches” by describing their working conditions (Las Casas). Las Casas hoped to make a difference in the way the natives were being treated by influencing the king of Spain to pass new reform laws, the New Laws of 1542 (Newman and Schmalbach 11). A painting, dating between 1500 and 1600, shows natives working in a Spanish mine and washing gold which supports the claims made by Las Casas. The purpose of painting this picture was

Where as Mexico and Mexicans are described in another light with references to a holocaust and “violent and traumatic.” Spaniards were “brutal and callous,” and Spanish law a “chaotic jumble” (7, 10, 13).

Diaz used this philosophy to make reasons for his policies. Diaz kept his old slogan "liberty, order, progress", but, the word liberty was removed from the slogan. Another slogan "few politics, much administration” also became common and popular. Foreign firms began to invest in Mexico because it became more structurally and economically stable. These investments gave Diaz the money he needed to construct highways, railroads, telegraph lines, and new industries. The city of Veracruz used the money to create oil fields, and elsewhere the mining industry was brought back. Mexico, fifty years before was seen as a third-world nation, became the standard for developing countries because of its high tech industry and technology. Although these were all big steps for Mexico's economy, in the end it was responsible for the bringing down of Diaz. (Encarta 98, www.eh.net.htm)

Porfirio Diaz was the president of Mexico when the Revolution broke out. He was elected in 1877, and although he swore to step down in 1880, he continued to be reelected until 1910. He claimed that he was justified in this because he brought stability to Mexico. However, this was hardly the case. Diaz's regime aimed to industrialize Mexico, and foreign investors such as the United States and Britain

In the film created by Salvador Carrasco, he tells us the story of the oppressed Aztecs by the Spanish conquistadors. The film leads to a social and religious understanding by two of the main characters Topiltzin (a native Aztec) and Fray Diego, (a friar in Catholicism). Together, both characters form a bond and that lets for the two different cultures to get together for the viewers to understand that these cultures are more in tune than what they seem. Carrasco, divides his movie into two parts, setting the tone for the mirroring of scenes, duality, and parallelism that takes place during the course of the movie. The director intends for his viewers to draw important connections from these elements that bring them to a greater understanding of social culture, religion, and faith. In one of the final scenes leading up the end of the movie, Fray Diego confronts Topiltzin at the church. At this point that the viewer sees a behavior change in Fray Diego's eyes. Fray Diego knows Topiltzin's feelings toward religion, indicating the large strides that he has made over the years in