Benedick's Attitude's to Love and Marriage

All throughout the beginning of the play, both Beatrice and Benedick use sarcasm and hide their true feelings for each other, which is the first example of tricky in their relationship. Both of them have vowed never to marry anyone; Benedick stating: "Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor." (1.1.232–35), while Beatrice says, "No, uncle, I'll none. Adam's sons are my brethren, and truly I hold it a sin to match in my kindred." (2.1.59–60.) Their friends see that they are the perfect match for one another, and plan to trick them into confessing their love for each other. When Benedick is in the orchard, he overhears Don Pedro, Claudio, and Leonato talking about how Beatrice is in love with him but is afraid he will mock her if she tells him. Benedick believes them, saying, "This can be no trick." (2.3.217.) He then goes on to say, "I will be horribly in love with her." (2.3.230–31.) Later, Beatrice hears Hero and Ursula talking about how they can't tell her that Benedick loves her because she is a scornful person. After Hero and Ursula leave, Beatrice states:

In Shakespeare’s play, Much Ado About Nothing, written in the early 15th century, the relationships between Benedick and Beatrice and Hero and Claudio are the key to the play and create a lot of tension and comedy. The two relationships are interesting in different ways, and this essay will explore this in terms of the language used, the plot, characterisation and how the two relationships stand thematically.

They are also hurt by each others remarks as Benedick says ‘she speaks poniards, and every word stabs’. This shows how seriously Benedick takes her insults and how badly he is affected by them as these are all signs of love.

In the play of Much Ado About Nothing, the characters of Benedick and Beatrice have a love-hate relationship. On the surface, it appears that their relationship is built on a war of wits and insults. However, in Benedick’s soliloquy, the reader discovers that at the core of their insults actually lie the true feelings of love. It is also apparent that Benedick even sees loving each other as a competition, in that he wants to love her to a point of outdoing her love for him. Not only is Benedick constantly warring with Beatrice, but he is also undergoing an internal struggle, which is made quite apparent in Benedick’s soliloquy in Act 2 Scene 3.

Bennet exclaims, “Oh! Single, my dear, to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls” (2). Considering Mrs. Bennet’s lines, the reader acknowledges Austen’s first claims on marriage. Mrs. Bennet not only exemplifies the opening statement of the novel, but also justifies the effect it has on mother figures. As Mrs. Bennet’s character develops, the reader recognizes her obsession with the marriage of her daughters. Mrs. Bennet understands the importance of marrying ‘well’ in order to maintain a high standing in the social realm. However, understanding the consequences directly affects Mrs. Bennet’s desperate behavior. This interpretation becomes an inevitable experience for each of Mrs. Bennet’s daughters.

The fact that Benedick has feelings for Beatrice becomes clearer as the play progresses, despite his assertions to Claudio that he is 'a professed tyrant to their sex'. Benedick keeps this point of view while speaking to Don Pedro, making quite clear that he will never marry:

Benedick is also concerned is his public image. He considers himself a ladies’ man of sorts and does not want to be tied down by any woman and would rather die than be wed because he does not trust women.

In Much Ado About Nothing, William Shakespeare depicts both Benedick and Beatrice as characters with one major flaw: both are full of pride. With the use of the masquerade scene, as well as the orchard scenes, Shakespeare allows the characters to realize their awry characteristic. By realizing their erroneous pride, Benedick and Beatrice are able to correct this and not only become better citizens, but fall in love.

In this Shakespearean comedy ‘Much Ado about Nothing’ two similarly obstinate characters of Beatrice and Benedick are presented between the rather normal relationship of characters Hero and Claudio. Shakespeare presents Beatrice and Benedick’s obstinacy towards the rather obligatory act of marriage and also their particularly similar personalities that cause reason for their familiar act of squabbling; he does this whilst also presenting two characters that are completely interested in marriage and who are hardly intellectually capable of squabbling in a similar manner. As the play unfolds both characters remain combative with one another but as love becomes the better of them, they begin to reveal that somewhat secretive sensitivity

Beatrice and Benedick as a Couple in William Shakespeare's Much Ado About Nothing 'Much Ado About Nothing' is a Shakespeare play set in Mecina. It is a comedy, about Don Pedro and his friends. The play focuses on the relationships of the characters, especially that of Beatrice/Benedick and Claudio/Hero. The two romances follow two different ideas, one an average romance in Shakespeare's day, the other a not so average romance. Beatrice and Benedick's history together is made clear from the start, when Beatrice tells the messenger bringing news of Benedick's return, that he 'is no less than a stuffed man', implying that he is very full of himself.

