Who Is Ben-Hur?

Making a movie to be watch worthy for a good book is almost rare. Nevertheless, it is common to hear those who like reading to pries a movie, which made based on a book that they read. Yet, when it comes to William Shakespeare, it is different because the plies that he wrote are just a ready script for acting. Julius Caesar is one of Shakespeare’s most famous plays because of many reasons and one of them is that the real story was a critical point in history. In fact, the play reflects an actual occasion of Shakespeare’s time and that is one way this great writer express the concerns of the people about the succession, as Professor of English literature at University of St. Thomas, Ann Bradley says. In this essay, I will examine some of the

The purpose of this report is to compare and contrast two movies made about Hamlet. I will present and discuss different aspects of the version directed by Kenneth Branagh to that of Franco Zefirelli. During this paper you will be presented with my opinions in reference to determining which version of Hamlet best reflects the original text by Shakespeare. I will end this paper with my belief and explanation of which movie is true to the original play.

I will be studying the fight scene where Mercutio and Tybalt die, and comparing, the two film versions of the play, I will find differences and similarities as well as describing how each director / producer interprets and makes their version of the film. I will describe how eight different factors are present in each version of the film:

During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that,

David Bordwell wrote his article ‘The Art Cinema as a Mode of Film’ in an effort to convey the main idea that “art cinema” can be considered as a distinct mode of film practice, through its definite historical existence alongside other cinematic modes, set of formal conventions, and implicit viewing procedures. Rather than searching for the source of the art, or what drives the art in film, Bordwell compares art cinema to the classical narrative cinema, and highlights the differences in narrative structure. Bordwell makes the assumption that it defined itself against the classical narrative mode; especially with the way it deals with space, time, and the cause and effect link of events.

The purpose of this essay is to analyse the original drama text with a newer film version, while comparing the

The film ‘O’ directed by Tim Blake Nelson is a recognised contemporary interpretation of Shakespeare’s classic tragedy Othello, which addresses a number of issues that are relevant to a modern day audience compared to that of the past. The director of the film has changed crucial parts of the play which makes the play such a classic, which has essentially ruined the literary value of Othello. This is evident for a number of concepts including, the overt links between the play and film, the power of words and language and Iago and his motives

“Ben Hur: A Tale of the Christ” is centered on a man named Judah Ben Hur. Judah was a prince and merchant in Jerusalem and was accused of a crime that he didn’t commit. Hur had to go through trials and tribulations in order to survive and fight for the ones he loved. This film was intense, historically dramatic, and religious. The director of this film is William Wyler. Wyler centered the movie around a Jewish man, but also on a Christians prospective. Dennis Grunes stated in his article that “William Wyler made some excellent films (These Three, Jezebel, The Letter, The Best Years of Our Lives), but, following the estimable achievement of Friendly Persuasion (1956), which took the top prize at Cannes largely on the strength of blacklisted Michael Wilson’s

Hamlet is a very well-known play across the world. Many students have been required to read the play in school. Although the poem has been read by many students, student usually don’t further their experience with Hamlet by watching the movie. There are many remakes of the play in movie form, new movies have been evolved since the play was originally made. There are movies that follow the play and the time period of the play and then there are newer or more modern versions of the play. The comparison being made in this paper is, the originally play versus the 2009 movie version of Hamlet.

Although this paper uses a mainstream movie, at all times you should use scholarly writing and language throughout the paper.

This paper will take a look into the movie Amadeus, to see if the film accurately

Ben-Hur watches as the Roman army passes through his town and travels by his house. He and his sister watch the guard pass by. His sister slips and knocks over a tile falling on one of the royal guards. The Romans break into the Hur house demanding to know who tried to kill the guard. Ben-Hur tries to explain it was an accident but they won't listen. Ben Hur takes the blame for his sister and is taken in Roman hands.

1. What is the true subject or the theme of the film, and What kind of statement, if any, does the film make about the subject? Which elements and which themes contributed most to addressing the theme of the film?

This is an agreed conception of film and human life, that man is a being with the possibilities of success or failure. We also see that Schatz’s way of thinking is how film and the settings of the culture are with in the film and what drives the film to its climax for the viewer, but at the end it does due what Schatz’s talks about with gangster films.

First I will present a basic breakdown of the movie including: who the characters are, their roles, and plot summary. Next, I will present the arguments in regards to the theories of Utilitarianism and virtue theory, and how the film and characters conveyed them. From here I will show the breakdown of the meta-ethical aspects of the film in regards to human nature and how evil attempts to triumph over good. I will conclude by summarizing how these characters had complete disregard for ethics and their own morals.