Bernice Bobs Her Hair

One of the biggest conflicts between Bernice and Marjorie is one over a boy named Warren. Warren grew up across the street from Marjorie, he was “crazy about her” since the beginning; however, the feelings were not reciprocated on Marjorie’s behalf. As the story progresses, Marjorie takes on the task to transform Bernice into a new woman. Bernice’s new appeal is soon taken into consideration when Warren gains an interest in the new Bernice. Even though Marjorie didn’t have feelings for Warren, she still became jealous. Marjorie’s new goal was to destroy the relationship between Bernice and Warren. Marjorie becomes successful in accomplishing her goals by putting Bernice’s reputation at risk.

On the morning of January 21, 1793, an innocent man was executed in front of his entire country, by means of the guillotine. That man was King Louis XVI. King Louis XVI, who was married to Queen Marie Antoinette, was the King of France during the beginning stages of the French Revolution. Which took place throughout 1788, and up until King Louis XVI was charged with treason, in 1792. Before the French Revolution really started, France was divided by a strict class system and there were three estates. The third estate were restless and angry with the government. To do something about their complaints, they soon created the National Assembly at the Tennis Court Oath and the well known, violent, events of the French Revolution soon came to being. King Louis XVI was innocent of committing treason against France, because he showed throughout his rulership of the country

In conclusion, “Dancer”, by Vikie Sears, utilizes the devices in literature to enhance the effectiveness of the story through symbolism, dialogue, and

Warren, one of Bernice’s admirers, is clearly smitten with her. After Bernice’s transition, he: “…called Bernice on the ‘phone twice a day, sent her notes, and they were frequently seen together in his roadster…” Warren’s actions convey that his is interested in her because Bernice changed herself. This is evident from when Warren see’s Bernice at the second party where he “…regarded her intently.” Nonetheless, after her bob cut, Bernice sees Warren’s eyes as being, “…suddenly very cold.” He no longer holds her in high regard after what she did.

To begin with, the story Footloose the Musical unfolds with a teenage boy named Ren McCormack who lives in Chicago. One of the main hobbies of Ren McCormack is dancing, who plays a critical role throughout the story. The rising actions became with Ren McCormack’s father abandoning the family. Due to that, the family has to move to a small town where the sister of Ren McCormack’s mother lives. The town puts more emphasis on spiritual life while monitoring all events that occur in the town cautiously. In the town, Ren McCormack is having a tough time fitting with other people in the town. While that is happening, he discovers that there is a law which bans dancing of any type or any time which is set by local minister Reverend Shaw Moore. At that time, he also learns from Ariel's (Reverend Shaw Moore’s daughter) friends about an accident resulting in the death of four teenagers that occurred 5 years ago. Due to this incident, dancing in the town has been prohibited. Gradually, Ren starts connecting with the other teenagers in the town while also building a strong friendship with Ariel. With the help of Ariel and Willard (Ren’s best friend), Ren convinces the teenagers how dancing is not harmful, and it should not be prohibited, and they should tell their concern to Reverend Shaw Moore. After many attempts, the teenagers in the town were able to convince Reverend Shaw Moore that the town should heal from a tragedy that happened five years ago. In the end, Reverend Shaw

In conclusion, Fitzgerald uses this tragic story to express his feeling about the American Dream of the American people during the 1920's. The characters in the novel are being used to reflect the gradual demoralization of the people in the society. Every person living in this

While many people may be familiar with the story of the French Revolution and history of Marie Antoinette, they may not fully comprehend the lively debate that continues to exist around Marie Antoinette. A debate over how Marie Antoinette should be remembered exists, with some arguing that Antoinette was spoiled and careless and others taking the stance that Antoinette was a victim of her harsh circumstances. Before delving into this controversy, background knowledge of Marie Antoinette’s life can assist in understanding the controversy. In 1770 at the age of fourteen, Marie Antoinette, daughter of Austrian empress Maria Theresa, was married to Louis XVI of France to strengthen French and Austrian relations. In 1774, Louis XVI became king and Marie Antoinette became queen. Dissatisfaction toward Louis XVI and Marie Antoinette and economic turmoil led the French Revolution to begin in 1789, with Louis XVI and Marie Antoinette eventually being guillotined in 1793 (Covington 56-65).