 Much Ado About Nothing is one of William Shakespeare’s best comedies and love stories.  What is not to like about a play that is hilarious, romantic, and has a happy ending?  In this play the foremost and most intriguing character is Benedick, a man who is a devout bachelor and who does not believe he will ever find the perfect woman; --because perfect is exactly what he must have.  This may seem to be a harsh and pessimistic outlook on life, but the way Shakespeare brings this character to life portrays Benedick as a funny and caring man who really is not that certain about what he wants for the future.  Benedick’s counterpart in the play is Beatrice who is an independent woman

In this play Shakespeare presents love sickness literally. Both Beatrice and Benedick have either ‘toothache' or are ‘exceeding ill'. As well as the change in health Shakespeare presents a transformation in language and appearance as the side effects of love. They say that Benedick ‘rubs himself with chivet', he has shaved, washed himself and put make-up on, ‘when was he wont to paint himself'. Shakespeare shows the complete change that love brings upon Beatrice by changing her prose into alternately rhyming lines of iambic pentameter in her soliloquy. Shakespeare writes that

Benedick is the type of person who is the ladies’ man and just worried about himself and very carefree. Of the three versions Benedick was true to himself in the David Tennant production. He came off as the carefree single man who did not even think

Like many of Shakespeare's other heroes, Benedick has a comic and serious side. I think he combines everything Shakespeare seems to like in a character; he is amusing (his witty banter with Beatrice is where most of the humour in this play revolves around) and he is also able to laugh at himself- he takes in good humour like the teasing of his friends about his cynicism about matrimony. He is loving too, (an example of this is his poem to Beatrice) and also deadly serious is his love for her- he renounces his male comradeship to "kill Claudio" as she demands- he is prepared to give up his current, enjoyable way of life for her. He is also loyal to the prince, in that he despises Don John, but he is most loyal to the one he loves, something the majority of Shakespearean heroes personify (even those who go astray eventually return to their love- Romeo never wavers from his purpose in loving Juliet). His relationship with Beatrice is another ideal held up to us by the playwright. Beatrice chooses Benedick, she pleases herself, not her family, and as a result, their relationship is much more equal and evenly balanced. It is this relationship, and not the other, quite stereotypical romance, which Shakespeare makes the main thread of this drama.

“But Mrs Bennet’s obsession with marrying off her daughters at all costs stems from real practical parental concern—if they do not marry, they may starve, especially given that Mr Bennet himself has made no provision for his daughters' futures but seems instead to be in a form of denial—he retreats to his library” (Jones). Readers sympathize with Mrs. Bennet’s aggravating personality when they realize her actions stem from a place of worry for her daughetrs’ future. Since Mrs. Bennet is a woman, she can provide no other form of security but marriage for her daughters. Mrs. Bennet’s actions also originate from a deeply personal part of her life- her marriage. Compared to other men during this time period, Mr. Bennet has done little to give his daughters a financially sound future and sees the search for a husband as silly and dismisses it. Mrs. Bennet has no other way to support her daughters, causing her to obsess over the idea and constantly push her daughters to act proper in order to get a husband. “Mrs. Bennet makes herself ridiculous in her attempts to be overly feminine; she fancies herself a victim of others’ cruelty, constantly complaining that no one regards her ‘nerves’. She has little respect for decorum…her marriage, built on physical attraction, is now a loveless union” (Guggenheim). Mrs. Bennet’s desperation to find her daughters’ spouses can be attributed to the unaffectionate