Behind the walls of the Ghetto Essay

The film Boyz ‘n the Hood, directed by John Singleton is more than just a Hollywood blockbuster. The film incorporates numerous criminological theories and also demonstrates the concepts of conformity and deviance. This paper will analyze the characters of Tre, Ricky, Doughboy, Furious and other friends and family and show how criminological theories and the concepts of conformity and deviance play a part in their lives.

“Boyz n the hood” takes place in South Central Los Angeles in 1984. The main actors in the movie are Cuba Gooding Jr as Tre, Morris Chestnut as Ricky, and Ice Cube as Doughboy. In the beginning of the movie it says, “One out of twenty-one Black American males will be murdered in their lifetime” followed by “Most will die at the hands of another black male”. Later it shows the main characters in the movie Tre, Ricky and Doughboy as kids each of them having plans in life. Ricky’s dream is to become a football player and Tre going to college and doughboy still not deciding what he wants to do in life.

In the movie “Boyz in the Hood” director John Singleton, paints a clear image of the problems that happen very often in the African American communities. The movie deals with issues such as: the importance of a father in a young man’s life, the ongoing violence of black on black crime, and how black people are put in situations where they are put to fail and not succeed in life.

Throughout the 1992 film, “Boyz in the Hood,” John Singleton takes a closer look at urban black America in South Central Los Angeles. Doughboy, Ricky and Trey, along with their parents are chronicled from childhood to adulthood. Each person, though living in the same neighborhood chooses different paths in life. These characters were raised in a very deviant community, however there were many causes as to why they did not all become deviant. Deviance is defined as behavior that goes against what is socially acceptable. It is when a person disregards what is normal in a specific society and acts upon it. Throughout the movie these characters had many chances to engage in deviant behavior, as some did while

In "Fortress LA", Mike Davis discusses society's fixation with 'security', whether it's the rich neighbourhood with guarded walls, surveillance and private police or poor neighbourhood with patrols of "'Berlin Wall' quality" (Davis, 248) This "obsession" (Davis, 223)with security and social boundary is embodied, reflected and proliferated through architecture in post-liberal LA characterized by fortress-like exterior. The ability to 'afford' security eventually became a sign of wealth, privatized security service . In the text, Davis introduces LA as a Fortress city that segregates the rich and the poor, "we live in 'fortress cities' brutally divided between 'fortified cells' of affluent society and 'places of terror' where the police battles

Alex Kotlowitz’s There Are No Children Here is a documentary exploring life in inner-city Chicago during the late 1980’s. The book follows the lives of two African American youth, Lafeyette and Pharoah Rivers, who live in Chicago’s Horner Homes over the course of two years. It tells of a lifestyle that is a reality for many Americans and forces the reader to acknowledge a broken system that so many turn a blind eye toward. Kotlowitz does not sugarcoat the struggles and hardships that the citizens of the inner-city face every single day. The Rivers’ boys, like all the children of inner-cities, experience situations and know of unimaginable horrors that rob them of their innocence and childhoods. Lafeyette and Pharoah have to face and overcome many forces that can change their lives for the worst, such as: gangs and drugs, the social system, the Chicago Housing Authority, and the battle within them to give into the worst of society. Sociological concepts, including: racism, strain theory, and social stratification can explain some of the exploitation of Lafeyette and Pharoah.

In the 1991 drama “Boyz in the Hood”, Written and Directed by John Singleton. He successfully attempts to portray what life was like and in some areas in America still is for African Americans living in a rough Los Angeles neighborhood. It displays a portrait of the harsh realities that plagues the black community and by displaying uninviting living conditions that is South Central L.A, Singleton aims to share to the world the self-destructive deviant behavior that is to this day, destroying the African American community. Some of the self-destructive deviant behaviors include gang life, selling drugs, and gun violence. Various issues are displayed in this movie involving the black community including deviance, poverty, gentrification, the importance of a father in a young man’s life and black on black crime. Singleton displays a tale of three friends growing up in the “hood”, plagued by drugs and violence and layers textures over rough and compelling visuals of black culture that shows us what it means to come to maturity, or die trying, as a black male. In this essay, I will be giving a thorough analysis of the film, as well as covering certain points from the movie from a sociological perspective to explain why singleton chose to write this film.

