Essay on Betrayal in Antony and Cleopatra

To betray by definition is to, “expose a person to danger by giving information or being disloyal to”. These books show that not only does conflict lead to broken friendships, but brutal betrayal as well. Betrayal is a part of human interaction, originating from conflict. Betrayal happens when friendship is not just broken, but converted to hatred because of the conflict. This relationship becomes a bitter one, with both people being against the other. Both Shakespeare and Knowles show that betrayal is a natural result of broken friendships. Brutus was considered by some to be Caesar’s son. For him to betray Caesar was upsetting, but it came with reasoning. “Et tu, Bruté?— then fall, Caesar” (III.i.85). It was because Caesar was usurping the Roman Empire, trying to take control. Brutus betrayed him because he was in conflict with Caesar’s new power. When Gene betrayed Phineas it was similar. He pushed Phineas off because his popularity was in conflict with Gene. “Gene understands his inferiority to Phineas and his own moral ugliness, made the more so when juxtaposed to Finny’s innocence. It is this realization that prompts his conscious shaking of the tree, which casts Phineas to the earth and which serves as Gene’s initiation to the ignorance and moral blackness of the human heart” (Ellis, 315). Gene realizes how Finny is superior and purposely injures him because of

       In William Shakespeare's Julius Caesar, although Marc Antony is allowed to make a speech at Caesar's funeral, he must not speak ill of either the conspirators or Caesar.  Antony was infuriated with Caesar's assassination, and wants to seek revenge on his killers as well as gain power for himself in Rome's government.  He must persuade the crowd that has gathered that Caesar's murder was unjust, and turn them against Brutus and Cassius.  He tries to stir his listeners' anger, rousing them into action and yet say nothing bad about his enemies.  Marc Antony uses several persuasive devices in his speech, which allows him to successfully convince the citizens of Rome to turn

Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on

     In the play, The Tragedy of Julius Caesar, William Shakespeare shows how friends often betray each other. Julius Caesar is about to be crowned king of Rome, when some well-known Romans decide that it is not a good idea for this to happen. They form a conspiracy and kill Caesar. Brutus, an honorable Roman and a very good friend of Caesar’s, betrays Caesar by killing him for the good of Rome. Antony, Caesar’s best friend and another honorable Roman, betrays Brutus by turning against the conspirators. Cassius, a respected Roman, and Brutus betray each other by arguing and destroying their friendship. All this betraying lead to many deaths in the play.

Brutus first states, “[Would you rather Caesar] living, and die all slaves, than that Caesar were dead to live a freemen” Then Antony came back with “You all did love him once, not without cause. What cause withholds you, then, to mourn for him?” After Brutus’ speech, Antony was able to evoke the feeling of the audience and bring them back, before his death and see what they had loved within Caesar before his death. All of his accomplishments were able to evoke the emotions they had before his death and then wanted to actually kill Brutus. In the next Scene, it mentioned a major consequence of the words that Antony had spoken. The famous poet Cinna was killed. However, he wasn’t even involved in the assassination of Caesar. That was how much emotion he was able to evoke in the people in Rome. Although ethos could establish the cold, hard truth, pathos can get under peoples skin and effect them and draw them into your cause. In which case it is Antony's'

Mark Antony, in the play The Tragedy of Julius Caesar, was a brave, intelligent, pleasure-loving, and cunning man. He was loyal to his friend, Caesar, whom he considered a true friend. He looked at life as a game in which he had a signified part to play, and played that part with excellent refinement and skill.

In the play, The Tragedy of Othello, judging from the relationship between Desdemona and Othello, seems to say that marriage based on an innocent romantic love is bound to fail. There is a common thread of betrayal and deceit among many characters. Othello and Desdemona being the most vividly portrayed. The two appear to love one another romantically at first, but it soon after transforms into a secular love. This comes to pass because there is no foundation for a relationship. There is no trust, no communication, and no understanding.

