Belief Systems in Macbeth

Throughout life, many of us will find ourselves in some of the worst situations that leave us wondering who’s to blame. The truth is that the misfortunes that befall us are due to our own actions and sometimes due to fate or bad luck. Fate is one person's destiny and it can not be understood by simple mortals but a greater power beyond human comprehension. Fate is so powerful that it can control a person's outcome on life before it happens. Many people tend to become victims of fate in which they catch a glimpse of what their future is going to look like, but do not totally take hold of the outcome. Macbeth can not fully realize the possible outcome of his fate because he is human, and therefore is a victim to his power driven

Macbeth is confused as he is arguing with himself on what he should do. He states reasons not to kill Duncan, because Macbeth is his noble kinsmen and the act would bring dishonor. However, he also states reason why he should kill him, because Macbeth will then become king and fulfill the witches ' fortune. Lady Macbeth, who appears in the beginning as the driving force for the murder of King Duncan, also develops internal conflict. At first, Lady Macbeth seems to be a woman of extreme confidence and will. But, as situations become more and more unstable in the play, guilt develops inside her. For instance, she exclaims; "Wash your hands. Put on your nightgown. / Look not so pale. I tell you again, Banquo 's / Burried; he cannot come out on 's grave" (Shakespeare V, ii, 65-67). Lady Macbeth sleepwalks and frets about her evil wrongdoings because she is extremely guilty of her influence on Macbeth to commit the murder. Lady Macbeth reacts emotionally and dwells on her actions as guilt eats at her soul.

As well as seeing the ghost of his murdered friend Banquo at the diner table, he also develops insomnia, and goes so far on as to suggest that he is jealous of Duncan because he can sleep forever whereas he cannot sleep at all. He also loses his appetite and can no longer eat well; this shows that his insides are turning with the memory that he himself had killed a King who had been so good to him and to Scotland. After getting Banquo killed, Macbeth sees his ghost at the banquet with twelve bloody gashes in his head; this makes Macbeth completely insane in an instant. He is not only scared by seeing the ghost of Banquo, but also by the thought that he had done these horrible things, and that his soul would be haunted by his murdered friends ghost for ever. It is through the main characters of Macbeth and Lady Macbeth that this theme of guilt and conscience is so vividly portrayed.

Macbeth is feeling paranoid after the witches tell a prophecy that Banquo’s son will inherit the throne, after he has passed away. Macbeth wants his descendants to inherit the throne not Banquo’s. So, Macbeth then hires three murderers to kill Banquo. At his dinner, after he is crowned the king, Macbeth sees Banquo’s ghost because of his guilty conscience. Macbeth starts to yell at the ghost saying he can not prove it is him who did it, “Thou canst not say I did it./ Never shake/ Thy gory locks at me” (3.4.61-62) When Macbeth freaks out and has a panic attack at the table, Lady Macbeth covers for him and tells the guests that he acts like this at times. Even though Macbeth hires men to kill Banquo, the blood is still on his hands. It is his idea to kill Banquo, and now he can feel even guiltier about what he has done. Macbeth is going insane feeling all this guilt and it is making him see ghosts. Macbeth is thinking that Banquo would become suspicious of Duncan’s murder. He did not want Banquo getting in his

On the night MACBETH brutally kills the King of Scotland, Banquo fearful of his own 'cursed thoughts' observes that:

William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play.

First off, Macbeth’s ambition leads him to fall into paranoia. It drives him mad, and makes him hallucinate. Macbeth kills so many men seamlessly but after the murder of Banquo he begins to go crazy. “Macbeth does murder sleep…Macbeth shall sleep no more.”(II.II). When he sleeps he sees Banquo and he cannot deal with the guilt. He even began to have visions of Banquo’s ghost “If thou canst nod, speak too. /if charnel-houses and our graves must send/those that we bury back, our monuments/shall be the maws of kites.”(III.IV) Not only does he ask the murderers twice if Banquo is dead but he also becomes paranoid because Fleance got away. In Act 3 scene 4, Macbeth as king holds a feast with all his friends. During this feast he begins to hallucinate, he sees Banquo’s ghost. Lady

In Shakespeare’s Macbeth, the title character Macbeth and his wife are both exceptionally ambitious, often taking rather radical measures to accomplish their goals. While this ruthless drive to power is seemingly prosperous at first, it quickly crumbles to naught as guilt infects their minds with grim consequences to follow. Macbeth transforms from a noble general to a guilt-ridden and despaired murderer, while Lady Macbeth’s usually stoic and masculine persona deteriorates into a pitiful and anxious shell of her former self. The feeling of remorse quickly plagues the two characters and overpowers ambition through manifesting itself through nightmares, ghosts, and paranoia, and ultimately leads to their demise.

Shakespeare’s play ‘Macbeth’ is about the leading male protagonist succumbing to his ambition and need for power. Though Macbeth is liable for his own actions, he is not solely responsible for the events that eventually result in his downfall. Macbeth is corrupted by his wife, Lady Macbeth, as well as the three weird sisters. Macbeth’s contribution towards his downfall is his strong ambitious nature. Lady Macbeth is the person who induces Macbeth to assassinate King Duncan. The three weird sisters (witches) play with Macbeth’s ambitious nature and sense of security. Macbeth’s downfall is due to himself and two external factors.