The decade of hip-hop is what some may call it. Tupac, Naz, Biggie Smalls, as well as other artists, were major contributions. Not only for the people who are trying to find their footing, but Buck as well. Throughout the book various lyrics were embedded in order to create a better understanding for its readers. In addition, this book is based upon a 90s lifestyle within Philadelphia, which included drugs, gang activity, crime, hip-hop, and havoc. Malo was directly in the center of everything, the girls, the fights, the guns. His experiences shed light towards what it’s like to as an African American individual living in or near the hood. Not everyone realizes what people go through while living there, but now it gives some readers an image of what goes on. Though times have changed, not all previous feelings

Discusses how race is a conceptualized concept most often through stereotypes of different groups with the presence of a systematic structure of racism where the dominant group has placed themselves as superior and all other groups are deemed inferior. This structure often produces a negative impact on same race relations. Identity, according to this theory is created due to psychological enforcement of repeated racial oppression. The movie “Boyz N’ The Hood” demonstrates the effect of this enforced systematic structure and its negative impact on same race relations which lead to the ultimate death of some of the characters in this film (Singleton,1991). The movie takes place in impoverished South Central Los Angeles and depicts scenes of violence perpetrated by gangs against the main characters of the movie. Janet Helms points out that racial theory consists of four models White Identity, Black Identity, People of Color, and the Racial interaction model. She points out that the more an individual becomes aware of the social constructs of race and the racist system the closer

In “Part Two: The Making of a Ghetto,” Osofsky shifts from a macro-study of Black migration in the United States, to a micro-study of Harlem, a remote neighborhood approximately eight miles from City Hall. He describes how Harlem was once a town sparsely populated by an affluent bunch that wanted to be as far away as possible from downtown. But like most of New York, Harlem’s growth was what Osofsky called “a by-product of the general development of New York City.” He attributes this growth to the annexation of Harlem to New York City and the subsequent developmental projects the city undertook in Harlem, such as filling in marshlands and extending transportation lines to the rural retreat of the aristocrats of New York City.

Overall, BOYZ N THE HOOD AND DO THE RIGHT THING showcase the dysfunction among inner-city blacks during the 1990’s. Both films have something to say about Amercian society, and have a message (or warning) to other black men. Society views young black inner-city men as a lost cause, their only hope for success is to strive for something better. To succeed these men must avoid the temptations of the ‘hood, and get an education and motivate

The movie Boyz N the Hood is an illustration of how a group of early adolescents’ lives was affected negatively due to the environment they lived in. These adolescents lived in an environment where drugs, gangs, and shootings were the center of their community. Living in a predominantly African American community these adolescents were faced with many misfortunes. Ricky one of the adolescent characters I have decided to evaluate for this particular paper was faced with adversity.

However, Wacquant brings the term “inner city” to light, breaking down its meaning: “black and poor.” Living in Chicago gives one an exemplary example of the term “inner city” meaning “poor, black ghettos.” The references to “inner city” schools being synonymous with “poor quality” and “mostly African American” are damaging to urban terminology and creating a predetermined perspective of those who call the “inner city” home. The “hypersegregation” of the city of Chicago is a topic within itself, but the institution of segregation is, without question, existent here. In addition, “inner city” is becoming a label which implies unavoidable incarceration.

Boyz in the Hood is a statement of how urban youth have been passed a legacy of tragic indifference, and the writer has shown that it is an almost inescapable fate for those born into racism and poverty to repeat the patterns they wish to escape. The movie’s characters are clear representations of how the system fails young black youth in the United States, and the difference one mentor can make for these kids. During segregation young black children became targets for white brutality. This movie reflects what the European mentality and what it has done to the African American culture.

Some challenges between anti-social behaviors and geographic are evident in the film Boyz n the Hood. It a 90’s films created by John Singleton, about a boy Tre styles who is sent to live with his father Furious styles in South Central Los Angeles after he got into a fight at school. At his father 's house, he is taught morals and values of being a respected man. On the other hand, his friends Ricky and Doughboy who are half-brothers has a different upbringing with no real support system, resulting in forming a gang, involvement with drugs and a tragic ending. This film is based on the African American experience in terms of environmental conditions which results in a great deal of African American males being pushed into the criminal justice system.