Bharati Mukherjee 's Two Kinds By Amy Tan

Amy Tan had many personal experiences in her story. For example, when Amy Tan was living in Northern California, her mother had very high expectations on her. Her mother wanted her to be with the American society and be the best she could be. Amy Tan had to get a haircut very short to the way other famous children were acting in the United States. Amy’s mother was the one who encouraged this. With that, in the story “Two Kinds,” the young girl named Jing-mei live in a part of California and she had to get a very short haircut. Jing-mei’s mother wanted her daughter to look and act the same way Shirley Temple did. Within both of the girls lives, they each had to act like an already famous person exactly to please their mothers.

She was my mother,” (31).  Jing-Mei says this to her aunts after her mother had died, and she had to take your position in joy luck.  She felt like she never really knew her mother because of their miscommunication.  Suyuan Woo, Jing-Mei’s mother, had many hopes and good intentions for her daughter. While Jing-Mei wanted to be herself and still please her mother, Suyuan wanted her daughter to be a child prodigy. Always wanting the best for her daughter, Suyuan hoped Jing-Mei would one day become an extraordinary pianist.  Although Jing-Mei played the piano, she never put forth much effort into the music because her best was not good enough for her mother.  Nonetheless, she stopped playing the piano.  “I could only be me,” (154).  She could not be something that she was not; she could not live up to her mother’s expectations.  This symbolized one of Jing-Mei’s songs, “Pleading Child.”  Suyuan continues to put all the pressure on Jing-Mei so that she will not become like her mother for all the reasons she had come to America; hopes for a better life.

In the short story “Two Kinds”, Amy Tan uses the narrator’s point of view to share a mother's attempt to control her daughter's dreams and ambitions. Tan`s short story is an example of how differing personalities cause struggles between a parent and child. Children often fall victim to a parent trying too hard or expectations being too high, and in the case of "Two Kinds," we see Jing Mei’s mother trying to live her life through that of Jing Mei. The outcome of her mother’s actions soon leads the narrator into feeling tension within herself, and between herself and her mother.

“Two kinds” is a story, a Chinese girl whose life is influenced by her mother. Her mother came to America after losing everything in China. Jing-Mei’s mother was immigrated early to America from China who has “American dream”. Her mother had high expectations on her daughter and did not care how it could affect her. It made Jing-Mei become a stubborn and rebellious person. “In the years that followed, I failed her so many times, each time asserting my own will, … for unlike my mother, I did not believe I could be anything I wanted to be, I could only be me. (104) She expressed her anger by going against her mother's expectations in ‘who I am’, it inferred that such tendency come from her childhood experiences. Jing-Mei was frustrated because she could not satisfy her mother.

their own mind! Only one kind of daughter can live in this house. Obedient daughter!’(1128)”. I think this title is appropriate because it is what the conflict is revolved around. Jing-mei is the daughter who follow their own mind which her mother doesn’t approve. However, her mother wants Jing-mei to be the obedient type of daughter who follows her order; which ironically stated that Jing-mei is not this type of daughter by any sense.

In the short story, "Two Kinds" by Amy Tan, a Chinese mother and daughter are at odds with each other. The mother pushes her daughter to become a prodigy, while the daughter (like most children with immigrant parents) seeks to find herself in a world that demands her Americanization. This is the theme of the story, conflicting values. In a society that values individuality, the daughter sought to be an individual, while her mother demanded she do what was suggested. This is a conflict within itself. The daughter must deal with an internal and external conflict. Internally, she struggles to find herself. Externally, she struggles with the burden of failing to meet her mother’s expectations. Being a first-generation Asian American,

In the excerpt “Two Kinds,” written by Amy Tan, the author expresses her personal perception on cultural tradition along with the conflict of her mother’s opposing views. Upon travelling to America, the mother of Jing-mei continued to carry-out and force her culture onto her daughter in order to preserve their culture. Despite her seemingly increasing progress, rebellion and disobedience

