Ben Shahn’s painting The Passion of Sacco and Vanzetti highlights the discrimination immigrant groups, as outsiders, face in many aspects of the American experience, particularly that before the justice system. Shahn effectively argues that the American systems, as a result of prejudice and hostility towards immigrants, can be incredibly unjust and abusive. He does so through his specific use of colors, the symbolism of the figures he chose to use, and the framing of his painting. The Passion of Sacco and Vanzetti is made with tempera and gouache on canvas mounted on composition board. It was painted by social realist Ben Shahn in the years of 1931 and 1932 as a criticism of the infamous American Sacco and Vanzetti case …show more content…
In naming the painting The Passion of Sacco and Vanzetti, Shahn is drawing parallels between Jesus Christ and Sacco and Vanzetti. Interestingly, Jesus Christ was also an immigrant who was wrongly accused of a crime and executed mainly out of hatred and bigotry. He preached treating others, especially strangers of foreigners, with kindness and understanding. It should be assumed that Shahn knowingly and willingly decided to name his painting this way in order to invoke images of Jesus Christ and his unfair death. Another important aspect of the painting is the color scheme. The colors used in the painting, especially those used for the courthouse, mimic the dark and indifferent environment that Sacco and Vanzetti were subject to during their trial. The courthouse uses neutral colors like beige, black and brown to represent the cold neutrality of the courts towards the accused. For example, “Some observers recalled an icy courtroom atmosphere, where the hostility towards immigrants was almost palpable” (33). He does a good job of using those neutral colors and the feelings our minds associate them to. The courthouse takes up much of the space in the painting and its presence is intimidating in its seriousness and hostility. Its colors emphasize the aloofness afforded to Sacco and Vanzetti. Also, the red around the neck of the man in the middle symbolizes the …show more content…
Apparently, it took the judge, who stands at the window of the courthouse, hypocritically holding up his right hand in a sign of honesty, three hours to deem guilty the accused. “Honorable they may have been, but when facing what they view as a crisis, those in power will generally do what they deem necessary to protect an established order in which they occupy positions of privilege” (33). It can be seen in the faces of the men that though they are in honorable positions of power, their ideas about justice and fairness were quickly distorted. Shahn painted the men with bored-looking and cold faces. Even the smaller details of the painting hold great importance. Frame of the painting and the scale of the figures implies something: the person viewing the scene depicted in the painting is doing so intimately, from a close range, as if invited to the funeral: the viewer is a bystander like the three men who convicted Sacco and Vanzetti. For example, even now “the response of many majority Americans has been to support measures that place large portions of the immigrant populations under suspicion and state surveillance” (35). Shahn is trying to say that everyone, America as a whole and Americans, watched on as Sacco and Vanzetti were killed and did nothing. Like no one helped
In “Puerto Rican Obituary” by Pedro Pietri, the author takes his readers on a journey of the oppressive life of a Puerto Rican immigrant. He describes a vicious cycle of stagnancy in which immigrants work endlessly without reward. Hopeful every day that the American dream they once imagined would come to fruition, but instead they are continually faced with trials and turmoil on every hand. Instead of uniting as a body to work towards greatness, the immigrants grow envious of each other, focusing on what they lack instead of the blessings that they currently attain. Contrary to the ideals of early immigrants, Pietri portrays Puerto Rico to be the homeland. The ideals of early immigrants have drastically changed throughout the development of America. Petri paints a completely different picture of America throughout his poem. Early immigrants describe an America that is welcoming, with endless opportunities, and a safe haven. Despite earlier depictions of the immigrant experience, these ideals are challenged because they weren’t integrated into society, were inadequately rewarded for hard work, and were disadvantaged due to their socioeconomic status.
The background of both narrators of “Mericans” and “In response to Executive Order 9066” comes from a Japanese or a Mexican-decent who are realizing cultural differences from their American life. However, the mistreating of a girl by her best friend compared to a girl who finds significant change between her two worlds that is tested by every cultures costumes of being victims of racial discrimination. The short story “Mericans” and the poem “In response to Executive Order 9066” can be a universal conflict between diverse heritage and cultural backgrounds that are determined by how America sees society.
Unfair laboring and immigration in the United States has affected Latinas/os lives for decades. In the United States millions of Latina/o citizens, emigrants, and immigrants have dealt with bias, racially segregated, and limited positions in regards to labor. They have been limited to blue collar jobs with low wages, no benefits, and hardly any raises. In the article, “Heteropatriarchy and the Three Pillars of White Supremacy”, Andrea Smith argues, “This framework does not assume that racism and white supremacy is enacted in a singular fashion; rather, white supremacy is constituted by separate and distinct, but still interrelated, logics.” (Smith 67). I believe that Andrea Smith’s two of the Three Pillars of White Supremacy: Genocide/Colonialism and Orientalism/War fits with Latina/o labor and immigration. I also believe that her first pillar of Slavery/Capitalism could be displayed slightly differently to be more suitable with Latina/o labor and immigration. In this paper I will argue how the two out of the three pillars fit with Latina/o labor and immigration. I will also argue and propose a new pillar to represent Latinas/os labor and immigration. I will also argue how sexuality, power, and gender play a role in these three pillars.