Mark Antony’s speech following Julius Caesar’s assassination uses his own understanding of ethos, pathos, and logos to make the crowd feel his pain and play effectively into his own motivations unknowingly. As Mark Antony delivers his speech to the crowd of plebeians his purpose and motivation is revealed when in context before the actual speech is delivered when Antony says, “A curse shall light upon the limbs of men; Domestic fury and fierce civil strife Shall cumber all the parts of Italy;” (III.i.262-264).Antony’s motives have been uncovered to reveal his desire for a civil war that will bring him more power and throughout his speech he is also trying to disprove those, in his opinion, false accusations of ambition Caesar’s murderers have given as cause for his death.

I understand that this is a very emotional time for Antony and that he feels very strongly about avenging his

Throughout the play Julius Caesar Antony, Caesar’s loyal servant, has become a bigger and bigger factor in the play. He really breaks out in Act III. In Act III, Brutus and others have killed Caesar, but yet leaves Antony unharmed because he seems harmless. Antony wants to show the public Caesar’s body and say a funeral speech. Brutus, trusting Antony, allows him to do so, but under some certain terms. Antony must speak good of the conspirators and not blame them. Antony uses logos and ethos, irony, and finally establishes ethos to turn the crowd away from Brutus.

One must engage in very close reading of the text to determine the cause and the signs of change. Issues for discussion include whether Antony is carried away by personal power, whether he is driven by desire for vengeance to assuage his personal grief, and whether these things constitute a desire to act for his friend or for himself. Antony's final speech is essentially a repeat of Brutus' rhetoric following Caesar's murder, and Antony's transformation is complete.

The play, Hamlet by William Shakespeare, surrounds the central idea of revenge and betrayal. Revenge drives the characters and determines their actions throughout the play, which results in several instances of betrayal. With revenge, the friendship and loyalty of characters are tested and conflicts are established between characters. Hamlet’s father, the king of Denmark, was helplessly poisoned by his own brother, Claudius. Hamlet, the protagonist, becomes aware of his father’s death and finds himself seeking revenge and starting a cycle of hatred. Hamlet embarks on his journey for revenge by displaying an act of craziness. Throughout the play, there were several moments where Hamlet’s actions caused confusion and made it difficult for

The tragic and untimely death of Julius Caesar, a condemned Roman tyrant, triggered William Shakespeare's creativity. In his play Julius Caesar Shakespeare writes of the treacherous conspirators, Marcus Brutus and Caius Cassius, and their plans to assassinate their Roman leader, Julius Caesar. The story continues to explain how Caesar's loyal friend, Marc Antony, helps avenge the brutal murder. After Antony receives soldiers to fight his battle, his character begins to change. The  fair and faithful Marc Antony transforms to a darker and more deceitful character. Marc Antony is not suitable to rule Rome because he holds a grand desire of great power, his conceit

Enobarbus realizes his betrayal through witnessing the loyalty and humility of Marc Antony. Despite his betrayal, Enobarbus is still Marc Antony's most loyal subject. Enobarbus stays by Marc Antony's side for the majority of the play, even when Marc Antony makes decisions Enobarbus himself did not agree with. Through these characters acts, Shakespeare expresses the direct relationship between self-interest and loyalty. As said by Paul Yachnin in his article "Shakespeare's Politics of Loyalty: Sovereignty and Subjectivity on Antony and Cleopatra," "under the pressure of misfortune, many followers fall away, revealing by their betrayals of their masters the fact that men often only pretend to be loyal." (5). Cleopatra and Enobarbus are only two of the characters who betray Marc Antony, however, they are the two character's whose betrayal Marc Antony is effected by most and cause some of the shifts in plot within the play.

In the tragedy “Antony and Cleopatra”, Shakespeare presents our protagonist Mark Antony as a tragic hero. He does this by using a number of dramatically effective methods, including language, staging techniques and structure. Aristotle defines a tragic hero as a character of noble stature who has a tragic flaw (usually hubris which is over confidence/arrogance) and suffers a downfall that is partially their fault but also due to factors beyond their control. The downfall they suffer exceeds the “crime” but the tragic hero gains some sort of self-awareness.