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Benito Cereno And Moby-Dick: An Analysis

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For as much as it represents exploration, ingenuity, and freedom, the ship has secured a place for itself in the Gothic imagination as a space of claustrophobic terror and enslavement. As a Foucauldian heterotopia, the space of the ship is indeed “a place without a place”, which functions only in relation to the void that surrounds it. However, the asylum a ship provides is what also makes it a prison, trapping its crew with any hostile elements that may be aboard. Focusing on a select group of texts, including Herman Melville’s Benito Cereno and Moby-Dick, this paper will examine the ship, that “heterotopia par excellence”, as a Gothic environment. It will discuss not only the ship’s potential for Gothic horror, but also the role of the ship

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