Between Dignity And Despair Summary

Between Dignity and Despair, a book written by Marion A. Kaplan, published in 1998, gives us a portrait of Jewish life in Nazi Germany by the astounding memoirs, diaries, interviews with survivors, and letters of Jewish women and men. The book is written in chronological order of events, from the daily life of German Jewish families prior to when the Holocaust began to the days when rights were completely taken away; from the beginning of forced labor and exile to the repercussion of the war. Kaplan tries to include details from each significant event during the time of the Holocaust. Kaplan

In the book Parallel Journeys, by Eleanor Ayer, World War II events are described through the experiences of two people during this time. Excerpts from both character’s own memoirs are included to get the perspective from their lives. Some events that took place throughout the book include the severe reality of the Holocaust and the effect of the Hitler Youth on young Germans. Parallel Journeys specifically portrays these events through the eyes of Helen Waterford, who was a Jewish girl, and Alfons Heck, a Hitler Youth member mesmerized by the power of Adolf Hitler.

War often has drastic and lasting effects on individuals; the violence and horror ages soldiers mentally and physically. World War I was a violent and distressing war; men came home with mental illnesses and never were fully able to sink back into society. Through these lasting effects common civilians with no affiliation were unaware to the consequences. In All Quiet on the Western Front, Erich Remarque investigates the damaging effects of war on an individual’s identity using Paul Bäumer as a representation for all soldiers; he draws specific attention to the continuing loss of purpose and ability to relate to the rest of society.

We all, as a people who have not seen the real war, are left in a state of confusion and uncertainty, when it comes to think about the war times, without real information and impressions of the combatants. Of course, looking from the bigger frame, there is no any event that had demolished the valuable heritage of humankind. But if we get closer, “we cannot, indeed, imagine our own death; whenever we try to do so we find that we survive ourselves as spectators”. People often try to imagine a war, in which 18 years olds had been killed mercilessly for the sake of their land, mothers of the soldiers lost the piece of their hearts and women had waited for their beloved ones even if they knew that they will not come. We are the people who did not

“You just can’t understand it, even when you’ve seen it”, Percy Knauth an American reporter claimed. (Abzug 45). The Holocaust is without a doubt the epitome of all trajectories.On the topic of the Holocaust, the focus points are the functions of the concentration camps and its survivors.The liberation of these Nazi camps is somewhat overlooked. The photos and the testimonies of the camp liberations allowed for the American people to comprehend the depths of the atrocities that had occurred. Without the witnesses, photos and testimonies the concentration camps wouldn’t have been liberated, if not for the supported evidence from the liberations the American people wouldn’t have face the true depth of the ghastly crime that is the Holocaust. In “Inside The Vicious Heart Americans And The Liberation Of Nazi Concentration Camps” Robert H.

Memoirs of war often reflect the positive or negative experiences endured throughout battle. Considered by many to be one of the best memoirs of World War I, Hervey Allen’s “Toward the Flame”, recalls his own experiences of battle. His recollection of events shows that he had a negative image of war and that there was nothing glorious about it. What started out looking like a man’s greatest adventure turned into a shell-shocking reality that war is actually horrible and trying. Allen’s experiences with consistent hunger, mustard gas, and artillery shellings led to his disillusionment with war, and left him with a permanent hatred of battle.

The dictionary defines terror and genocide as ‘an extreme fear’ and ‘the deliberate killing of a large group of people, especially those of a particular ethnic group or nation” respectably. Within these parameters, it is suitable to state that the terrors the governments of Germany and Russia forced some of their citizens to endure are nothing less than acts of genocide. Between 1933 and 1949, over six million Jewish people from Germany and Europe perished in Nazi Concentration Camps during the Holocaust. In Stalin’s Russia, between four million and seventy million Russians departed from the Earth within the Soviet Gulags. Within these figures, there are over eighty million souls and eighty million individual experiences and stories that will never be told. Mikihal Bulgakov wrote, ‘manuscripts don’t burn,’ and following that, it could be said that ‘the voices of people do not die.’ Faint as they may be, the voices of the dead can be heard when one attempts to listen hard enough. Through the examination of memoirs of the survivors, it is possible to gain understanding into the lives of those who perished in these concentration camps. This essay will work to understand how in the moments before their murders, and disposal of their vessels within the Soviet Gulags and the Nazi Concentration Camps, lead to the dehumanization of the prisoners that perished within these camps.

War is always the worst tragedy of mankind in the world. We, as human beings, were experienced two most dolorous wars that were ever happened in our history: World War I and World War II. A young generation actually does not know how much hardship the predecessors, who joined and passed through the wars, undergo. We were taught about just how many people died in the wars, how much damage two participations in the wars suffered or just the general information about the wars. We absolutely do not know about the details, and that’s why we also do not know what the grief-stricken feeling of people joining in the wars really is. But we can somewhat understand that feeling through war novels, which describe the truthfulness of the soldiers’ lives, thoughts, feelings and experiences. All Quiet on the Western Front written by Erich Maria Remarque, which takes World War I as background, is the great war novel which talks about the German soldiers ' extreme physical and mental stress during the war, and the hopeless of these soldiers about the “future” – the time the war would have ended.

