In Herman Melville’s grey novella, “Benito Cereno”, Captain Amasa Delano observers, what appears to be, a distressed Spanish slave ship navigating into the harbor of St. Maria. Disregarding the opposition from his crew, Captain Delano leaves his ship, Bachelor's Delight, and approaches the stranger vessel, San Dominick, via a whaleboat. In addition to offering water and provisions to the vessel in distress, Captain Delano encounters—who seems to be in command of the vessel—Don Benito Cereno, and his “faithful” negro servant Babo. Throughout the novella, Captain Delano witnesses many suspicious behaviors from Benito Cereno, Babo, and the other slaves on board. Although Captain Delano has mixed feelings about Benito Cereno, in which he often views him as a “paper captain” who has “little of command but the name”, Captain Delano fails to latch onto his intuition of who is truly in command of the ship until it’s almost too late. Despite the many subtle clues that hints at the notion of Melville spinning a web of deceit in Benito Cereno, the most revealing clue that best exemplifies this is when Benito Cereno leaps into Captain Delano’s whaleboat while Babo chases after them, and attempts to stab his beloved “master”—Benito Cereno. In what seems to be an emotional ending to the novella, Benito Cereno bids his emotional adieus to Captain Delano while holding his hand; however, after Captain Delano and his crew is settled in their boat and the bowsman pushes the whaleboat off of the San Dominick, Benito Cereno suddenly springs into Captain Delano’s whaleboat and is then swam after by three Spanish sailors who attempt to climb on board. Still unsure on what to make of the situation, Captain Delano spots Babo with a dagger in his hand, and believes that his intent is to stab him. With this in mind, Captain Delano flings the boarded Spaniards aside and grapples the dagger that is aimed at his heart away from Babo. Although there were many clues that hints at Melville spinning a web of deceit, this very clue in the text unpacks the novella as a whole:“Glancing down at his feet, Captain Delano saw the freed hand of the servant aiming with a second dagger—a small one, before concealed in his wool—with this he was
The utilization of detail creates a vivid image of the horrific scenes the slaves experienced during being transported to england.For instance, one time on deck he says, ‘One white man in the particular I saw, when we were permitted to be on deck flogged so unmercifully with a large rope near the foremast” (86). Equiano employs detail in order to establish the responses to the beating of the man. Watching the horrific scenes questioned if Equiano would he be next. To illustrate the astonishment of Equiano while on deck he says “While we stayed on the coast I was mostly on deck, and one day, to my great astonishment, I saw one of these vessels coming in with the sails up”(86). These particular details are chosen specifically because Equiano’s
Although Washington could not describe himself as a revolutionist, his present state of external conflict forged him into the figure engraved in our minds today. Herman Melville (1819-1891), author of the literary classic Moby Dick, possessed much experience that contributed to the setting and message of his writing. Although Melville never became a midshipman, or naval sailor, he can attribute a great deal of influence for writing to his life while at sea. Melville's Billy Budd, Sailor tells the story of a young mariner and his induction on the H.M.S. Bellipotent. From unstable relationships to cabin revolt, Billy, the main character, faces a series of conflicts that ultimately creates varying images of him in the differing minds of those around him. In view of all of this, Melville, in Billy Budd, Sailor, communicates to readers the theme that “conflict, internal or external, exists as the framework of destiny,” through Billy's initial reaction to the crew as a result of enlistment on the Bellipotent, the rumor of mutiny, and his
Herman Melville 's Benito Cereno (1856) and Frederick Douglass 's The Heroic Slave (1852) provide social commentary on the evils, injustices and dehumanizing effects of slavery. Melville 's "Babo" and Douglass 's "Madison Washington" are similar in motive—the pursuit of liberty and destruction of slavery. The ways in which these characters are perceived, however, differ and stem directly from the author 's construction of the narrative. By examining the slave uprisings within the both texts, it is clear that Melville creates a story that depicts “Babo’s” rebellion as maliciously calculated, while Douglass paints the portrait of Madison 's resistance as rightfully deserved and necessary. Douglass 's novel is overtly an abolitionist narrative, unlike Melville’s Benito Cereno, which is quite ambiguous in its didactic message. Critic, William L. Andrews, notes that “The Heroic Slave uses the techniques of fiction to remodel the raw materials of history into a more meaningful and usable truth ” (Andrews 11). There is transparency in Douglass 's goal for the novel—to expose and unveil the atrocities of slavery (separation of families, murder of loved ones, perpetual subjectivity, etc.) and denounce preconceived notions of black inferiority. Madison Washington is a slave, but also a human being—not
Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.
There are many subtle clues that hint at the notion of Melville spinning a web of deceit in Benito Cereno, but the most revealing clue that best exemplifies this is when Babo attempts to stab his beloved “master”—Benito Cereno. In what seems to be an emotional ending to the novella, Benito Cereno bids his emotional adieus to Captain Delano while holding his hand; however, after Captain Delano and his crew are settled in their boat and the bowsman pushes the whaleboat off of the San Dominick, Benito Cereno suddenly springs into Captain Delano’s whaleboat and is then swam after by three Spanish sailors who attempt to climb on board. Still unsure on what to make of the situation, Captain Delano spots Babo with a dagger in his hand, and believes that his intent is to stab him. With this in mind, Captain Delano flings the boarded Spaniards aside and grapples the dagger that is aimed at his heart away from Babo.
