For as much as it represents exploration, ingenuity, and freedom, the ship has secured a place for itself in the Gothic imagination as a space of claustrophobic terror and enslavement. As a Foucauldian heterotopia, the space of the ship is indeed “a place without a place”, which functions only in relation to the void that surrounds it. However, the asylum a ship provides is what also makes it a prison, trapping its crew with any hostile elements that may be aboard. Focusing on a select group of texts, including Herman Melville’s Benito Cereno and Moby-Dick, this paper will examine the ship, that “heterotopia par excellence”, as a Gothic environment. It will discuss not only the ship’s potential for Gothic horror, but also the role of the ship
In the passage Moby Dick by Herman Melville, uses multiple strategies to create an effect on the reader. Melville uses diction, imagery, details, language, sentence structure, and tone and to make his effect on the reader much more engaging and interesting.
One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter. However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville. While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces. However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the
A setting in an unnatural or exotic place as well as multitudes of supernatural occurrences are characteristics that define a piece of literature as gothic. Gothicism, as a part of the Romantic Movement in the late eighteenth and early nineteenth centuries, was commonly used during this time period as a way to entertain audiences in an unfamiliar way that would keep them engaged. Gothic pieces are written to be “thrill-provoking manipulations of our unconscious” (Randel 185). The setting is a very important aspect of gothic literature, with “the rationale for setting its horrors in particular places ... ‘what happens depends a lot on where it happens’” (185). The places that dark situations occur tend to add to the suspense and the gruesomeness.
When your life revolves around the sea as ours does, you hear stories. Stories of deep sea monsters, mermaids, giant squids right out of a Moby Dick novel, are just some of the tales we’ve heard. Most stories about mysterious creatures we shrug off as ‘not bloody likely’, but others enter the realm of real possibility.
This is not the first time Ahab has spoken to himself as he often paranoidly talked to himself about what he would do if others tried to hurt him, then proceed to tell himself how crazy he is. These are Ahab’s last words. It’s funny how these are not only his last words, but the first time Ahab said anything with true feeling in the book. Though he may have not killed Moby Dick like he truly wanted, Ahab found the whale again and threw in a few last punches while cursing it and fate before his demise. I feel that, though Ahab did not kill Moby Dick, he was ready to die because he had closure since he found the whale again and was able to throw one final spear and give it his all. Following his death there was silence because the only
Stories often crop up in the news about people following some crazy leader, usually concerning groups like cults, fanatics, or even fan bases that appear to blindly shadow and support their idol or superior. A casual observer will most likely look down on these groups, assuming that they could never be swayed like those people; but can one really resist so charismatic a leader? History has proven that the right person with a gift for persuasion can convince anyone to do something against their normal values. In Herman Melville’s novel Moby Dick, monomaniac Captain Ahab cajoles the crew of the Pequod into supporting his mission to through his incredible powers of persuasion. Obsessed with Moby Dick, a white sperm
A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.
Contained in the text of Moby Dick, Herman Melville uses many widely cultural symbols, stories and actions to tell the tale of a whaling ship bent on the desires of its captains abhorrence for a real, and also symbolic, creature in the form of an albino sperm whale named Moby Dick. The time is 1851 and civil unrest is looming just over the horizon: slavery is the main point of interest in American politics, the last major novel released was The Scarlet Letter, Millard Fillmore becomes the 13th president following the untimely death of then president Zachary Taylor; the Fugitive Slave Act legally mandates all runaway slaves to be returned to their owners (regardless of what state in the union they were found); and religion is a driving
Aboard the Pequod, as the ship is bustling with activity, Melville describes the scene as the crew performs the grueling task of processing a whale. Large, bubbling try-pots of oil blubber fill the deck of the ship and a heavy smoke blankets the air as harpooners and sailors work regardless of the conditions. Through this familiar scene, Melville layers the setting and characters to build up a distinct mood for this passage. Specifically, he pulls dark romanticism into his writing by paralleling Ahab’s monomania and the deterioration of the crew. To establish an ominous atmosphere and describe the impending doom of the voyage, Herman Melville combines many forms of figurative language like sinister similes and the eerie personification of the Pequod with suspenseful imagery.
Can a whaling adventure provide insight into the shadows of fate and human nature? The white whale in Herman Melville’s, Moby Dick, is a dominant mark of human nature. The symbolism Moby Dick procures provides insight to the enigmatic decisions of Captain Ahab and his crew. Ahab’s pigeon-holes himself into believing his purpose for existence is a suicide mission to kill the whale; he is insistent that the whale represents everything wrong in the world. Melville’s reasoning for Ahab’s obsession with the whale is an analogy for seeking the meaning of existence. The motivations behind human behavior aren’t directly stated, however, Melville crafts the white whale as an allegory for vengeance, uncontrollable fate and perception of the natural world open to literal and figurative interpretation.
Melville's novel, Moby Dick, has only men. Melville's men's club sails a sea whose gender changes often and whose personality is resolutely enigmatic. The feminine in Melville¹s novel hides her face in a veil of stars and behind a cloud of words.
In the novel, A Moby Dick, Pip is a young African American boy, who has almost no power on the Pequod. Pip only makes a handful of appearances in the novel, which leads the reader to ask: why does Melville include him in this novel? Pip normally serves as an entertainer for the crew and cleans up the ship. However, after being left in the ocean for hours, he forms a special bond with Ahab. Through their time spent together Pip positively affects Captain Ahab, which is why he is included in the novel.
In the novel, A Moby Dick, Pip is a young African American boy, who has almost no power on the Pequod. Pip only makes a handful of appearances in the novel, which leads the reader to ask: why does Melville include him in this novel? Pip normally serves as an entertainer for the crew and cleans up the ship. However, after being left in the ocean for hours, he forms a special bond with Ahab. Pip is included in the novel because he positively affects Captain Ahab.
Many have the desire to control the uncontrollable, or change the unchangeable. This idea is shared through many novels and movies; one of those being Herman Melville’s Moby Dick-a narrated voyage of a whaling ship, the Pequod, and its captain, Ahab, whose one desire was to kill the great Sperm Whale, Moby Dick. As his whaling journey continued, still unsuccessful, Ahab’s character began to change. Many adjectives could be used to describe Ahab’s changing character, but three specific ones are as follows: obsessive, conceited, and manipulative. Ahab’s one desire changes him from an obedient captain to a madman.
Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.