Beowulf Hubris . The Greek Tragedy, Established In 500

In order to gain a proper perspective on the concept of what a tragic hero is, we must synthesize information from the following play’s, “The Death Of A Salesman”, and “Oedipus The King”. Both plays takes the stance on the idea that validates the ultimate notion,  “tragic hero. From Willy’s hubris personality to his questionable and mysterious death, to Oedipus dynamic and complex choices and kingly personality that determines his fate. A tragic hero is a literary character who makes a judgement that leads to his/her downfall. In other words, even though both characters made incredible contributions and left a very noble legacy, their choices and decisions determined their ultimate fate. In today’s world tragic heroes are commonly present,

A final example of heroic qualities shown by Beowulf is his power. The mental and physical strength is mandatory to being a hero. No Dane, before Beowulf’s arrival, is able to defeat Grendel because of fear and

Beowulf ‘s confidence in his abilities and courage to carry out his mission exhibits how he could be considered an epic hero. When he first hears of the Danes’ plight with the monster Grendel, Beowulf wastes no time in “his plan to sail the swan’s road and seek out that king” who desperately needs assistance in his troubles (Heaney 201-202). He eagerly accepts his call to action, wasting no time in ensuring King Hrothgar of his “awesome strength” and exhibiting an unwavering self-assurance as he recalls how he “battled and bound five beasts” (Heaney 418-420). In these first encounters with the hero, it is evident that Beowulf’s defining characteristics include his courage and pride. There is no fear or reluctance in his attempt for glory,

Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.

Beowulf is a hero, and we all know a hero when we see one. There are many traits and characteristics that make someone a hero. These traits and characteristics are more expressed in ancient epics and poems. Beowulf is one of the most famous ancient Anglo-Saxon poems still taught to this day in schools and colleges all over the world. The story starts off of how a man by the name of Beowulf receives news that a neighboring land is being terrorized by a monster named Grendel. Beowulf shows several characteristics of here such as, bravery, loyalty, generosity, friendship, and showing a high level of intellect. Beowulf first shows his heroic character through his bravery while journeying on his epic quest. There are several cases where he is not afraid, and instead of being frightened, he shows great bravery. An example of from the poem is, “Instead, they inspected omens and spurred his ambitions to go, whilst he moved about like the leader he was, enlisting men, the best he could find; with fourteen others the warrior boarded the boast as captain” (Beowulf 205-210). This quote gives proof of his bravery because he was the head of the group leading his men. Beowulf proves that even he himself must be brave in order to lead the bravest of men into battle.

Throughout the ages the tale of the epic hero has been subject to change, as writers found new inspiration and allowed the art of storytelling to evolve. With it, there was the change of the portrayal of the epic hero, and I will be illustrating this through an analysis of the epic heroes from Beowulf, suggested to have been first composed between the 8th and 11th century, and Macbeth, composed early in the 17th century. It is important to note the time difference, and all the change that time would have brought to social structures in written fiction. The tales of epic heroes are a good way of researching historic civilizations, as they play a role in reflecting the ethics and morals of civilizations and always have. Beowulf and Macbeth play a similar role as the works of the Greek poet Homer, the Iliad and the Odyssey or tales from other cultures. It is partially through the differences in character portrayals and roles within the plot that someone can understand the morals of those before us and

The poem Beowulf presents the transformation of Beowulf from a brave warrior to an honorable King. The evolution of Beowulf shows how he fulfills his obligations to the warrior’s heroic code and then transcends into a King who loyally protects his Kingdom. Beowulf’s transformation is shown through a progression of three increasingly more difficult conflicts he must overcome- first with Grendel, then Grendel’s mother and finally against the mighty dragon. These three events are seen "as the three agons in the hero 's life"(Chickering 64). Through these adverse events Beowulf will change from brave young warrior to noble King. This paper will examine the manifestation of heroism in the poem

In Anglo Saxon times, Beowulf is considered a well known epic hero. “Epic heroes are literary characters from ancient mythology and other stories, which were written down in the form of long, narrative epic poems. The hero is the main character, or protagonist of the poem”("Epic Hero: Definition, Characteristics & Examples."). The epic hero usually battles for accomplishments to a set of tasks to complete important goals. Beowulf is described as an epic hero because of his honor, bravery, and intelligence.

The epic poem of Beowulf is a story filled with majesty and mourning. Heroes and villains, struggles and victory. Men die, all the time. Along with all of this there is an underlying theme ever present throughout the script. It is the basis for actions, the reason for such passion behind a man's own bloody sword, the lust in his hungry eyes for revenge and conquers. In this time where the afterlife is uncertain, and familiarity is only known to a name, true heroism is the only assurance of identity and remembrance.

Reading through Beowulf I began to compare it to the last great epic I read, Homer’s Odyssey. While the Odyssey and Beowulf are each examples of both historic and modern ideas of heroism, the acts of Beowulf’s hero seem to fit better within its context.

“The flaw, or crack in the characters, is really nothing-and need be nothing, but his inherent unwillingness to remain passive in the

The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in

Throughout literature, the idea of the hero has changed to represent a number of differing. Heroes were originally personified as being an individual who were not bound by limitations, as well as demonstrating an archetypical sense of moral judgment. Later on, contrasting adaptations of heroes started to form in which the hero of a story would typically exhibit traits that would closely resemble the limitations and troubles that ordinary people faced. For the most part, a contemporary “hero” is simply looked at as the protagonist in the story. Acclaimed heroes in literature, such as Beowulf and Hamlet, when compared to one another can give a person a better sense of the changes in the hero. Although they both are the main characters

In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.

     Some literary scholars maintain that Beowulf developed character flaws through the course of the long narrative poem, and that at the time of his death he was a victim of pride, avarice, selfishness and an inordinate craving for glory. The purpose of this essay is to show that he was a tremendous hero from beginning to end.