Equiano’s luck soon shifted when he was once again kidnapped and sold as a slave, this time he would have to endure the notoriously dreadful journey across the sea to America. Knowing that this was a pivotal point in his life and that he would become a gudgeon to the harshness of slavery, Equiano attempted to prepare himself for what lay ahead. However, the sight of the inhumane acts he witnessed on the African coast, while being transported, were new to Equiano and instilled fear into his consciousness.
The works of Herman Melville and Frederick Douglass are both centered on the topic of slavery. Although both texts are similar in the sense that they focus directly on the theme of slavery, the functions of each work differ drastically. The differences in the works stem from both the style of the text, and the way that this style functions in accordance with the reader. Although Herman Melville’s Benito Cereno is drawn from an actual event, Melville embellishes and alters the event in the style of prose. The prose style used by Melville invites the reader to question the story while understanding that the majority of the work is fictional. The confusion of Captain Delano is brought onto the reader, and therefore engages the reader because of the limited point of view the story is told in. Frederick Douglass’s Narrative of the Life of Frederick Douglass tells of actual events that occurred using twentieth and twenty-first century plain style. This style of writing does not ask the reader to question what he is saying, but feel his emotions as they read the narrative. Although readers may understand both works to be stories about slavery written differently in terms of style, I argue that the way the texts are written sets up the readers interpretation of them. Melville and Douglass differ because Melville’s work invites the reader to think, whereas Douglass’s work invites the reader to feel.
Early American Literature reflects many conflicting differences in the presentation of slavery during that time period. Through the two chosen texts, the reader is presented with two different perspectives of slavery; Frederick Douglass’s narrative provides a look at a slave’s life through the eyes if a slave while Benito Cereno showcases the tale of a slave uprising from the viewpoint of the slave owner.. Benito Cereno’s work shows the stereotypical attitude towards African-American slaves and the immorality of that outlook according to Douglass’s narrative. Cereno portrays the typical white slave owner of his time, while Douglass’ narrative shows the thoughts of the slaves. The two stories together show that white Americans are oblivious to the ramifications and overall effects of slavery. These texts assist a moralistic purpose in trying to open up America’s eyes to the true nature of slavery by revealing it’s inhumanity and depicting the cruelty that was allowed.
Throughout Benito Cereno the author Melville uses a dark tone. This quote is an extraordinary case of Melville's dim investigation of his characters' minds. We have Babo, who's
Captain Amasa Delano is an interesting embodiment of white complacency about slavery and it's perpetuation. Delano is a human metaphor for white sentiment of the time. His deepest sensibilities of order and hierarchy make it impossible for him to see the realities of slavery. Delano's blindness to the mutiny is a metaphor for his blindness to the moral depravity of slavery. The examination of Captain Delano's views of nature, beauty, and humanity, allow us to see his often confusing system of hierarchical order which cripples his ability to see the mutiny and the injustice of slavery.
A major example of the grayness in this story is in this excerpt: "The morning was one peculiar to that coast. Everything was mute and calm; everything gray. The sea, though undulated into long roods of swells, seemed fixed, and was sleeked at the surface like waved lead that has cooled and set in the smelter 's mould. The sky seemed a gray surtout. Flights of troubled gray fowl, kith and kin with flights of troubled gray vapors among which they were mixed, skimmed low and fitfully over the waters, as swallows over meadows before storms (Melville)." Captain Delano believed that blacks were kind-hearted and humble people and may have had good intentions, but he still found nothing wrong with the slaves aboard the San Dominick. He even thought Babo as an ideal servant for Captain Cereno, saying he was submissive, yet happy (Richards). Delano may have good thoughts about the slaves he still believes nothing is wrong with the idea of them and that kind of thinking settles more on the bad side of things. While Benito Cereno and Babo on the other hand are what really create the gray in the story. Benito Cereno was a captain of a slave ship, so there was no question that he was in favor of slavery also considering that he had a personal slave servant. Babo was a slave on this ship, he was enslaved, like all the other slaves, for no reason other than that the whites thought they
The ignorance of Captain Delano in Benito Cereno can be accredited to his racist convictions that guide his perception of the ship’s perilous situation. However, is Delano at fault for his racism? When rethinking the racism in Benito Cereno under the context of Althusser’s theories on ideology, racism is an ideology forcibly implemented on the subject through the social institution of slavery. Delano’s actions and thoughts throughout Benito Cereno prove that his racism is a result of a socially imposed ideology and challenge the modern ideals of racism that place the blame for racist attitudes entirely on the racist subject. Delano is the subject of a racist ideology and has been forced into that ideology through the social apparatus of slavery
Herman Melville is known greatly in the world of literature for his enigmatic works, such as "Bartleby the Scrivener", and "Benito Cereño". His complex plot and unique character personalities make his works both interesting and compelling. In "Benito Cereño", we are introduced to the narrator Captain Delano as he and his crew encounter the ship, the San Dominick, in need of assistance. Upon climbing aboard he meets Captain Cereño along with is crew and slaves, and is informed of their unfortunate events has left the ship without supplies. However, Captain Delano is not aware of what is actually going on behind the fake story he is told. The slaves aboard are the ones in charge holding the Spaniards hostage and forcing them to take them
of the practice (86). Adler does not accept Schiffman's color analysis. She contends that black
Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.