The title of this short story “Two Kinds” is describes the theme of this story. The mother had stated that there are only two types of daughters. “Those who are obedient and those who follow their own mind.” (pg 412) Jing Mei did not understand the truth or meaning behind that declaration until after her mothers death. Jing Mei realized that her mother only meant that she could be an obedient child by listening to her mother while at the same time follow her own heart and want her own prodigy in life. The last paragraph in this story also indicates the theme of two halves being equal to one. The two songs “perfectly contented” and “pleading child” was actually two halves of one song. Despite Jing Mei and her mother’s differences

In the story By any other name by Santha Rama Rau, Santha and her sister, Premila, move to a different school that changes them in ways that affect their culture. In the beginning, the headmistress says, “Suppose we give you pretty English names (35).” This creates the beginning of how the American culture is affecting Santha and Premila by changing their Indian names because it is too hard for everyone else to pronounce. The sisters are also starting to question their lunch: “Premila and I were the only ones who had Indian food (37).” This explains how their culture is conflicting with everyone else’s and how they are viewing themselves as different. Throughout these two quotes, it shows how both cultures, people from the school and Santha and Premila’s, are conflicting and changing one another while they are viewing each other differently.

“In 2009, 33 million people in the United States were second generation immigrants, representing 11% of the national population. The children of such immigrants in the U.S., also known as "second generation immigrants," experience a cultural conflict between that of their parents and that of mainstream U.S. society” (Wikipedia 1). Amy Tan the author of “Two Kinds”, and the young character in the story both are a second generation immigrants, who have struggled in their life with parents, about the culture they assimilating and their real culture.

In Mira Nair’s film, The Namesake, the disparate cultures of India and America affirms to the binary paradigm of “the one” and “the other”, manifesting the dominance of one from the other and its impact to influence and cause cultural and identity issues. The collision of the two cultures forms a process of trying to construct an identity and a destruction of an ethnic identity, with different factors to consider such as space and other sociocultural codes. This film about the Indian American also shows the concept of model-minority image, standards and expectations imposed to Asian Americans. The Namesake embodies the cultural and identity issues of an Asian American, particularly the Indian Americans, exemplifying the experiences of the

Our mothers have played very valuable roles in making us who a we are and what we have become of ourselves. They have been the shoulder we can lean on when there was no one else to turn to. They have been the ones we can count on when there was no one else. They have been the ones who love of us for who we are and forgive us when no one else wouldn’t. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, causes Jing-mei to struggle with who she wants to be. “Only two kind of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard the daughter rebels, but realizes in the end that their mothers

The short story, “Two Kinds”, written by Amy Tan, is written from the point of view of the character named Jing-Mei. There are three experiences which demonstrate her viewpoint. In the first experience, Jing-Mei is being told by her mom about the “American dream”. At first, she strives to pursue this prodigy. Her mom would test her every night after dinner. Through Jing-Mei’s eyes, she starts to realize that it was not the life she wanted to live. Lines in the story illustrate this when he says “I won’t let her change me, I promised myself. I won’t be what I’m not.” (p.406). In the second experience, Jing-Mei performs in a talent show. Her mother forced her to learn how to play the piano. After seeing a little girl playing the piano

Like many immigrants think, America is the land of opportunity. People from all over the world,

Both men and women are faced with the cultural strains of gender norms. Although one can sympathize for both genders, historically speaking, women have faced significantly more repercussions. In Amy Tan’s, Two Kinds, the theme of feminine oppression is represented by the symbolism of the song in which the main character, Ni kan, must recite as a child. The song she recites is called “Pleading Child” and she only realizes that the song has a second half called “Perfectly Contented” until adulthood. The two contrasting pieces of music represent the defiance of women to standards of femininity set by the patriarchy. This is showcased by the relationship between Ni kan and her mother who symbolize women living in a patriarchal society and the patriarchy itself, respectively. Moreover, their relationship reflects the oppression of women by the ideologies of; undermining a woman’s value, denying a woman’s choice and the disagreement between the sexes.