Bernini Vs Michelangelo Essay

the human eye. Visualize having the ability to completely free your imagination, letting your thoughts and desires wander to form exotic scenes or locations. These unfamiliar worlds lay deep inside of the brain as subconscious thoughts, usually undetected by the person with them in his or her possession. With the help of the intriguing art movement known as Surrealism, however, these subconscious thoughts are finally able to be brought to fruition. Surrealism is a unique style of art that originated in France with the help of brilliant writer André Breton (Chilvers 599). He defined surrealism and its principles as a “purely psychic automatism through which we undertake to express, in words, writing, or any other activity, the actual functioning of thought… Surrealism rests upon belief in the higher reality of specific forms of associations, previously neglected, in the omnipotence of dreams, and in the disinterested play of thinking” (Chilvers 599). He also strongly emphasized that its purpose was “to resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality” (Chilvers 599). Surrealism is a 20th century style of painting which rebels against traditional notions of art. In order to understand this genre, it is necessary to examine the movement’s characteristics, representative

During World War 1 at the city of Nantes one would find a man named André Breton (Sandrow). André Breton, born in 1896, is regarded as the founder of Surrealism, and the way his time was spent during the war influenced that outcome. For instance, during his time at Nantes, he encountered a few people that would leave a lasting impression on him. One of these people went by the name of Apollinaire, an admired poet-dramatist and the precursor to Surrealism. He pushed Breton away from pessimism towards investigating the philosophical relationship between poetry and painting. In fact, the word “surrealism” was first coined by Apollinaire in his play Les Mamelles de Tirésias (Magill 448).

Surrealism is a movement that built off of the burgeoning look into art, psychology, and the workings of the mind. Popularly associated with the works of Salvador Dali, Surrealist art takes imagery and ideology and creates correlation where there is none, creating new forms of art. In this essay I will look to explore the inception of the surrealist movement, including the Surrealist Manifesto, to stress the importance of these artists and their work in the 20th century and beyond. I also will look to films from our European Cinema course to express how films incorporate the influence of surrealism both intentionally and unintentionally.

Baroque painting contained dramatic details, large in scale and was full of energy. This style was intentionally non-symmetrical. The painters of this time were looking to capture the real feelings of their subjects along with the movement or action taking place.

Surrealism was one of the most influential artistic movements of the 20th Century. André Breton consolidated Surrealism as a movement in the early 1920s, trying to achieve the “total liberation of the mind and of all that resembles it[1]” through innovative and varied ideas. Surrealism deeply influenced the world in the era between the two world wars and played a big role in the diffusion and adoption of psychology worldwide. Surrealism faded after World War II, but its revolutionary genius has influenced every artistic movement ever since.

“Statue of David” by Michelangelo and “Unity Forms of Continuity in Space” by Umberto Boccioni, are two very different sculpture. But in some ways, they are similar. These two artists’ works have similar aspects to the appearances of their sculptures. But there are more differences then similarities. The time that the sculpture was built are separate dates. They did build them in a similar place. Their sculptures also portrayed a strong message for both.

Salvador Dali is one of the most famous surrealist artists. His artwork is fascinating to look at and analyze. All of his work is very imaginative, rendered at a high level of realism, and is filled with extensive symbolism. First I will talk about the history of Surrealism, then how Dali studied and admired Sigmund Freud's theories which greatly influenced his art, he used Sigmund Freud’s psychoanalytic theory of dream interpretation to invent a technique for his work, and then using this technique he painted his bizarre dreams.

Bernini's David represents the Baroque time shift in art. The shift towards the baroque art period seemed to have a change within the overall narrative of the sculptures. Prior to Bernini’s version of David there existed David’s sculpted by Donatello and Michelangelo. Donatello’s David was sculpted during the time of humanism, where a large influence came from the ancient Greco-Roman culture. The overall emotion of the sculpture is soft and youthful and creates the image of David after he had beaten Goliath. There really is no distinct emotion within David himself in this sculpture. In the high renaissance period Michelangelo sculpted his version of David. This sculpture began to form some energy which was seen in David’s tensed facial expression,

The pieces of art I will be comparing and contrasting are the three statues of David, by Donatello (Donato di Niccolò di Betto Bardi), Michelangelo (Michelangelo di Lodovico Buonarroti Simoni), and Bernini (Gian Lorenzo Bernini). The statues are modeled after the biblical David, who was destined to become the second king of Israel. Also most famously known as the slayer of the Philistine giant Goliath with a stone and a sling. The sculptures are all based on the same biblical hero, but differ from one another. Each David is unique in its own certain way.

His hands work quickly and delicately to complete this work of art. Every chiseled muscle would be as smooth as silk, each hair a perfect curl. Sweat dripped from his face and his heart pounded rapidly in his chest as he stepped back to see what he had created. Two years- two long years to finish this piece. What will the result be? He worried that all his work would have been for nothing. Tears swelled in his eyes as he gazed at his work. It was spectacular. The marble seemed to faintly glow in the afternoon sun. Michelangelo's expressive and idealized works of art have been a major influence from his own time to ours.

     Donatellos, Verrochio’s, and Michelangelo’s figures compare in the sense that none of them show any physical activity and are shown as prideful as they stand over oppressors. Bernini’s rendition of David is unique in the sense that he creates a more narrative figure instead of one that is poised and more classical in style. Protestants strongly believed that imagery presented in the church could cause people to venerate figures in statues rather than focus all their attention on God during the

It developed out of Dadaism and depicted the world of enlightenment, i.e., surreal world. It was born soon after Dada, which emphasized metaphysical paintings inspired by the imagination and accidental juxtaposition of objects. It aimed to make people become more aware of poetic aspects, rather than scientific ones, by exploring and explaining unconscious mind and freeing imagination. Despite Dada’s limitations, the exploration of Freud’s suggestions done by surrealists opened countless new paths. Surrealism goes even further from nihilistic Dadaism, which denies humankind, society, order, ethics, and art, and pursued unconscious world, dream world, and automatic world, thus seeking a new artistic

A winter known as Giorgio Vasari, stated that Michelangelo’s e works excelled “all ancient and modern statues, whether Greek or Latin, that have ever existed.” Michelangelo’s work, David, was very atypical in that the statue was unusually large and slender. By the 20th century, Michelangelo’s David had become iconic shorthand for culture with endless reproductions.

Indeed, it is not possible to imagine someone could compete with Gianlorenzo Bernini in feeling of the Baroque style in sculpture. Thus, the most prominent works of the artist, known for

Just as other works that reflect art, pieces in the category of fine arts serve the important message of passing certain messages or portraying a special feeling towards a particular person, function or activity. At times due to the nature of a particular work, it can become so valuable that its viewers cannot place a price on it. It is not the nature or texture of an art that qualifies it, but the appreciation by those who look at it (Lewis & Lewis, 2008).