The documentary 9500 Liberty by Annabel Park and Eric Byler told of the inequality that immigrants faced in Prince William County, a small community in Virginia. On October 16, 2007, eight members of the Prince William County Board of Supervisors voted unanimously on emergency funding to implement immigration resolution. This new law made it possible for police officers in Prince William County to question anyone they suspected to be in the country illegally based on factors such as their skin color and language. This paper will discuss the different perspectives appearing in the film 9500 Liberty in an effort to evaluate and critic arguments made by both parties in
Art is a particular form of social consciousness and of human activities, an important way for people to perceive, discover and improve life: according to the laws of beauty. It is the creation of tangible or intangible products containing great values of thought-aesthetics, cultural character, and emotions. In this sense, there are numerous types of art. Painting is one of the oldest forms of art on earth. From prehistoric times, artists not only used it to communicate, but they also used painting to entertain the viewers. Painting can be transformed, eliminating the tedium, fatigue, and stress in daily tasks to bring the joy. Fun in life or silence for the soul. In other words, painting is a language that communicates an artist 's ideas
Jose Antonio Vargas, a Pulitzer Prize winning author, shares his life-long journey as an undocumented immigrant in his text, “My Life as an Undocumented Immigrant.” As the title suggests, Vargas attempts to convey to his audience, who likely never has and never will experience anything similar to what he has, what it is like to live as an immigrant in the United States of America. Skillfully, Vargas details the perfect number of personal stories to reach the emotional side of his audience, which is anyone who is not an immigrant. Through the use of his personal accounts Vargas is able to effectively communicate that immigrants are humans too while simultaneously proving his credibility, as he has experience and a vast amount of knowledge
There are three iconic symbols of the presence of Mexican Americans in the history of the United States: The role of Mexican Americans in the WWII, the Bracero movement, and the Zoot Suit Riot. All three moments provide insight on the participation of Hispanics in the construction of the American society and more importantly, on the way the Mexican American identity has been constructed and on the ways this community has been considered, in general terms, a group of domestic aliens. As a consequence, Mexican Americans have been segregated and denied equal opportunity historically. However, they are here to stay, an Anglos better learn to deal with their presence.
In Pearsall, Texas, the Anglo and Mexican communities were divided to contribute to Elva’s confusion and frustrations of being alone. The immigrant society was lumped together as their own “class” of people:
Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.
Throughout life, every individual must face obstacles; some more difficult than others. In the story “The Trip” by Laila Lalami, poem “Exile” by Julia Alvarez, and article “Outlaw: My Life as an Undocumented Immigrant” by Jose Antonio Vargas, there is a main character who has to face many challenges because of the fact that they’re immigrants. In all three texts, it is evident that being an immigrant has many affects on their lives. However, this label and the obstacles that come with it didn’t stop each character from pushing forward.
In the twentieth century, even with citizenship status, Mexicans and Mexican-Americans were considered and consequentially treated as outsiders or intruders (Oboler, 32). It is not surprising that at the end of Valdez’s play, the whitest model is most desirable to the Anglo government.
The Smolinsky family soon discovers the difficulties that come with being immigrants in America. Discrimination is one such problem. The family lives in an apartment building and they encounter discrimination from the rent collector. The Smolinskys, because of financial problems, cannot pay the rent regularly and when the landlady shows up on their doorstep, she is upset and says, "The cheek of those dirty immigrants! A fool I was, giving them a chance another month" (17). These words are a far cry from the father’s expectation that "all America will come to my feet to learn" (9). Discrimination is certainly not what the family expects upon their arrival in America. They expect a welcome with open arms and what they receive is just the opposite.
Immigrants arriving in America for their first time are initially devastated at their new lives and realize their “golden lives” were simply fantasies and dreams of an ideal life in America. Immigrants from foreign countries, including those mentioned in Uchida’s Picture Bride, faced countless problems and hardships, including a sense of disillusionment and disappointment. Furthermore, immigrants and picture brides faced racial discrimination not only from white men, but the United States government, as well. Immigrants were plagued with economic hardships lived in deplorable living conditions. Though nearly every immigrant and picture bride who came to America fantasized about an ideal life, they were faced with countless hardships and
First thing that I noticed about this gorgeous oil and tempera on panel painting was the precise emotional aspect: romantic and simple, yet so exceptionally lifelike. This work surely shows a development from the powerfully
Two innocent Italian men, speaking out against an all white Jury, were blamed for the murder of two white men which resulted in death by the electric chair. Although no hard evidence was held against them, these men were charged because the trial occurred during a time when the Red Scare had made a huge influence on the way people viewed non-americans. These two men were named Sacco and Vanzetti and they were believed to be anarchists due to their ethnicity which brought about an unjust trial which, in return, sparked a fire within the United States. The Sacco and Vanzetti case brought to the surface the problems dealing with discrimination against immigrants because their trial was believed to be unjust; therefore, we now have laws abolishing the injustice and discrimination towards immigrants.