Lady Macbeth’s strength of will persists through the murder of King Duncan as it is she who tries to calm Macbeth after committing the crime by declaring confidently that, “a little water clears us of this deed,” (2.2.67). Afterward, however, Lady Macbeth’s strong and ambitious character begins to deteriorate into madness. Her first sign of weakness occurred when she confessed that she could not have killed the king, revealing a natural woman’s feelings, “had he not resembled my father as he slept, I had done’t” (2.2.13-14). Just as ambition has affected her before more so then Macbeth before the crime, the guilt plagues her now more effectively afterward as she desperately tried to wash away the invisible blood from her sin, “Here’s the smell of the blood still: all the perfume of Arabia will not sweeten this little hand,” (5.1.48-49). Lady Macbeth’s

When she learns of the predictions of the witches, she immediately goes to work on figuring out how to get her husband into the throne of power. She fears that her husband is too kind and that “impedes thee from the golden round” (1.5.31). She manipulates her power over and tells him that he would not be a man if he did not kill Duncan, "When you durst do it, then you were a man;/and, to be more than what you were, you would/ be so much more the man" (1.7.56-58). Using her power over her husband, Lady Macbeth convinces him to kill King Duncan. However as Macbeth becomes power, and becomes more paranoid he begins to be the mastermind of his fate, as Lady Macbeth had once been. Macbeth plans to kill Banquo and Fleance, without communicating with Lady Macbeth about his plans; when he tells her of his plans, she warns him no to, where he responds she should “be innocent of the knowledge” (3.3.51). Macbeth’s plans were not successful, and Fleance escaped, which causes his “fit again. else been perfect.” (3.4.23) When Lady Macbeth was dominant, Macbeth experiences hallucinations, for instance the floating “dagger of the mind.” However, as Macbeth and Lady Macbeth’s relationship shifts, Lady Macbeth is now experiencing hallucinations of the “damn’d spot,” the blood, which shows her guilt for the feeling of committing murder. Her guilt was so great, that while she was sleep walking, she began to re-enact the

     After the death of Duncan Macbeth begins to work on his own without the help of his wife. He plans the murders of Banquo and the heir to the throne, Banquo’s son Fleance. Although it does not turn out as expected Macbeth remains calm until Banquo’s ghost appears. ‘... and keep the natural ruby of your cheeks, when mine is blanched with fear.’ This was the turning point in the whole story because until this point everything was going great for Macbeth, he had power, fame and fortune, all you could ever want;however, when this ghost appeared Macbeth went on a little insanity trip. He, also like his wife was engulfed with guilt and unable to function properly anymore. This led to another visit with the witches. Showing

Macbeth’s sense of self seems to diminish as he comes to reality with what he has done and who he has hurt. This leads to him to not being able to sleep because he has “murdered and therefore/Cawdor/Shall sleep no more. Macbeth shall sleep no more” (2.2.55-57). By him not sleeping it shows that he is going crazy, and is not ok with what has happened. Losing his sense of self is also slowly killing his mental state. His conscience is guilty which makes him think less of himself. When Banquo’s ghost appears it makes Macbeth feel as if he were dead. Wanting Banquo to “Take any shape but that,” because he wants him to “be alive again/And dare [him] to the desert with thy sword” (3.4.124-126). When Macbeth’s fears are confirmed about the line of kings all in the image of Banquo his future is shaken. Once being trusted friends this also helps to twist his mental state; and not for the good. Also by him not being stable Macbeth starts hallucinating and feels tempted to grasp what he sees and use it. These visions are a

Macbeth's solution of killing his current problem finalizes his actions of immorality as well as his foil found in Banquo. Even after his death, Banquo is able to keep his integrity and use it to punish, or even remind, Macbeth of his moral supremacy. Banquo returns, as a ?horrible shadow,? to haunt Macbeth at a feast and successfully does so to the point of 'unreal mock'ry' (III.iv), certainly driving Macbeth?s darkness into a phase of decay, leading to further irrationality. This continued irrationality is the cause of yet another stockpile of dead bodies, revealing Macbeth?s inability to cope in his dark

So he kills many more people who he believes suspect him of murder. He becomes suspicious and insecure. He is scared of what he has done and fearful of deeds to follow. One of the main pieces of evidence that portrays a breakdown within the person is Macbeth's inability to sleep. This comes forward in Act two Scene 2 "I heard a voice cry `Sleep no more! Macbeth does murder sleep'" (lines 33-34). Sleep was seen as the natural end to the day and it was unnatural to not be able to sleep. Macbeth lost the ability to restore himself within his mind and his body, therefore becoming abnormal. The fact that Banquo's ghost appeared to him at the banquet shows his troubled conscience - his murderous deeds are playing on his mind. The vision of the ghost also represents the fact that after Macbeth killed Banquo, he entered into the world of the supernatural at a level that he had never stooped to before. All the evidence above portrays a steadily growing breakdown within the person - within Macbeth.