It’s no surprise that soldiers will more-than-likely never come home the same. Those who have not served do not often think of the torment and negative consequences that the soldiers who make it out of war face. Erich Remarque was someone who was able to take the torment that he faced after his experience in World War I and shed light on the brutality of war. Remarque was able to illustrate the psychological problems that was experienced by men in battle with his best-selling novel All Quiet on the Western Front (Hunt). The symbolism used in the classic anti-war novel All Quiet on the Western Front is significant not only for showing citizens the negative attributes of war, but also the mental, physical, and emotional impact that the vicious war had on the soldiers.

Penned during two distinctly disparate eras in American military history, both Erich Maria Remarque's bleak account of trench warfare during World War I, All Quiet on the Western Front, and Tim O'Brien's haunting elegy for a generation lost in the jungles of Vietnam, The Man I Killed, present readers with a stark reminder that beneath the veneer of glorious battle lies only suffering and death. Both authors imbue their work with a grim severity, presenting the reality of war as it truly exists. Men inflict grievous injuries on one another, breaking bodies and shattering lives, without ever truly knowing for what or whom they are fighting for. With their contributions to the genre of war literature, both Remarque and O'Brien have sought to lift the veil of vanity which, for so many wartime writers, perverts reality with patriotic fervor. In doing so, the authors manage to convey the true sacrifice of the conscripted soldier, the broken innocence which clouds a man's first kill, and the abandonment of one's identity which becomes necessary in order to kill again.

When dealing with Non-Fiction and Memoir it is imperative to realize that no two authors will approach telling their story in the same manner. Elie Weisel and Charlotte Delbo, two survivors of Auschwitz, both chose to write their Memoir as testimonials of their experiences. Despite sharing a method of testimonial and similar experiences in their stories, the two finished pieces are nearly entirely different. This paper will focus on Elie Weisel’s method of reporting his experiences to the reader, as opposed to a brief discussion on Delbo who tends to reflect. The scene of focus in the comparison and contrast will be the arrival scene as the authors enter into Auschwitz. This is a universal scene that would have been similar for everyone that entered into the camp, so it is what I call a unique shared experience, as everyone’s experiences will of course vary. But, aside from being a common experience it is also a common primary reflective moment that both authors spend quite a bit of time discussing.

The text, ‘The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. ‘The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war

The Novel All Quiet On The Western Front illustrates the effects of war can be highly effective on most soldiers. In this particular novel these characters go through some many hardships and are tested to the maximum. In many ways, World War I demanded this depiction more than any war before it completely altered mankind’s conception of military conflict with its catastrophic levels of carnage and violence, its battles that lasted for months, and its gruesome new technological advancements that made killing easier and more impersonal than ever before.

Kara Tippets, a thirty-eight year old married Christian woman with four children suffered from metastatic breast cancer. Tippets strongly did not believe in assisted dying for many reasons. She slowly started accepting her condition over time and knew that her day of death was coming soon. Since her husband was a pastor, they strongly believed in the Christian way to fully live their lives to the best of their abilities. However, a twenty- nine year old woman named Brittany Maynard did not believe in assisted dying. She was diagnosed with a terminal brain tumor and decided to end her life before the tumor progressed and before her suffering worsened. Maynard strongly believed in the phrase “death with dignity” and was forced to move to Oregon from California to make physician-assisted dying legal. Only five states made physician-dying legal and California did not make it legal until after Maynard had passed away. Oregon, Vermont, Washington, and California were the other four states that made the procedure legal to any individual. Brittany Maynard had chosen to inject herself with lethal prescription with the assistance of a physician on November 1, 2014 to take her life away, but Kara Tippetts did not agree with her decision.

As long as there has been war, those involved have managed to get their story out. This can be a method of coping with choices made or a way to deal with atrocities that have been witnessed. It can also be a means of telling the story of war for those that may have a keen interest in it. Regardless of the reason, a few themes have been a reoccurrence throughout. In ‘A Long Way Gone,’ ‘Slaughterhouse-Five,’ and ‘Novel without a Name,’ three narrators take the readers through their memories of war and destruction ending in survival and revelation. The common revelation of these stories is one of regret. Each of these books begins with the main character as an innocent, patriotic soldier or civilian and ends in either the loss of innocence and regret of choices only to be compensated with as a dire warning to those that may read it. These books are in fact antiwar stories meant not to detest patriotism or pride for one’s country or way of life, but to detest the conditions that lead to one being so simpleminded to kill another for it. The firebombing of Dresden, the mass execution of innocent civilians in Sierra Leone and a generation of people lost to the gruesome and outlandish way of life of communism and Marxism should be enough to convince anyone. These stories serve as another perspective for the not-so-easily convinced.