To demonstrate, The London Times newspaper reveals the horrible, inhumane side of the Revolution as they describe the process of the guillotine executions in her report on the burial of Jean-Paul Marat and the execution of his killer, Charlotte Corday. The newspaper describes the executioner as an “inhumane monster” which strongly conveys a tone of resentment and shock towards what the Revolution is as a whole, therefore opposing the policies of the Revolution (Doc. 1). It is understandable that there would be a horrific description of the executions since the report on the burial and execution occurred during the year 1793, the year where widespread executions began to take place. It is also important to note that during 1793-1795, the number of executions began to rapidly increase as time went by. The Law of 22 Prairial, a law introduced in 1794 that permitted the revolutionary tribunal to convict suspects without having substantial evidence, was also a major factor in increasing the amount of executions which in turn created a growing animosity towards the new policies of the Revolution (The End of Terror, p.619). In addition to The London Times newspaper’s description of the Revolution, Louis-Marie Fréron describes the Revolution with terrifying imagery and reveals that no one is safe from the Revolution,

. Bernice’s cousin, Marjorie, is the socialite of her town. The Queen Bee. All the girls want to be her; all the guys want to be with her. She has Warren, her unofficial boyfriend, wrapped around her finger. But everyone cannot see the real Marjorie, Her true insecure side. They don’t understand that she puts them down to make her feel better about herself, trying to make herself feel superior. Marjorie is putting on a front to give the idea that she is happy and perfect. Underneath, she is a cold and jealous person. She is the one pressuring Bernice, not knowing that it is the way she copes with her own insecurities. Marjorie, although more confident than Bernice, also shows

In Athol Fugard’s play “Master Harold”… and the Boys dance becomes a metaphor for how society can work harmoniously together, yet there are conflicts that prevent it from happening. Specifically, ballroom dance becomes a metaphor to show the conflict between a cooperative society and the disappointment associated with life and our inability to force change. This is expressed by Sam teaching Willie the mastery of dance and also educating Hally on the significance of the championships, and ultimately through the final dance performance.

"Nowadays the plays' meaning is usually blurred by the fact that the actor plays to the audiences hearts. The figures portrayed are foisted on the audience and are falsified in the process. Contrary to present custom they ought to be presented quite coldly, classically and objectively. For they are not matter for empathy; they are there to be understood and politely added

The story of revolution and resistance in 18th-century France is a complicated one, and no two historians tell the story the same way. However, it is clear that for the revolutionaries, Marie Antoinette’s significance was mainly, powerfully symbolic. "She and the people around her seemed to represent everything that was wrong with the monarchy and the Second Estate: They appeared to be tone-deaf, out of touch, disloyal (along with her allegedly treasonous behavior, writers and pamphleteers frequently accused the queen of adultery) and self-interested"( Moore 17 ). What Marie Antoinette was actually like was beside the point; the image of the queen was far more influential than the woman herself.

It is certain that the fire at Coulibri was the chief cause of Antoinette's madness. However, more can be revealed about her with a closer examination of the burning of Coulibri and the fire she set at Thornfield Hall. At Coulibri, "the blaze, started by family

The above example illustrates not only how the theatrical performance affects the audience, but also how the audience influences its dynamics, development and the characters within it. The actors feel a certain level of acceptance from the viewer, who demands a certain way of depicting the character. Theatre is not just entertainment, itís something much more than that ñ itís education. Theatre should always represent things, rather than

In Gustave Flaubert’s Madame Bovary, it is difficult to know what to think of Monsieur Binet and his lathe. His constant devotion to such an unrewarding pursuit would seem to act as the bourgeois backdrop to Emma Bovary’s quest for eternal passion and excitement, a polar opposite with which Emma can stand in sharp contrast. However, it turns out that Binet and his lathe have more in common with Emma and her rampant desires than what would first appear obvious. Binet’s lathe still serves as a background with which to compare Emma’s quest for love and riches, but instead of acting as a complete antithesis to everything she does, the lathe is meant to be subtly different